A Guide to English: Peoples and Identities

" This culturally rich encyclopedia contains 160 alphabetically arranged entries on African American, Asian American, Latino/a, and Native American literary traditions, among others. The book introduces the uniquely American mosaic of multicultural literature by chronicling the achievements of American writers of non-European descent and highlighting the ethnic diversity of works from the colonial era to the present. The work features engaging topics like the civil rights movement, bilingualism, assimilation, and border narratives. Entries provide historical overviews of literary periods along with profiles of major authors and great works, including Toni Morrison, Maxine Hong Kingston, Maya Angelou, Sherman Alexie, A Raisin in the Sun, American Born Chinese, and The House on Mango Street. The book also provides concise overviews of genres not often featured in textbooks, like the Chinese American novel, African American young adult literature, Mexican American autobiography, and Cuban American poetry." - from the publisher

"Multicultural Poetics provides a new perspective on American poetry that will contribute to the evolution of contemporary critical practice. Nissa Parmar combines formalist analysis with cultural studies theory to trace a lineage of hybrid poetry from the American Renaissance to what Marilyn Chin deemed America's "multicultural renaissance," the blossoming of multicultural literature in the 1980s and 1990s. This re-visionary literary history begins by analyzing Whitman and Dickinson as postcolonial poets. This critical approach provides an alternative to the factionalism that has characterized twentieth-century American poetic history and continues to inform literary criticism in the twenty-first century. Parmar uses a multiethnic, multigender method that emphasizes the relationship between American poetic form and cultural development. This book provides a new approach by using hybridity as the critical paradigm for a study that groups multiethnic and emergent authors. It thereby combats literary ghettoization while revealing commonalities across American literatures and the cross-fertilization that has informed their development." - from the publisher

"Taking its cue from Perry Miller’s 1956 classic of American literary criticism, The Raven and the Whale: The War of Words and Wits in the Era of Poe and Melville, Caroline Chamberlin Hellman’s new book examines ways in which contemporary multi-ethnic writers of the United States have responded to nineteenth- and early twentieth century texts historically central to the American literary canon. Each chapter of Children of the Raven and the Whale looks down the roads American literature ultimately traveled, examining pairs and constellations of texts in conversation. In their rewritings and layerings of new stories over older ones, contemporary writers forge ahead in their interrogations of a spectrum of American experience, whether they or their characters are native to the United States, first- or second-generation immigrants, or transnational. Revealing the traces of texts by writers such as Walt Whitman, Herman Melville, Nathaniel Hawthorne, F. Scott Fitzgerald, Ernest Hemingway, Richard Wright, and James Baldwin lying beneath contemporary American literature by Chang-rae Lee, Jonathan Lethem, Jhumpa Lahiri, Junot Díaz, Joseph O’Neill, Colum McCann, and Ta-Nehisi Coates, Hellman posits the existence of a twenty-first-century American renaissance." - from the publisher

"As an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work would serve as the basis for her novels and other writings in which she shaped a vision of African American Southern rural folk culture articulated through an antiracist concept of culture championed by Boas: culture as plural, relative, and long-lived. Meanwhile, a very different antiracist model of culture learned from Robert Park's sociology allowed Richard Wright to imagine African American culture in terms of severed traditions, marginal consciousness, and generation gaps. In A Genealogy of Literary Multiculturalism, Christopher Douglas uncovers the largely unacknowledged role played by ideas from sociology and anthropology in nourishing the politics and forms of minority writers from diverse backgrounds. Douglas divides the history of multicultural writing in the United States into three periods. The first, which spans the 1920s and 1930s, features minority writers such as Hurston and D'Arcy McNickle, who were indebted to the work of Boas and his attempts to detach culture from race. The second period, from 1940 to the mid-1960s, was a time of assimilation and integration, as seen in the work of authors such as Richard Wright, Jade Snow Wong, John Okada, and Ralph Ellison, who were influenced by currents in sociological thought. The third period focuses on the writers we associate with contemporary literary multiculturalism, including Toni Morrison, N. Scott Momaday, Frank Chin, Ishmael Reed, and Gloria Anzaldúa. Douglas shows that these more recent writers advocated a literary nationalism that was based on a modified Boasian anthropology and that laid the pluralist grounds for our current conception of literary multiculturalism." - from the publisher

"A biographical dictionary of English-language belletristic and popular writers, diarists, autobiographers, and critics, along with a few foreign language authors and some entries on related genres, critical theories, topics, and institutions. Although covering Africa, North America, the British Isles, Asia, the Caribbean, New Zealand, and the South Pacific through 1985, the majority of the approximately 2,700 individually authored but unsigned entries are for British and United States writers born after 1800. The entries, which are alphabetized by the best-known form of an author’s name and which range from about 50 to 500 words, sketch an entrant’s personal and professional career and stress her connections with other women. Most entries conclude with references to standard biographies or critical studies; the abbreviated—sometimes cryptic—citations require a user to consult both the prefatory list of abbreviations as well as the concluding list of works cited. Three indexes: topics; chronology; variant forms of names and women referred to but without separate entries." - Literary Research Guide summary

"This is a work about writers and about women as writers—those who are known and read, and those who have been generally neglected or undervalued because they were women. It is now possible to view them all from a more enlightened perspective. American Women Writers looks at writing in many different areas, covering over one thousand writers from early colonial days to our own time. The volumes include, of course, the best-known names of literature as such—Emily Dickinson, Gertrude Stein, Flannery O'Connor, Lillian Hellman, to name a few. There are also outstanding writers—Ruth Benedict, Karen Horney, Margaret Mead, Barbara Tuchman—from such fields as anthropology, religion, psychology, history. And there are hundreds of unjustly ignored writers who addressed themselves—in journals, letters, stories, even hymns—to the world of their time. The range is wide—writers also in politics, human rights, black culture, the early struggle for women's rights, labor organizing, children's literature, etiquette—all the areas in which women have shown their concern." - from the front flap

"Here is a gold mine of information about women's writing, women's history, and women's concerns - 771 entries, ranging from short biographies to extensive essays. The Oxford Companion to Women's Writing in the United States provides a comprehensive, authoritative, and highly informative survey of women writers and their work as it also illuminates the issues that fired their imaginations. The volume boasts contributions by many of today's well-known cultural and literary critics, including Susan Faludi writing on backlash, Deborah Tannen on communication between the sexes, Jane Gallop on Lacanian psychoanalysis, Sidonie Smith on autobiography, Trudier Harris on passing, Nancy Armstrong on daughters, and Rachel Blau DuPlessis on poetry. There are over four hundred biographical profiles of not only important poets, novelists, and playwrights (including such contemporary figures as Wendy Wasserstein, Louise Erdrich, Anne Tyler, Amy Tan, Alice Walker, Annie Dillard, Joyce Carol Oates, Adrienne Rich, Toni Morrison, and Tama Janowitz), but also of women writers who have made important contributions in other fields - Margaret Mead, Betty Friedan, Rachel Carson, and Susan B. Anthony. Perhaps most important, there is extensive coverage of the many personal, cultural, and historical issues that have been explored by, and have influenced the lives and productivity of, women writers: race and racism, violence and sexual harassment, health, AIDS, the Civil War, the women's movement, and much more. There is also coverage of the publishing world (women's bookstores and presses), the art and practice of writing, and contemporary literary criticism (including deconstruction, black feminism, and lesbian literary theory)." - from the publisher

"This reference features 250 of today's most prominent women poets whose works are available in English. Each entry includes: biographical data, such as nationality, date of birth, career and awards; bibliographic information, including the title, publisher and publication date of each of the entrant's works, as well as a list of critical studies; a personal statement by the entrant (when available); and an essay on the entrant's poetry." - from the publisher

Librarian's note: See volumes #200 (American women prose writers to 1820), #239 (American women prose writers : 1820-1870), and #221 (American women prose writers, 1870-1920). Each article contains a bibliography of the author's works, a brief biographical and critical overview, and a bibliography of secondary sources about the author.

"The field of American women's writing is one characterized by innovation: scholars are discovering new authors and works, as well as new ways of historicizing this literature, rethinking contexts, categories and juxtapositions. Now, after three decades of scholarly investigation and innovation, the rich complexity and diversity of American literature written by women can be seen with a new coherence and subtlety. Dedicated to this expanding heterogeneity, The Cambridge History of American Women's Literature develops and challenges historical, cultural, theoretical, even polemical methods, all of which will advance the future study of American women writers - from Native Americans to postmodern communities, from individual careers to communities of writers and readers. This volume immerses readers in a new dialogue about the range and depth of women's literature in the United States and allows them to trace the ever-evolving shape of the field." - from the publisher

"This work is a history of American women writers from 1650-2000. In this narrative spanning more than 400 years and introducing more than 250 female writers, both famous and little known, the author shows how these writers were connected to one another and to their times. The author believes that it is important to integrate the contributions of women into the American literary heritage, making the case for the unfairly overlooked and putting the overrated in their place. In this work she gives readers the opportunity to rediscover long-lost great writers and to return to familiar titles with deeper appreciation." - from the publisher

"Providing an overview of the history of writing by women in the period, The Cambridge Companion to Nineteenth-Century American Women's Writing establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading." - from the publisher

"This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts." - from the publisher

"In the decades spanning the nineteenth century, thousands of women entered the literary marketplace. Twelve of the century's most successful women writers provide the focus for Mary Kelley's landmark study: Maria Cummins, Caroline Howard Gilman, Caroline Lee Hentz, Mary Jane Holmes, Maria McIntosh, Sara Parton, Catharine Maria Sedgwick, E.D.E.N. Southworth, Harriet Beecher Stowe, Mary Virginia Terhune, Susan Warner, and Augusta Evans Wilson. These women shared more than commercial success. Collectively they created fictions that Kelley terms "literary domesticity," books that both embraced and called into question the complicated expectations shaping the lives of so many nineteenth-century women. Matured in a culture of domesticity and dismissed by a male writing establishment, they struggled to reconcile public recognition with the traditional roles of wife and mother. Drawing on the 200 volumes of published prose and on the letters, diaries, and journals of these writers, Kelley explores the tensions that accompanied their unprecedented literary success." - from the publisher

"The early 1890s through the late 1920s saw an explosion in the serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: Frances Ellen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussion focuses on the differences in their work and the similarities that unite them, particularly their determination to experiment with narrative form as they explored and voiced issues of power for women. Analyzing the historical context that both enabled and limited American women writers at the turn of the century, Ammons provides detailed readings of many texts and offers extensive commentary on the interaction between race and gender. This book joins the deepening discussion of modern women writers' creation of themselves as artists and raises fundamental questions about the shape of American literary history as it has been constructed in the academy." - from the publisher

"Jayne Marek examines the work of seven women editors - Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D. (Hilda Doolittle), Bryher (Winifred Ellermann), and Marianne Moore - whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century.In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts." - from the publisher

"A brilliant, sweeping history of the contemporary women's movement told through the lives and works of the literary women who shaped it. Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism's second wave. From its stirrings in the midcentury--when Sylvia Plath, Betty Friedan, and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry, and Audre Lorde discovered community in rebellion--to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine, and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate, and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa, and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains--including creative new forms of protests and changing attitudes toward gender and sexuality -- they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing." - from the publisher

"The ten brilliant women who are the focus of Sharp came from different backgrounds and had vastly divergent political and artistic opinions. But they all made a significant contribution to the cultural and intellectual history of America and ultimately changed the course of the twentieth century, in spite of the men who often undervalued or dismissed their work. These ten women--Dorothy Parker, Rebecca West, Hannah Arendt, Mary McCarthy, Susan Sontag, Pauline Kael, Joan Didion, Nora Ephron, Renata Adler, and Janet Malcolm--are united by what Dean calls "sharpness," the ability to cut to the quick with precision of thought and wit. Sharp is a vibrant depiction of the intellectual beau monde of twentieth-century New York, where gossip-filled parties at night gave out to literary slugging-matches in the pages of the Partisan Review or the New York Review of Books. It is also a passionate portrayal of how these women asserted themselves through their writing in a climate where women were treated with extreme condescension by the male-dominated cultural establishment. Mixing biography, literary criticism, and cultural history, Sharp is a celebration of this group of extraordinary women, an engaging introduction to their works, and a testament to how anyone who feels powerless can claim the mantle of writer, and, perhaps, change the world." - from the publisher

"From the bestselling Bridget Jones's Diary that started the trend to the television sensation Sex and the City that captured it on screen, 'chick lit' has become a major pop culture phenomenon. Banking on female audiences' identification with single, urban characters who struggle with the same life challenges, publishers have earned millions and even created separate imprints dedicated to the genre. Not surprisingly, some highbrow critics have dismissed chick lit as trashy fiction, but fans have argued that it is as empowering as it is entertaining. This is the first volume of its kind to examine the chick lit phenomenon from a variety of angles, accounting for both its popularity and the intense reactions-positive and negative-it has provoked. The contributors explore the characteristics that cause readers to attach the moniker 'chick' to a particular book and what, if anything, distinguishes the category of chick lit from the works of Jane Austen on one end and Harlequin romance novels on the other. They critique the genre from a range of critical perspectives, considering its conflicted relationship with feminism and postfeminism, heterosexual romance, body image, and consumerism. The fourteen original essays gathered here also explore such trends and subgenres as 'Sistah Lit,' 'Mommy Lit,' and 'Chick Lit Jr.,' as well as regional variations." - from the publisher

"Literature has always been a history of patriarchy, sexual violence, and resistance. Academics have been using literature to expose and critique this violence and domination for half a century. But the continued potency of #MeToo after its 2017 explosion adds new urgency and wider awareness of these issues, while revealing new ways in which rape culture shapes our everyday lives. This intersectional guide helps readers, students, teachers, and scholars face and challenge our culture of sexual violence by confronting it through the study of literature. #MeToo and Literary Studies gathers essays on literature from Ovid to Carmen Maria Machado, by academics working across the United States and around the world, that offer clear ways of using our reading, teaching, and critical practices to address rape culture and sexual violence, including rereading and revaluing the work of male writers. It also examines the promise and limitations of the #MeToo movement itself, speaking to the productive use of social media as well as to the voices that the movement has so far muted. In uniting diverse voices to enable the #MeToo movement to reshape literary studies, this book is also a commitment to the idea that the way we read and write about literature can make real change in the world." - from the publishers

"'The Cambridge Companion to African American Women's Literature' covers a period dating back to the 18th century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison." - from the publisher

"Adapting a verse from the Epistle of James - "doers of the word"--Nineteenth-century black women activists Sojourner Truth, Jarena Lee, and Frances Ellen Watkins Harper, among others, travelled throughout the Northeastern, Mid-Atlantic, and Midwestern regions of the United States. They preached, lectured, and wrote on issues of religious evangelicism, abolition, racial uplift, moral reform, temperance, and women's rights, thereby defining themselves as public intellectuals. In situating these women within the emerging African-American urban communities of the free North, Doers of the Word provides an important counterweight to the vast scholarship on Southern slavery and argues that black "Civil Rights movements" cannot be seen as a purely modern phenomenonIn particular, the book examines the ways in which this Northern black population, despite its heterogeneity, came together and established social organizations that would facilitate community empowerment; yet Peterson's analysis also acknowledges, and seeks to explain, the highly complex relationship of black women to these institutions, a relationship that rendered their stance as public intellectuals all the more bold and defiant.Peterson begins her study in the 1830s, when a substantial body of oratory and writing by black women first emerged, and traces the development of this writing through the shifting political climate up to the end of Reconstruction. She builds her analyses upon Foucault's interdisciplinary model of discourse with an explicitly feminist approach, drawing upon sermons, spiritual autobiographies, travel and slave narratives, journalism, essays, poetry, speeches, and fiction. From these, Peterson is able to answer several key questions. First, what empowered these women to act, to speak out, and to write? Why, and in what ways, were they marginalized within both the African-American and larger American communities? Where did they act, speak, and write from? How did they negotiate the power relations of sexism and racism in their work? And, lastly, how might one distinguish between their social action and its literary representation?In seeking to answer these questions, Peterson herself may be seen as a "doer of the word," carrying forward the legacy of these nineteenth-century black women activists."

"In this ground-breaking collection of literary biographies, many with pictures, authors Lorraine Elena Roses and Ruth Elizabeth Randolph chronicle the lives and works of 100 black women novelists, short-story writers, playwrights, poets, essayists, critics, historians, journalists, and editors writing in the United States between 1900 and 1945. Here are insightful portraits of famous black women, among them Zora Neale Hurston, Katherine Dunham, Angelina Weld Grimké, Mary Eliza Church Terrell, and Ida Bell Wells-Barnett. Here, too, are many thoughtful profiles of neglected writers--their works deserving to be rescued from obscurity. Drawing on extensive archival research and interviews with the writers and their families, The Harlem Renaissance and Beyond traces its subjects' contributions to literature, their concerns about race and gender, their common themes, their relationships with artistic contemporaries, and the influence of these early writers on their modern-day counterparts in American literature." - from the publisher

"In this two-volume work, hundreds of alphabetically arranged entries survey contemporary lesbian, gay, bisexual, transgendered, and queer American literature and its social contexts. Comprehensive in scope and accessible to students and general readers, Encyclopedia of Contemporary LGBTQ Literature of the United States explores contemporary American LGBTQ literature and its social, political, cultural, and historical contexts. Included are several hundred alphabetically arranged entries written by expert contributors. Students of literature and popular culture will appreciate the encyclopedia's insightful survey and discussion of LGBTQ authors and their works, while students of history and social issues will value the encyclopedia's use of literature to explore LGBTQ American society." - from the publisher

"Biographical, bibliographical, and critical information on more than four hundred authors who have figured prominently in gay and lesbian literature and culture since 1900."

"The Cambridge History of Gay and Lesbian Literature presents a global history of the field and is an unprecedented summation of critical knowledge on gay and lesbian literature that also addresses the impact of gay and lesbian literature on cognate fields such as comparative literature and postcolonial studies. Covering subjects from Sappho and the Greeks to queer modernism, diasporic literatures, and responses to the AIDS crisis, this volume is grounded in current scholarship. It presents new critical approaches to gay and lesbian literature that will serve the needs of students and specialists alike. Written by leading scholars in the field, The Cambridge History of Gay and Lesbian Literature will not only engage readers in contemporary debates but also serve as a definitive reference for gay and lesbian literature for years to come." - from the publisher

"This companion provides a guide to queer inquiry in literary and cultural studies, a wide-ranging and porous area of study that has been especially generative for the larger interdisciplinary field of queer studies over the last three decades. The essays gathered here represent work in queer literary and cultural studies in the vital present, generated with an impulse to suggest new and emerging areas of inquiry, including trans studies as it is entangled with and adjacent to queer studies. All of the essays are original, written expressly for this publication by both established and newer voices in the field. Rather than being organized around a set of literary texts defined by a particular theme, literary movement, or demographic, this companion foregrounds a queer critical approach that moves across a wide array of literary traditions, genres, historical periods, national contexts, and media including print, tv/film/video, digital media, and performance. At this point in the history of the field, no single book could hope to provide an exhaustive account of the capacious project that is queer literary and cultural studies." - from the publisher

"The Gay and Lesbian Literary Heritage, Revised Edition, provides expanded overviews of gay and lesbian literatures from an array of historical periods; international coverage, including in-depth critical essays on gay and lesbian authors in world literature from an international selection of scholars; and thorough treatment of topics and figures vital to understanding the complexity and diversity of gay and lesbian literary traditions. Included are more than 380 alphabetically arranged articles, each with cross-references and bibliography." - from the publisher

"While many books have been written about gay writing, this is the first full-scale account of male gay literature, across cultures, languages, and from ancient times to the present. Working within the widest definitions of what constitutes gay literature, it includes chapters on the significant periods of cultural history (the Greek and Roman civilisations, the Middle Ages, the European Renaissance, the American major writers (Marlowe, Shakespeare, Proust) and on common themes (boyhood, mourning, masturbation). A work of reference as well as the definitive history of a tradition, it covers a definitive history of a tradition, it covers a massive field in terms of time (from Homer to Edmund White), literary status (from cultural icons like Virgil and Dante to popular novelists like Clive Barker and Dashiell Hammett), and location (from Mishima's Tokyo and Abu Nuwas' Baghdad to David Leavitt's New York). Taking a deliberately controversial view, A History of Gay Literature also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men. It addresses conspicuous gaps, such as the lack of a substantial literature of the gay holocaust and the dearth of gay writing in postcolonial African poetry. In the sheer breadth of its scope, the book confronts recent trends in Anglo-American gay studies, both by insisting on the internationalism of homosexual culture and by reasserting a continuity of homo-erotic traditions between the ancient world and the present. Furthermore, by declining to focus only on the most obvious authors and texts, Woods succeeds in both widening the gay canon and reminding us of the large variety of gay works within the mainstream. What emerges is a gay male literature that is far from peripheral to the world's major cultural traditions." - from the publisher

"Explores the depiction of transgender identity in twentieth-century and contemporary literary fiction. Transgender and the Literary Imagination is the first full length study to revisit twentieth century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender. Grounded in feminist scholarship, informed by queer theory and indebted to transgender studies, this book investigates the ways in which transgender identities and histories have been ‘authored by others’, with a focus on literary fiction by British, Irish and American authors, life writing and adaptation for stage and screen. -- Key Features: First full length study of the representation of transgender characters in twentieth century literary fiction. -- Essential overview of key critical issues for the analysis of transgender representation in literary fiction, informed by contemporary cultural debates. -- Original readings of a selection of fiction by British, Irish and American authors, including Angela Carter, Patricia Duncker, David Ebershoff, Jackie Kay and George Moore. -- Original readings of award-winning film adaptations, Albert Nobbs (2011) and The Danish Girl (2016).

"Tendencies brings together for the first time the essays that have made Eve Kosofsky Sedgwick "the soft-spoken queen of gay studies" (Rolling Stone). Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing. The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun." - from the publisher

"Women's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt. Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents." - from the publisher

"Since the publication of John Boswell's Christianity, Social Tolerance, and Homosexuality, historians have accepted the view that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. In this extraordinary study, Allen J. Frantzen challenges this long-held belief, showing that the early medieval Church did not tolerate same-sex acts, and, furthermore, that men and women during this time who preferred homosexual relations pursued their desires in spite of official sanctions. The early medieval period was, Frantzen argues, an age before people recognized the existence - or the possibility - of the 'closet.'" - from the publisher

"Explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Donoghue examines how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. She writes about the half-dozen contrasting girl-girl plots that have been retold throughout the centuries; explores the writings of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire; she writes about the ever-present triangle, in which a woman and a man compete for the heroine's love, and about how and why same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to that of P.D. James. Finally she examines the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman's life is turned upside down by the realization that she desires another woman, showing how this narrative pattern has remained popular and how it has taken many forms."

"Describes how the trailblazing, post-war gay literary figures, including Tennessee Williams, Gore Vidal, Truman Capote, and Allen Ginsberg, paved the way for newer generations, including Armistead Maupin, Edmund White, and Edward Albee. In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. In this book the author weaves these men's ambitions, affairs, feuds, loves, and appetites into a single narrative. Chronicling over fifty years of momentous change, from civil rights to Stonewall to AIDS and beyond, this is a tale that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century."

"Sinfield tracks stage representations of lesbians and gay men from Oscar Wilde to the present day, examining scores of British and American plays produced and viewed in alternative as well as West End and Broadway theaters. Theater, he argues, was and is an important place for the circulation of images of homosexuality and for the exploration of concepts of gender and sexuality." - from the publisher

"The book focuses on the relationship between American and British dramas written by and about gay men and the changing gay culture those plays reflect. From the era of the carefully enforced closet and the coming of liberation politics to the tragedy of the AIDS epidemic and the qualified security of the present era, Still Acting Gay chronicles the transition of the gay man as subject for sensational melodrama to creator of many of the most powerful and celebrated plays of the late twentieth century. This classic book on male homosexuality in modern drama is a must read for anyone interested in the state of the drama today." - from the publisher

"A dozen essays--by a range of established scholars and performing artists on issues in post-1969 American gay and lesbian theatre and drama--cover playwrights, millennial dramatists, and actors while exploring the history of gay-themed theatre and drama, the breadth of stage roles, and the dramatic representation of homosexual characters." - from the publisher

"This compact encyclopedia, aimed at students, selects the most important authors, literary movements, and key topics for them to know. Entries cover the most influential and highly regarded African American writers, including novelists, playwrights, poets, and nonfiction writers. The book covers key periods of African American literature—such as the Harlem Renaissance, the Black Arts Movement, and the Civil Rights Era—and touches on the influence of the vernacular, including blues and hip hop. The volume provides historical context for critical viewpoints including feminism, social class, and racial politics. Entries are organized A to Z and provide biographies that focus on the contributions of key literary figures as well as overviews, background information, and definitions for key subjects." - from the publisher

"A timely survey of an important sector of American letters, African American Writers examines a multitude of black cultural leaders from the 18th century to the present. Updated through the present time, this new second edition covers the role and influence of African American cultural leaders from all walks of life Carefully written articles, with illustrations, cover the important events in a writer's life, education, major works, honors and awards, and family and important associates. A comprehensive, easy to use source that will complement the reference collection of any public, high school or university library, and will prove useful to all university humanities and African American studies reference collections." - from the publisher

"The Oxford Companion to African American Literature provides the first comprehensive one-volume reference work devoted to this rich tradition, surveying the length and breadth of black literary history, focusing in particular on the lives and careers of more than 400 writers. Here, too, are general articles on the traditional literary genres, such as poetry, fiction, and drama; on genres of special import in African American letters, such as autobiography, slave narratives, Sunday school literature, and oratory; and on a wide spectrum of related topics, including journalism, the black periodical press, major libraries and research centers, religion, literary societies, women's clubs, and various publishing enterprises.Finally, the five-part, fifteen-page essay, Literary History, captures the full sweep of African American writing in the United States, from the colonial and early national eras right up to the present day. The Companion also features a comprehensive subject index; extensive cross-referencing; and bibliographies after almost every article." - from the publisher

"A central objective of this reference book is to provide a wide-ranging introduction to the first 200 years of African American literature. Included are alphabetically arranged entries for 78 black writers active between 1745 and 1945. Among these writers are essayists, novelists, short story writers, poets, playwrights, and autobiographers. Each entry is written by an expert contributor and provides a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and secondary bibliographies. The volume concludes with a selected, general bibliography." - from the publisher

"The first major twenty-first century history of four hundred years of black writing, The Cambridge History of African American Literature presents a comprehensive overview of the literary traditions, oral and print, of African-descended peoples in the United States. Expert contributors, drawn from the United States and beyond, emphasize the dual nature of each text discussed as a work of art created by an individual and as a response to unfolding events in American cultural, political, and social history. Unprecedented in scope, sophistication and accessibility, the volume draws together current scholarship in the field. It also looks ahead to suggest new approaches, new areas of study, and as yet undervalued writers and works. The Cambridge History of African American Literature is a major achievement both as a work of reference and as a compelling narrative and will remain essential reading for scholars and students in years to come." - from the publisher

"A History of African American Poetry: African American poetry is as old as America itself, yet this touchstone of American identity is often overlooked. In this critical history of African American poetry, from its origins in the transatlantic slave trade, to present day hip-hop, Lauri Ramey traces African American poetry from slave songs to today's award-winning poets. Covering a wide range of styles and forms, canonical figures like Phillis Wheatley (1753-1784) and Paul Laurence Dunbar (1872-1906) are brought side by side with lesser known poets who explored diverse paths of bold originality. Calling for a revised and expanded canon, Ramey shows how some poems were suppressed while others were lauded, while also examining the role of music, women, innovation, and art as political action in African American poetry. Conceiving of a new canon reveals the influential role of African American poetry in defining and reflecting the United States at all points in the nation's history."-- Provided by publisher

"This volume of essays examines the forced dispossession caused by the Middle Passage. The book analyzes the texts, religious rites, economic exchanges, dance, and music it elicited, both on the transatlantic journey and on the American continent. The totality of this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the beginning of the Passage to the present day."

"Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole. Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it." - from the publisher

"The years between the end of Reconstruction and the beginning of World War I represented a low point in American race relations. In Black American Writing from the Nadir, Dickson D. Bruce, Jr., considers the black writers who worked during that period an examines the ways in which they sought to give perspective and meaning to the black experience in a time of deep-seated racism. Whereas some scholars have examined in a broad way the black literature produced during these years, and others have made individual studies of such significant figures of the time as Charles W. Chestnutt, Paul Laurence Dunbar, James Weldon Johnson, Frances Ellen Watkins Harper, and W. E. B. Du Bois, no one until now has presented a full-scale analysis of post-Reconstruction and turn-of-the-century black writing. Bruce’s study treats minor as well as major authors and encompasses a broad range of creative work. Bruce shows that black writers confronted the conditions of an increasingly racist society in almost every aspect of their work—from their choice of subject matter, to the way they drew their characters, to the moods they portrayed. At the same time, these writers—most of whom were members of a small but growing black professional class—displayed a concern for middle-class aspirations and values. Bruce maintains that it is important to comprehend the tensions and ambiguities between these two forces in studying the literature of the time. Bruce’s attention to the body of work produced by minor authors, most of whom have remained obscure to all but a few literary scholars and historians, adds an important dimension to our understanding of Afro-American history and literature. His discussion of such better-known writers as Chestnutt, Dunbar, Johnson, and Du Bois places them in a fuller literary context, defining more clearly their significance as individuals. Black American Writing from the Nadir is an insightful, well-focused work that will benefit social and cultural historians as well as students of literature." - from the publisher

"This Companion examines the slave narrative's relation to transatlantic abolitionism, British and American literary traditions including captivity narratives, autobiography, and sentimental literature, and the larger African American literary tradition. The volume also explores the history of the genre, including its rediscovery and authentication, its subsequent critical reception, and its continued importance to modern authors such as Toni Morrison and Edward P. Jones. Attention is paid both to well-known slave narratives, such as those by Olaudah Equiano, Frederick Douglass and Harriet Jacobs, and to a wide range of lesser-known narratives. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field." - from the publisher

"Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation as a means to assert their civic identities and intervene in the political and literary cultures of the United States from which they were otherwise excluded. Forgotten Readers expands our definition of literacy and urges us to think of literature as broadly as it was conceived of in the nineteenth century. Elizabeth McHenry delves into archival sources, including the records of past literary societies and the unpublished writings of their members. She examines particular literary associations, including the Saturday Nighters of Washington, D.C., whose members included Jean Toomer and Georgia Douglas Johnson. She shows how black literary societies developed, their relationship to the black press, and the ways that African American women's clubs-which flourished during the 1890s-encouraged literary activity. In an epilogue, McHenry connects this rich tradition of African American interest in books, reading, and literary conversation to contemporary literary phenomena such as Oprah Winfrey's book club. Forgotten Readers redirects contemporary thinking about the origins of African American literature and adds a vital element to scholarship on the history of the book." - from the publisher

"The Harlem Renaissance (1918 -1937) was the most influential single movement in African American literary history. Its key figures include W.E.B. Du Bois, Nella Larsen, Zora Neale Hurston, Claude McKay, and Langston Hughes. The movement laid the groundwork for all later African American literature, and had an enormous impact on later black literature world-wide. With chapters by a wide range of well-known scholars, this Companion is an authoritative and engaging guide to the movement. It first discusses the historical contexts of the Harlem Renaissance, both national and international; then presents original discussions of a wide array of authors and texts; and finally treats the reputation of the movement in later years. Giving full play to the disagreements and differences that energized the renaissance, this Companion presents the best of current wisdom as well as a set of new readings encouraging further exploration of this dynamic field." - from the publisher

"Harlem Speaks showcases the lives and works of the artists, writers and intellectuals behind the stunning outburst of African American culture in the three decades after World War I. In the tradition of the New York Times bestseller Poetry Speaks, the book combines each subject's key works with biographical and critical essays by leading Harlem Renaissance authority Cary Wintz and other experts. The integrated audio CDs feature music, poetry and literary readings, interviews, radio broadcasts, discussions and speeches, bringing the Harlem of legend to vibrant life once again." - from the publisher

"This the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this study, the author recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As he shows, through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, this work paints a portrait of American intellectual and artistic life in the mid-twentieth century."

"Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts." - from the publisher

"The first book-length critical study of the black experience in the Vietnam War and its aftermath, this text interrogates the meaning of heroism based on models from African and African American expressive culture. It focuses on four novels: Captain Blackman (1972) by John A. Williams, Tragic Magic (1978) by Wesley Brown, Coming Home (1971) by George Davis, and De Mojo Blues (1985) by A. R. Flowers. Discussions of the novels are framed within the historical context of all wars prior to Vietnam in which Black Americans fought. The success or failure of the hero on his identity quest is predicated upon the extent to which he can reconnect with African or African American cultural memory. He is engaged therefore in “re-membering,” a term laden with the specificity of race that implies a cultural history comprised of African retentions and an interdependent relationship with the community for survival. The reader will find that a common history of racism and exploitation that African Americans and Vietnamese share sometimes results in the hero’s empathy with and compassion for the so-called enemy, a unique contribution of the black novelist to American war literature." - from the publisher

"Writing the Future of Black America explores the work of eight representative African American writers of the hip-hop generation to assess their common themes and offer insights into contemporary race relations in America as expressed and challenged in their works. In this groundbreaking study, Daniel Grassian takes as his subjects a group of impressive novelists, essayists, poets, and playwrights-Paul Beatty, Trey Ellis, Terrence Hayes, Allison Joseph, Jake Lamar, Suzan-Lori Parks, Danzy Senna, and Colson Whitehead-to chart the depths of their literary work against that of their predecessors in the civil rights generation and their predominantly white contemporaries of Generation X. Characterized by the pursuit of empowerment through hybridity, social criticism, and personal expression, hip-hop has become the music and culture of choice for a sizable portion of America, regardless of race or socioeconomic standing. Meanwhile the writers of this generation have received little serious critical attention, aside from singular book reviews and occasional essays. Grassian fills in a gap in the discourse with his thorough analysis of the works crafted by these distinguished hip-hop writers, and he makes a case for the validity and value of studying their sophisticated engagements with race in contemporary America. Selected because their work addresses a broad range of African American life, these writers fathom such topics as what it means to be African American or multiethnic in an increasingly global society, what role art and literature play in affecting their communities, and what positive and negative authority has been assigned to popular culture (and hip-hop culture specifically) in modern African American life." - from the publisher

"A literary and political genealogy of the last half-century, Words of Witness explores black feminist autobiographical narratives in the context of activism and history since the landmark 1954 segregation case, Brown v. Board of Education. Angela A. Ards examines how activist writers, especially five whose memoirs were published in the 1990s and 2000s, crafted these life stories to engage and shape progressive, post-Brown politics. Exploring works by the critically acclaimed June Jordan and Edwidge Danticat, as well as by popular and emerging authors such as Melba Beals, Rosemary Bray, and Eisa Davis, Ards demonstrates how each text asserts countermemories to official - and often nostalgic - understandings of the civil rights and Black Power movements. She situates each writer as activist-citizen, adopting and remaking particular roles - warrior, "the least of these," immigrant, hip-hop head - to crystallize a range of black feminist responses to urgent but unresolved political issues." - from the publisher

"From Ishamel Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume - the only reference work devoted exclusively to African American fiction of the last thirty-five years - presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, and Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research." "Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. The volume concludes with an extensive annotated bibliography of African American fiction and criticism." - from the publisher

"Post-Blackness. Post-Soul. Post-Black Art. New Blackness. How has the meaning of blackness changed in the twenty-first century? Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art. Leader-Picone defines these terms as significant facets of a larger "post" era, linking them with the social and political context of Barack Obama's presidency. Analyzing claims of progress associated with Obama's election and post-era thinking, Leader-Picone examines the contours of black aesthetics in the new century. To do so, he sifts through post-era African American fiction, considering both celebrations and rejections of an early twenty-first-century rhetoric of progress. As well, he maps the subsequent implications of these concepts for rearticulating racial identities. Through the works of Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Kiese Laymon, and Jesmyn Ward, Leader-Picone tracks how recent fiction manifests the tension between the embrace of post-civil rights era gains and the recognition of persistent structural racism. Ultimately far less triumphal than the prefix post would imply, these authors address the Black Arts Movement and revise double consciousness and other key themes from the African American literary tradition. They interrogate their relevance in an era encompassing not only the election of the nation's first black president, but also the government's failed response to Hurricane Katrina, expanding class divisions within the black community, mass incarceration, and ongoing police violence." - from the publisher

"In Literary Afrofuturism in the Twenty-First Century, eminent contributors pay tribute to Afrofuturism as a powerful and evolving aesthetic practice that communicates the experience of science, technology, and race across centuries, continents, and cultures. While Ryan Coogler and Janelle Monáe may have helped bring the genre into contemporary pop consciousness, it in fact extends back to the writing of eighteenth-century poet Phyllis Wheatley and has continued in the work of Samuel R. Delany, Octavia E. Butler, N. K. Jemisin, and many others. In examining this heritage, contributors in this volume question generic boundaries, recover lost artists and introduce new ones, and explore how the meteoric rise of a new, pan-African speculative literary tradition may or may not connect with Afrofuturism. Additionally, the editors have marshaled some of today’s most exciting writers for a roundtable discussion of the genre: Bill Campbell, Minister Faust, Nalo Hopkinson, N. K. Jemisin, Chinelo Onwualu, Nisi Shawl, and Nick Wood. Pioneering author and editor Sheree R. Thomas limns how black women have led new developments in contemporary Afrofuturism, and artist Stacey Robinson’s illustrations orient readers to the spirited themes of this enduring and consequential literary tradition." - from the publisher

"U.S. Latino Literature is defined as Latino literature within the United States that embraces the heterogeneous inter-groupings of Latinos. For too long U.S. Latino literature has not been thought of as an integral part of the overall shared American literary landscape, but that is slowly changing. This dictionary aims to rectify some of those misconceptions by proving that Latinos do fundamentally express American issues, concerns and perspectives with a flair in linguistic cadences, familial themes, distinct world views, and cross-cultural voices. The Historical Dictionary of U.S. Latino Literature contains a chronology, an introduction, and an extensive bibliography. The dictionary section has cross-referenced entries on U.S. Latino/a authors, and terms relevant to the nature of U.S. Latino literature in order to illustrate and corroborate its foundational bearings within the overall American literary experience. This book is an excellent access point for students, researchers, and anyone wanting to know more about this subject." - from the publisher

"In three volumes of expert, innovative scholarship, Literary Cultures of Latin America offers a multidisciplinary reference on one of the most distinctive literary cultures in the world. In topically arranged articles written by a team of international scholars, Literary Cultures of Latin America explores the shifting problems that have arisen across national borders, geographic regions, time periods, linguistic systems, and cultural traditions in literary history. Bucking the tradition of focusing almost exclusively on the great canons of literature, this unique reference work casts its net wider, exploring pop culture, sermons, scientific essays, and more. While collaborators are careful to note that these volumes offer only a snapshot of the diverse body of Latin American literature, Literary Cultures of Latin America highlights unique cultural perspectives that have never before received academic attention. Comprised of signed articles each with complete bibliographies, this unique reference also takes into account relevant political, anthropological, economic, geographic, historical, demographic, and sociological research in order to understand the full context of each community's literature." - from the publisher

Librarian's note: See index for articles on Chicano, Puerto Rican, and Cubano-American literatures in the U.S.

"Latin American Women Writers: An Encyclopedia presents the lives and critical works of over 170 women writers in Latin America between the sixteenth and twentieth centuries. This features thematic entries as well as biographies of female writers whose works were originally published in Spanish or Portuguese, and who have had an impact on literary, political, and social studies." "Focusing on drama, poetry, and fiction, this work includes authors who have published at least three literary texts that have had a significant impact on Latin American literature and culture. Each entry is followed by extensive bibliographic references, including primary and secondary sources." "Coverage consists of critical appreciation and analysis of the writers' works. Brief biographical data is included, but the main focus is on the meanings and contexts of the works as well as their cultural and political impact. In addition to author entries, other themes are explored, such as humor in contemporary Latin American fiction, lesbian literature in Latin America, magic, realism, or mother images in Latin American literature. The aim is to provide a unique, thorough, scholarly survey of women writers and their works in Latin America. This Encyclopedia will be of interest to both to the student of literature as well as to any reader interested in understanding more about Latin American culture, literature, and how women have represented gender and national issues throughout the centuries." - from the publisher

"This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements." "The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume." - from the publisher

"The Cambridge History of Latina/o American Literature emphasizes the importance of understanding Latina/o literature not simply as a US ethnic phenomenon but more broadly as an important element of a trans-American literary imagination. Engaging with the dynamics of migration, linguistic and cultural translation, and the uneven distribution of resources across the Americas that characterize Latina/o literature, the essays in this History provide a critical overview of key texts, authors, themes, and contexts as discussed by leading scholars in the field. This book demonstrates the relevance of Latina/o literature for a world defined by the migration of people, commodities, and cultural expressions." - from the publisher

"In his groundbreaking new study, Permissible Narratives: The Promise of Latino/a Literature, Christopher Gonzalez examines the difficulties Latina/o writers face in writing beyond the narrow expectations of U.S. readership in the stories they tell Gonzalez argues that a constrained conception of the possibilities of storytelling by and about Latinos diminishes the development and progression of narrative form. Through an examination of Latino/o writers against the a priori made of engaging with nonethnic literature in the United States, Gonzalez explores the limitations and challenges Latina/o authors have confronted via the shaping power of their narratives to reach a sustainable audience. Bringing together cultural critique, memory, narratology, cognition, and comprehension, González examines Latina/o authors-such as Oscar "Zeta" Acosta, Gloria Anzaldua, Piri Thomas, Giannina Braschi, Gilbert Hernandez, Sandra Cisneros, and Junot Díaz-investigating how they successfully, and sometimes unsuccessfully, use the expansive canvas of narrative form to capture the imaginations of an open-minded readership. Permissible Narratives highlights both the inequitable accessibility of narrative devices and, crucially, the daring of Latina/o authors to nurture a readership to afford the same literary deference to them that is so often afforded to white, male, straight authors." - from the publisher

"In the past ten years, literature by U.S. Latinos has gained an extraordinary public currency and has engendered a great deal of interest among educators. Because of the increase in numbers of Latinos in their classrooms, teachers have recognized the benefits of including works by such important writers as Sandra Cisneros, Julia Alvarez, and Rudolfo Anaya in the curriculum. Without a guide, introducing courses on U.S. Latino literature or integrating individual works into the general courses on American Literature can be difficult for the uninitiated. While some critical sources for students and teachers are available, none are dedicated exclusively to this important body of writing. To fill the gap, the editors of this volume commissioned prominent scholars in the field to write 18 essays that focus on using U.S. Latino literature in the classroom. The selection of the subject texts was developed in conjunction with secondary school teachers who took part in the editors' course. This resultant volume focuses on major works that are appropriate for high school and undergraduate study including Judith Ortiz Cofer's The Latin Deli, Piri Thomas' Down These Mean Streets, and Cisneros' The House on Mango Street." - from the publisher

"A panorama of literature by Latinos, whether born or resident in the United States. This volume, documenting the linguistic and cultural diversity of Latino literary output in the United States, offers an exciting introduction for non-specialist readers. Unique in its scope and perspective, it focuses on variousliterary genres, and cinema, related to Latinos. Each essay considers not only Latino writers who were born or raised in the United States, but also Latin American writers who took up residence in the United States but may also beconsidered part of the literary scene of their countries of origin. Rather than follow one specific mode of organization and presentation, each contributor has offered his or her original perspective on the subject matter or theme. The result is an inclusive spectrum of the voices of the U.S. Latin American diaspora, illuminating the rich and complex culture of Latinos." - from the publisher

"Herencia (meaning "inheritance" or "heritage") is the first anthology to bring together literature from the entire history of Hispanic writing in the United States, from the age of exploration to the present. The product of a ten-year project involving hundreds of scholars nationwide, Herencia spans over three centuries and includes writers from all the major Hispanic ethnic communities, and writing from diverse genres. Here is the voice of the conqueror and the conquered, the revolutionary and the reactionary, the native and the uprooted or landless. Readers will find pieces by such leading writers as Piri Thomas, Luis Valdez, Isabel Allende, Oscar Hijuelos, and Reinaldo Arenas. This anthology has historical depth as well as a portrait of Hispanic literature in the United States. Beginning with Cabeza de Vaca's account of his explorations in the New World, the anthology includes a passage from La Florida, a narrative historical poem of 22,000 verses, written by Franciscan friar Alonso de Escobedo; an attack on Mexican stereotypes in the nascent movie industry, written by Nicasio Idar, editor of Laredo's La Cronica; and an essay about Coney Island written by revolutionary Jose Marti. Embracing Chicano, Nuyorican, Cuban American, and Latino writings, the voices of immigrants and the voices of exiles, Herencia makes a contribution to our understanding not only of Hispanic writing in the United States, but also of the contribution Hispanics have made to the United States." - from the publisher

"Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can't Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope. In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi."-- Provided by publisher.This collection of essays interrogate the different myths and stereotypes about the Latinx diaspora. The pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. The result is an essential celebration of this rich and diverse community." - from the publisher

"Following the success of the Flash Fiction and Sudden Fiction series, editors Robert Shapard and James Thomas join with Ray Gonzalez in offering some of the best new and recent short-short stories by U.S. Latino and Latin American writers. Featuring an introduction by the much-lauded Argentine writer Luisa Valenzuela, Sudden Fiction Latino celebrates work from stars like Junot Dfaz, Sandra Cisneros, and Roberto Bolofio: masters like Gabriel Garda Marquez, Isabel Allende, and Jorge Luis Borges; and rising talents like Andrea Saenz, Daniel Alarcon, and Alicita Rodriguez. From as little as half a page long to a few pages, these stories are moving, challenging, humorous, artful, sometimes political, and altogether spectacular - and reveal significant distinctions and common ground between U.S. Latino and Latin American literature." - from the publisher

"Contains alphabetically arranged entries that profile forty-five Asian American writers; each entry includes an introduction to the author's life and work, a list of principal works, excerpts from reviews and criticisms, and a bibliographic citation." - from the publisher

"The Cambridge History of Asian American Literature presents a comprehensive history of the field, from its origins in the nineteenth century to the present day. It offers an unparalleled examination of all facets of Asian American writing that help readers to understand how authors have sought to make their experiences meaningful. Covering subjects from autobiography and Japanese American internment literature to contemporary drama and social protest performance, this History traces the development of a literary tradition while remaining grounded in current scholarship. It also presents new critical approaches to Asian American literature that will serve the needs of students and specialists alike. Written by leading scholars in the field, The Cambridge History of Asian American Literature will not only engage readers in contemporary debates but also serve as a definitive reference for years to come." - from the publisher

"The Routledge Companion to Asian American and Pacific Islander Literature offers a general introduction as well as a range of critical approaches to this important and expanding field. Divided into three sections, the volume introduces 'keywords' connecting the theories, themes and methodologies distinctive to Asian American Literature; addresses historical periods, geographies and literary identities; looks at different genre, form and interdisciplinarity. With 41 essays from scholars in the field this collection is a comprehensive guide to a significant area of literary study for students and teachers of Ethnic American, Asian diasporic and Pacific Islander Literature." - from the publisher

"The Asian Pacific American Heritage: A Companion to Literature and Arts is aimed at a new audience - the new multicultural classroom - and is the first reference work of its kind dedicated to explaining in detail the diverse history of Asian Pacific American culture." "This collection of 63 original articles, written by expert contributors renowned in their specialties, has been designed to support those students, teachers, and librarians who may be unfamiliar with Asian Pacific American culture but need accessible, in-depth information on the topics that will unlock the work of contemporary Asian Pacific American writers and artists - now, and for years to come." "The Asian Pacific American Heritage is a valuable source of information for anyone examining the cultural, intellectual, and social influence of Asian Pacific Americans." - from the publisher

"The years between 1850 and 1930 witnessed the first largescale migration of peoples from East Asia and South Asia to North America and the emergence of the US as an imperial power in the Pacific. This period also produced the first instances of Asian North American writing, theater, and film. This exciting collection examines how the many literary and cultural works from this period approached questions of migration, exclusion, and identity. Covering an extensive ranges of topics including anticolonialist writing, the erotics of queer modernist poetry, interracial desire, and the racial gaze in silent film, the book shows the diverse and multiethnic nature of literary and cultural production from a crucial period in modern formations of race as well as literary and cultural aesthetics." - from the publisher

"The period from 1930 to 1965 marks a span of dramatic transformation within the United States, from the Great Depression to the new social movements of the 1960s. For Asian American history, the start of this period is deeply marked by Asian exclusion, formalized in 1882 with the Chinese Exclusion Act, and, by its end, the emergence of today's Asian America, remade after the passage of the Immigration and Nationality Act of 1965, the legislative culmination of multiple efforts to repeal exclusion. On the global stage, these years witnessed dispersed shifts of power that literally remapped the decolonizing world: from the decline of territorial colonialism in the 1930s to the rise of Third World liberation in the 1960s. And in the middle of this period World War II erupted, sharpening political alignments that would be hastily redrawn in the about-face of the Cold War, which ignited hotspots in Asia. This volume seeks to draw out the national and global dimensions of the literary output in this period of transitions, realignments, remappings, and remakings." - from the publisher

"Asian American Literature in Transition Volume Three: 1965-1996 offers a multidisciplinary perspective on the political and aesthetic stakes of what is now recognizable as an Asian American literary canon. It takes as its central focus the connections among literature, history, and migration, exploring how the formation of Asian American literary studies is necessarily inflected by demographic changes, student activism, the institutionalization of Asian American studies within the U.S. academy, U.S foreign policy (specifically the Cold War and conflicts in Southeast Asia), and the emergence of "diaspora" and "transnationalism" as important critical frames. Moving through sections that consider migration and identity, aesthetics and politics, canon formation, and transnationalism and diaspora, this volume tracks predominant themes within Asian American literature to interrogate an ever-evolving field. It features nineteen original essays by leading scholars, and is accessible to beginners in the field and more advanced researchers alike." - from the publisher

"This volume examines the concerns of Asian American literature from 1992 and the present. This period was not only marked by civil unrest, terror and militarization, economic depression, and environmental abuse, but also unprecedented growth and visibility of Asian American literature. This volume is divided into four sections that plots the trajectories of, and tensions between, social challenges and literary advances. Part One tracks how Asian American literary productions of this period reckon with the effects of structures and networks of violence. Part Two tracks modes of intimacy - desires, loves, close friendships, romances, sexual relations, erotic contacts - that emerge in the face of neoimperialism, neoliberalism, and necropolitics. Part Three traces the proliferation of genres in Asian American writing of the past quarter century in new and in well-worn terrains. Part Four surveys literary projects that speculate on future states of Asian America in domestic and global contexts." - from the publisher

""Guiyou Huang traces the history of Asian American literature from the end of World War II to the beginning of the twenty-first century. Huang covers six genres: anthology, autobiography/memoir, drama, fiction, poetry, and short fiction; reviews major historical developments and social movements; explains key literary terms; and offers a narrative, A-to-Z guide of major Asian American writers and their works, plus their critical reception. This guide covers Canadian and U.S. authors with cultural and ethnic origins in East Asia, South Asia, and the Pacific Islands. It begins with a discussion of works written shortly after World War II that explore the personal and political impact of the conflict, such as John Okada's No-No Boy and Hisaye Yamamoto's short fiction. Huang then focuses on the 1980s, when Asian American literature blossomed into a diverse, heterogeneous field characterized by a variety of themes, genres, and styles, and writers with multiple ethnic and cultural backgrounds. He considers the work of novelists Amy Tan and Maxine Hong Kingston, the poets Ai and Agha Shahid Ali, and more than 100 additional authors, including Frank Chin, David Henry Hwang, Jessica Hagedorn, Nora Okja Keller, Bharati Mukherjee, Gish Jen, Chang-rae Lee, Jhumpa Lahiri, Chitra Divakaruni, and Theresa Hak Kyung Cha. Huang points the reader toward further study for individual authors, and his selected bibliography suggests works of a more general nature, including literary criticism and histories, reference works, and collections of essays. Comprehensive though concise, clearly written but richly detailed, The Columbia Guide to Asian American Literature Since 1945 is an invaluable resource."--Publisher's website.Traces the history of Asian American literature from the end of World War II to the beginning of the twenty-first century, covering six genres and reviewing major historical developments and social movements." - from the publisher

"Of an estimated twelve million ethnic Hmong in the world, more than 200,000 live in the United States today, most of them refugees of the Vietnam War and the civil war in Laos. Their numbers make them one of the largest recent immigrant groups in our nation. Today, significant Hmong populations can be found in California, Minnesota, Wisconsin, North Carolina, Michigan, and Colorado, and St. Paul boasts the largest concentration of Hmong residents of any city in the world. In this groundbreaking anthology, first- and second-generation Hmong Americans -- the first to write creatively in English -- share their perspectives on being Hmong in America. In stories, poetry, essays, and drama, these writers address the common challenges of immigrants adapting to a new homeland: preserving ethnic identity and traditions, assimilating to and battling with the dominant culture, negotiating generational conflicts exacerbated by the clash of cultures, and developing new identities in multiracial America. Many pieces examine Hmong history and culture and the authors' experiences as Americans. Others comment on issues significant to the community: the role of women in a traditionally patriarchal culture, the effects of violence and abuse, the stories of Hmong military action in Laos during the Vietnam War. These writers don't pretend to provide a single story of the Hmong; instead, a multitude of voices emerge, some wrapped up in the past, others looking toward the future, where the notion of "Hmong American" continues to evolve. In her introduction, editor Mai Neng Moua describes her bewilderment when she realized that anthologies of Asian American literature rarely contained even one selection by a Hmong American. In 1994, she launched a Hmong literary journal, Paj Ntaub Voice, and in the first issue asked her readers "Where are the Hmong American voices?" Eight years later, this collection -- containing selections from the journal as well as new submissions." - from the publisher

"Native American literature has always been uniquely embattled. It is marked by particularly divergent opinions about what constitutes authenticity, sovereignty, and even literature. It announces a culture beset by paradox: simultaneously primordial and postmodern; oral and inscribed; outmoded and novel; quixotic and quotidian. Above all, its texts are a site of political struggle, shifting to meet expectations both external and internal. This Cambridge History endeavors to capture and question the contested character of both Indigenous texts and the way they are evaluated. This book has a chronological structure. It delineates significant periods of literary and cultural development in four sections: "Traces & Removals" (pre-1870s); "Assimilation and Modernity" (1879-1967); "Native American Renaissance" (post-1960s); and "Visions & Revisions" (21st century). These rubrics highlight the various ways Native literatures have evolved alongside major transitions in federal policy toward the Indian, and via contact with broader cultural phenomena such as the American Civil Rights movement. There is a balance between a History of canonical authors and traditions, introducing less-studied works and themes, and foregrounding critical discussions, approaches, and controversies."

"The earliest Native American writers wrote tribal histories or autobiographical accounts. Today, Native American writing is steeped in the oral traditions of many peoples and reflects a facility with language that is equally at home in prose or poetry. Native American Literatures is a sourcebook that can enhance any reader's appreciation of both the writers and their works. Cross referencing allows readers to move easily among the listings, guiding them to other examples of an author's works and from character to character within a given novel." - from the publisher

"This handsome volume is an invaluable resource for scholars, teachers, and general readers of Native American literature. The book consists of a brief introduction and three sections—oral litera­ tures, the historical emergence of American Indian writing, and the Native American Renaissance from 1967 on. The sections begin with critical overviews (by Andrew Wiget, A. LaVonne Brown Ruoff, and Joseph Bruchac) that help orient readers to the discus­ sions of genres, archetypes, and individual writers that follow. The work of fifty-two scholars in over seventy essays is represented in a 408 Western American Literature volume that has been designed to give shape to the rapidly expand­ ing field of American Indian literary studies. The section on oral literature is particularly valuable. Eight dis­ cussions of regional narratives are followed by essays that analyze the trickster figure, oratory, the respective forms of dreams, song and narrative, revitalization movements, myth and religion, the bible and traditional Indian literature, and the representation of whites in the oral tradition. In summarizing and evaluating a great range of ethnographic, literary, and critical material, these essays help orient readers (and, of course, listeners) to the challenges and delights of interpreting oral literatures. The second section provides critical biographies of historical writers from Samson Occom, in the 1770s, to D’Arcy McNickle and John Joseph Matthews, both of whom pub­ lished non-literary works in the 1960s. In addition, there are useful discussions of writers whose names, perhaps, are not wholly famil­ iar to non-specialists in American Indian literature: Elias Boudinot, S. Alice Callahan, E. Pauline Johnson, (Rolla) Lynn Riggs, and Jane Johnston Schoolcraft. This section also includes highly informative contextual essays on reservations and federal Indian policy, autobi­ ography, and humor. As Wiget explains in the introduction, the genesis of the dictio­ nary was not without problems and it took somewhat longer to be published than was originally envisaged. In the third section, which surveys contemporary literature, this means certain recent writers and books have not been included (including Sherman Alexie and Leslie Marmon Silko’s Almanac of the Dead), although I make this observation not to point out a shortcoming in the volume but to emphasize the difficulty of providing critical evaluation of writers in early or mid career. Of course this “difficulty” also highlights how vibrant, diverse, and, indeed, elusive a field American Indian litera­ ture and critical analysis has become over the past few decades." - review by Martin Padgett, Western American Literature, Volume 31, Number 4, Winter 1997

"Invisible, marginal, expected - these words trace the path of recognition for American Indian literature written in English since the late eighteenth century. This Companion chronicles and celebrates that trajectory by defining relevant institutional, historical, cultural, and gender contexts, by outlining the variety of genres written since the 1770s, and also by focusing on significant authors who established a place for Native literature in literary canons in the 1970s (Momaday, Silko, Welch, Ortiz, Vizenor), achieved international recognition in the 1980s (Erdrich), and performance-celebrity status in the 1990s (Harjo and Alexie). In addition to the seventeen chapters written by respected experts - Native and non-Native; American, British and European scholars - the Companion includes bio-bibliographies of forty authors, maps, suggestions for further reading, and a timeline which details major works of Native American literature and mainstream American literature, as well as significant social, cultural and historical events. An essential overview of this powerful literature." - from the publisher

"Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions." - from the publisher

"The Columbia Guide to American Indian Literatures of the United States Since 1945 is the first major volume of its kind to focus on Native literatures in a postcolonial context. Written by a team of noted Native and non-Native scholars, these essays consider the complex social and political influences that have shaped American Indian literatures in the second half of the twentieth century, with particular emphasis on core themes of identity, sovereignty, and land." "Drawing on historical and theoretical frameworks, the contributors examine how American Indian writers and critics have responded to major developments in American Indian life and how recent trends in Native writing build upon and integrate traditional modes of storytelling." - from the publisher

"Speak Like Singing focuses on select Native American writers showcasing the distinct voices and tribal diversities of living Indians. Through the pan-tribal medium of English, a second language for some and now a mother tongue for most, many of these Native writers begin as poets and go on to write novels. Pulitzer novelist and Kiowa poet N. Scott Momaday says, "I believe that a good many Indian writers rely upon a kind of poetic expression out of necessity, a necessary homage to the native tradition." Black Elk remembers the wanékia or "make-live" prophet of his Lakota Ghost Dance vision "spoke like singing." The leaves, grasses, waters, leggéds, wingéds, and crawling beings all listened and danced. "They were better able now to see the greenness of the world," Black Elk says, after heyoka curing songs, "the wideness of the sacred day, the colors of the earth, and to set these in their minds." This book honors that talk-song vision for all relatives." - from the publisher

"Scholar, novelist, and essayist Ken Lincoln blends his fierce cultural commitments and propulsive, lyrical prose in page after page of this passionate yet reference-rich book, persuading us that native dream songs, ritual liturgies, trickster narratives, and modern novels deserve to sit at every table of American literature."--Peter Nabokov, author of Native American Testimony and Where Lightning Strikes

"In Beauty I Walk is the first anthology to offer generous selections of both oral/traditional texts and works by the first generations of Native American writers. Emphasizing the lines of continuity between traditional narratives, songs, and ceremonies and pioneering written works by authors such as John Rollin Ridge, Francis LaFlesche, Charles Eastman, Alexander Posey, Zitkala-Sa, E. Pauline Johnson, and D'Arcy McNickle, the anthology allows readers to see the ways in which writers of the modern "Native American Renaissance" have perpetuated, adapted, and departed from oral tradition. Including representative texts by authors from a number of Native tribes, from a range of literary genres, and by male and female authors, "In Beauty I Walk" also offers a fuller appreciation of contemporary Native American writing by revealing its roots and its place within a long continuum." - from the publisher

"For many the phrase 'Native nonfiction' inspires thoughts of the past, of timeless oral history transcriptions and dry 19th century autobiographies. In Shapes of Native Nonfiction, Washuta and Warburton explode this perspective by showcasing 22 contemporary Native writers and their provocative approaches to form. While exploring familiar legacies of personal and collective trauma and violence, these writers push, pull and break the conventional essay structure to overhaul the dominant cultural narrative that romanticize Native lives, yet deny Native emotional response. Organized into four sections inspired by different aspects of and strategies for basket weaving (Technique, Coiling, Plaiting, Twining) the essays presented here demonstrate how Native writers manipulate the shape of creative nonfiction to offer incisive observations, critiques and commentary on our political, social and cultural world. The result is an engaging anthology that introduces a variety of audiences to the true range of Native nonfiction work." - from the publisher

"Dawnland Voices calls attention to the little known but extraordinarily rich literary traditions of New England's Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi'kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that "real" Indians and their traditions vanished from that region centuries ago." - from the publisher

"The last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections to their homelands, Arab-Americans contest the blanket representations of themselves as dictated by the US nation-state. Deploying a multidisciplinary framework at the intersection of Middle-Eastern studies, US ethnic studies, and diaspora studies, Fadda-Conrey argues for a transnational discourse that overturns the often rigid affiliations embedded in ethnic labels. Tracing the shifts in transnational perspectives, from the founders of Arab-American literature, like Gibran Kahlil Gibran and Ameen Rihani, to modern writers such as Naomi Shihab Nye, Joseph Geha, Randa Jarrar, and Suheir Hammad, Fadda-Conrey finds that contemporary Arab-American writers depict strong yet complex attachments to the US landscape. She explores how the idea of home is negotiated between immigrant parents and subsequent generations, alongside analyses of texts that work toward fostering more nuanced understandings of Arab and Muslim identities in the wake of post-9/11 anti-Arab sentiments." - from the publisher

"The imagined memoirs of the first black explorer of America: Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, on a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive. As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the way in which our narratives can transmigrate into history--and how storytelling can offer a chance at redemption and survival." - from the publisher

"Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants' displacement, as well as her own constraints in helping them." - from the publisher

"This History offers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a host of leading scholars, The Cambridge History of Jewish American Literature offers an array of approaches that contribute to current debates about ethnic writing, minority discourse, transnational literature, gender studies, and multilingualism. This History takes a fresh look at celebrated authors, introduces new voices, locates Jewish American literature on the map of American ethnicity as well as the spaces of exile and diaspora, and stretches the boundaries of American literature beyond the Americas and the West." - from the publisher

"For more than two hundred years, Jews have played important roles in the development of American literature. The Cambridge Companion to Jewish American Literature addresses a wide array of themes and approaches to the distinct yet multifaceted body of Jewish American literature. Essays examine writing from the 1700s to major contemporary writers such as Saul Bellow and Philip Roth. Topics covered include literary history, immigration and acculturation, Yiddish and Hebrew literature, popular culture, women writers, literary theory and poetics, multilingualism, the Holocaust, and contemporary fiction. This collection of specially commissioned essays by leading figures discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike." - from the publisher

"An in-depth, thorough exploration of modern Jewish literature from 1492 to the 21st century, rotating around the concept of "aterritoriality" to appreciate the diasporic journey Jews have embarked on across geographic and linguistic spheres from 1492 to the present. At the centre of it are canonical figures like Franz Kafka, Isaac Babel, Bruno Schulz, Anne Frank, Martin Buber, Hannah Arendt, Isaac Bashevis Singer, Saul Bellow, Philip Roth, Grace Paley, Jacobo Timerman, Moacyr Scliar, and Susan Sontag. Unlike the output of other national literatures, Jewish literature doesn't have a fixed address. As a result, its practitioners are at once insiders and outsiders." - from the publisher

"What makes a great Jewish book? In fact, what makes a book "Jewish" in the first place? Ruth R. Wisse eloquently fields these questions in The Modern Jewish Canon, her compassionate, insightful guide to the finest Jewish literature of the twentieth century. From Isaac Babel to Isaac Bashevis Singer, Elie Wiesel to Cynthia Ozick, Wisse's The Modern Jewish Canon is a book that every student of Jewish literature, and every reader of great fiction, will enjoy." - from the publisher

"An erudite and accessible survey of Jewish life and culture in the twentieth century, as reflected in seminal texts. Following The People and the Books, which "covers more than 2,500 years of highly variegated Jewish cultural expression" (Robert Alter, New York Times), formidable and perceptive literary critic Adam Kirsch now turns to the salient works of modern Jewish thought. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. This was true, also, of writing: the novels, plays, poems, and memoirs of Jewish writers provided intimate access to new worlds of experience. Here Kirsch navigates four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel, and the endeavor to reconfigure Judaism as a modern faith. Reading writers ranging from Franz Kafka to Philip Roth, Anne Frank to Tony Kushner, Hannah Arendt to Judith Plaskow, Kirsch's scope is wide and his observations diverse. Insightful and engaging, The Blessing and the Curse brings the Jewish experience vividly to life." - from the publisher

"In the 1960s and 1970s, complaints about a "Jewish literary mafia" were everywhere. Although a conspiracy of Jews colluding to control publishing in the United States never actually existed, such accusations reflected a genuine transformation from an industry notorious for excluding Jews to one in which they are arguably the most influential figures. Josh Lambert examines the dynamics between Jewish editors and Jewish writers; how Jewish women exposed the misogyny they faced from publishers; and how children of literary parents have struggled with and benefited from their inheritances. Drawing on interviews and tens of thousands of pages of letters and manuscripts, The Literary Mafia offers striking new discoveries about celebrated figures such as Lionel Trilling and Gordon Lish, and neglected fiction by writers like Ivan Gold, Ann Birstein, and Trudy Gertler. In the end, we learn how the success of one minority group has lessons for all who would like to see American literature become more equitable." - from the publisher

"A biographical dictionary of English-language belletristic and popular writers, diarists, autobiographers, and critics, along with a few foreign language authors and some entries on related genres, critical theories, topics, and institutions. Although covering Africa, North America, the British Isles, Asia, the Caribbean, New Zealand, and the South Pacific through 1985, the majority of the approximately 2,700 individually authored but unsigned entries are for British and United States writers born after 1800. The entries, which are alphabetized by the best-known form of an author’s name and which range from about 50 to 500 words, sketch an entrant’s personal and professional career and stress her connections with other women. Most entries conclude with references to standard biographies or critical studies; the abbreviated—sometimes cryptic—citations require a user to consult both the prefatory list of abbreviations as well as the concluding list of works cited. Three indexes: topics; chronology; variant forms of names and women referred to but without separate entries." - Literary Research Guide summary

"This guide celebrates the twentieth-century achievements of women writers across the English-speaking world as well as all the centuries before. This comprehensive work of reference on literary women writing in English with over 2500 entries written by academics, freelances and journalists, men and women, poets and novelists, young scholars and distinguished names.--[book cover]."This Guide aims to consolidate and epitomise the re-reading of women's writing that has gone on in the last twenty-five years. This is an opportunity for stock-taking - a timely project, when so much writing has been rediscovered, reclaimed and republished." "There are entries on writers, on individual texts, and on general terms, genres and movements, all printed in a single alphabetical sequence. The earliest written documents in medieval English (the visionary writings of Julian of Norwich and Margery Kempe) are covered in an historical - and geographical - sweep that takes us up to the present day." "The book reflects the spread of literacy, the history of colonisation and the development of post-colonial cultures using and changing the English language. The entries are written by contributors from all the countries covered." - from the publisher

"The growing interest today in women's writing has led to a re-evaluation of British literary history, both emphasizing the vitality of well-known women writers and bringing to light numerous hitherto forgotten figures. Assuming no previous knowledge on the part of readers, The Oxford Guide to British Women Writers provides in a single volume an accessible and stimulating beginner's guide to the widest range of British women's writing, from the earliest times to the present." "Entries on some 400 writers from Aphra Behn to Jeanette Winterson, Mary Wollstonecraft to Barbara Cartland, offer a brief outline of each woman's life, her major publications, contemporary critical reception, and an assessment of her work. Suggestions for further reading are also given. The range of writers discussed includes novelists, poets, and playwrights, together with mystics, diarists, travel writers, scientists, and translators. The author has also carefully selected a number of non-British writers such as Sylvia Plath who have had an important influence on the British literary scene. In addition, the Guide features subject entries and provides an extensive general bibliography on women's writing." "Concise, informative, and well-organized, The Oxford Guide to British Women Writers will be an invaluable introduction for all readers and students of women's writing." - from the publisher

"Volume 1 focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself. Rethinking the history of women's writing and literary history itself, this volume 2 examines the diversity of early women's writing (from verse and songs to household records and recipes), offering a new paradigm for understanding women's shaping roles in the literary, religious, and political movements of the sixteenth century.During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume 3 represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period. This volume 4 charts the most significant changes for a literary history of women in a period that saw the beginnings of a discourse of 'enlightened feminism'. It reveals that women engaged in forms old and new, seeking to shape and transform the culture of letters rather than simply reflect or respond to the work of their male contemporaries. This period witnessed the first full flowering of women's writing in Britain. This illuminating volume 5 features leading scholars who draw upon the last 25 years of scholarship and textual recovery to demonstrate the literary and cultural significance of women in the period, discussing writers such as Austen, Wollstonecraft and Mary Shelley."--Pub. desc.Volume 7: "The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era's revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of 'the new' -- 'New Women', 'New Unionism', 'New Imperialism', 'New Ethics', 'New Critics', 'New Journalism', 'New Man' -- are this moment's touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women's writing throughout the United Kingdom and around the globe." - from the publisher

A Handbook of Literary Feminisms brings together for the first time two distinct threads of literary feminism: literary history and feminist criticism and theory. The first section of the book offers a history of women's contributions to Anglo-American literature over the past 500 years. It charts the social, cultural, and historical conditions that both shaped women's writing and prevented it from being recognized or valued by literary history. The second section provides an explanation and analysis of trends in feminist criticism and theory, focusing on how feminist approaches to women's texts have incorporated theoretical investigations of sexuality, subjectivity, and ideology.""Supplemented by a time line, a glossary of key terms, and bibliographies of primary and secondary sources, A Handbook of Literary Feminisms explores what women's writing means today and has meant over the centuries. An indispensable resource, it is an ideal text for courses in women's studies, women's literature, feminist studies, and gender studies." - from the publisher

"Mary Shelley, Emily Brontë, George Eliot, Olive Schreiner and Virginia Woolf: they all wrote dazzling books that forever changed the way we see history. In "Outsiders", award-winning biographer Lyndall Gordon shows how these five novelists shared more than talent. In a time when a woman's reputation was her security, each of these women lost hers. They were unconstrained by convention, writing against the grain of their contemporaries, prophetically imagining a different future. We have long known the individual greatness of each of these writers, but in linking their creativity to their lives as outcasts, Gordon throws new light on the genius they share. All five lost their mothers in childbirth or at a young age. With no female role model present, they learned from books - and sometimes from an enlightened mentor. Crucially, each had to imagine what a woman could be in order to invent a voice of her own. The passion in their own lives infused their fiction. Writing with passionate intelligence of her own, Gordon reveals that these renegade writers inspired a new breed of women who wished to change a world locked in war, violence, exploitation and sexual abuse. Gordon's biographies have always shown the indelible connection between life and art: an intuitive, exciting and revealing approach that has been highly praised. In "Outsiders", she crafts nuanced portraits of Shelley, Brontë, Eliot, Schreiner and Woolf, naming each of these writers as prodigy, visionary, 'outlaw, ' orator and explorer, and shows how they came, they saw and they left us changed. Today, following the tsunami of women's protest at wide-spread abuse, we do more than read them; we listen and live with their astonishing bravery and eloquence." - from the publisher

"Although female communication networks abound in many contexts and have received a good measure of scrutiny, no study has addressed their unique significance within narrative culture writ large. Filling this gap, Ned Schantz presents an exploration of the phenomenon, resituating novelistic culture as central even as he ranges across media and the myriad technologies that attend them." - from the publisher

"This collection of essays offers a pioneering review of women's access to literary culture in medieval Britain, and their representation within it. The rise of female literacy and women's activities as writers, patrons and readers, are examined in the context of wider questions of orality and literacy. The representation of women in different literary genres, secular and religious, shows the ways in which their position was understood in a variety of roles, as lovers, mothers and saints." "This revised edition, newly available in paperback, includes a unique chronology offering a woman-centred perspective on historical and literary events before 1500, together with a guide to further reading." - from the publisher

"Featuring the most frequently taught female writers and texts of the early modern period, this Companion introduces the reader to the range, complexity, historical importance, and aesthetic merit of women's writing in Britain from 1500-1700. Presenting key textual, historical, and methodological information, the volume exemplifies new and diverse approaches to the study of women's writing. The book is clearly divided into three sections, covering: how women learnt to write and how their work was circulated or published; how and what women wrote in the places and spaces in which they lived, worked, and worshipped; and the different kinds of writing women produced, from poetry and fiction to letters, diaries, and political prose. This structure makes the volume readily adaptable to course usage. The Companion is enhanced by an introduction that lays out crucial framework and critical issues, and by chronologies that situate women's writings alongside political and cultural events." - from the publisher

"This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing. Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn. Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study. Provides a clear sense of the full extent of women's contributions to early modern literary culture." - from the publisher

"Women and Literature in Britain, 1700-1800 is unique in providing an authoritative, up-to-date overview of eighteenth-century women's writing and its contexts. The contributors are well-known feminist literary critics, cultural historians and historians of publishing. They discuss the construction of women, and women's writing across a wide range of genres, including essays on ideas of femininity, women and race, changing family structures, women and the law, and women as publishers and as readers. This book will be an invaluable resource both for students and experts in the field." - from the publisher

"This study addresses a paradox in the lives of women in Jane Austen's time who had no legal access to money yet were held responsible for domestic expenditure. The book translates the fictional money of the novels of Jane Austen's day into the power of contemporary spendable incomes, and from the perspective of what the British pound could buy at the market, the economic lives of women in the novels emerge as part of a general picture of women's economic disability. Through the work of writers such as Austen and Edgeworth, as well as those of magazine fiction, the author examines the professional lives of women authors, their publishers, their profits, and the demands of their reading public. By linking authorship to the economic lives of contemporary women, Women Writing About Money links the fantasy worlds of women's fiction with the social and economic realities of both readers and writers." - from the publisher

"The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination is a 1979 book by Sandra Gilbert and Susan Gubar, in which they examine Victorian literature from a feminist perspective. Gilbert and Gubar draw their title from Charlotte Brontë's Jane Eyre, in which Rochester's wife (née Bertha Mason) is kept secretly locked in an attic apartment by her husband. [...] In the work, Gilbert and Gubar examine the notion that women writers of the nineteenth century were confined in their writing to make their female characters either embody the "angel" or the "monster", a struggle which they argue stemmed from male writers' tendencies to categorize female characters as either pure, angelic women or rebellious, unkempt madwomen. In their argument Gilbert and Gubar point to Virginia Woolf, who says women writers must "kill the aesthetic ideal through which they themselves have been 'killed' into art".[1][2] While it may be easy to construe that feminist writers embody the "madwoman" or "monster", Gilbert and Gubar stress the importance of killing off both figures because neither accurately represents women or women writers. Instead, Gilbert and Gubar urge female writers to strive for autonomous self-definition beyond this dichotomy, which they see as imposed by a reductionist patriarchal view of women's roles. [...] Over 700 pages long, the work is an early landmark in feminist literary criticism." - from Wikipedia

"These new essays by leading scholars explore nineteenth-century women's writing across a spectrum of genres. The book's focus is on women's role in and access to literary culture in the broadest sense, as consumers and interpreters as well as practitioners of that culture. Individual chapters consider women as journalists, editors, translators, scholars, actresses, playwrights, autobiographers, biographers, writers for children and religious writers as well as novelists and poets. A unique chronology offers a woman-centered perspective on literary and historical events and there is a guide to further reading." - from the publisher

"When first published in 1977, A LITERATURE OF THEIR OWN quickly set the stage for the creative explosion of feminist literary studies that transformed the field in the 1980s. Launching a major new area for literary investigation, the book uncovered the long but neglected tradition of women writers and the development of their fiction from the 1800s onwards. It includes assessments of famous writers such as the Brontës, George Eliot, Virginia Woolf, Margaret Drabble and Doris Lessing, but also presents critical appraisals of Mary Braddon, Rhoda Broughton and Sarah Grand --- to name but a few of those prolific and successful Victorian novelists - --once household names, now largely forgotten." - from the publisher

"The first book in a landmark three-volume work that brings feminist theory to bear on modern literature in English. Focusing on both male and female writers, Gilbert and Gubar here survey social, literary, and linguistic conflicts between the sexes as revealed in texts by nineteenth- and twentieth-century writers from Tennyson to Woolf, from Hemingway to Plath." - publisher description of volume 1, "The War of the Words

"What might sex be, and what could sex roles be, in the midst of a war between men and women? What is a "woman," a "man," an "androgyne"? Such questions haunt the works Gilbert and Gubar study in Sexchanges, the second volume of their landmark trilogy No Man's Land. Investigating the connections between the feminine and the modern made by writers from Rider Haggard, Olive Schreiner, and Kate Chopin to Edith Wharton, Willa Cather, D.H. Lawrence, Virginia Woolf, T.S. Eliot, and Caryl Churchill, they show that the "no man's land" of the Great War became a metaphor for a crisis of masculinity—a crisis that was already associated with the decline of imperialism and the rise of the femme fatale at the fin de siecle, with the newly visible lesbian literary community that was formed in those years and with what many thinkers increasingly understood to be the artifice of gender. Throughout this century, the therefore argue, images of sexchanges—explored in fictions about transvestism and transsexualism—constituted a set of striking tropes through which male and female writers sought to combat one another's conceptions of the relation between anatomy and destiny." - publisher description to volume 2, "Sexchanges"

"How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of "woman," "man," "family," and "society"? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the "future shock" associated with profound changes in the roles and rules governing sexuality." - publisher's description of volume 3, "Letters from the Front"

"A very great profession, first published in 1983, looks at women like Katherine in Virginia Woolf’s Night and Day (‘Katharine, thus, was a member of a very great profession which has, as yet, no title and very little recognition... She lived at home’) and Laura, the heroine of Brief Encounter, women whose lives and habits were wonderfully recorded in the fiction of the time. Drawing on the novels to illuminate themes such as domestic life, romantic love, sex, psychoanalysis, the Great War and ‘surplus’ women, A Very Great Profession uses the work of numerous women writers to present a portrait, through their fiction, of middle-class Englishwomen in the period between the wars." - from the publisher

"Original essays by American and British scholars offer a reader-friendly introduction to the work of Angela Carter, Doris Lessing, and a dozen other British women writers. British women in the second half of the 20th century have produced a body of work that is as diverse as it is entertaining. This book offers an informal, jargon-free introduction to the fiction of sixteen contemporary writers either brought up or now living in England, from Muriel Spark to Jeanette Winterson. British Women Writing Fiction presents a balanced view comprising women writing since the 1950s and 1960s, those who attracted critical attention during the 1970s and 1980s, and those who have burst upon the literary scene more recently, including African-Caribbean and African women. The essays show how all of these writers treat British subjects and themes, sometimes from radically different perspectives, and how those who are daughters of immigrants see themselves as women writing on the margins of society." - from the publisher

"The past century has witnessed the extraordinary flowering of fiction, poetry and drama from countries previously colonized by Britain. Placing its emphasis on literary rather than theoretical texts, this book offers discussion of many internationally renowned authors, including James Joyce, Chinua Achebe, Salman Rushdie, Les Murray and Derek Walcott. It also includes historical surveys of the main countries discussed, a glossary, and biographical notes on major authors. Lyn Innes provides a guide to a vast array of authors and texts from a wide range of sites." - from the publisher

"Featuring new perspectives on African and Caribbean literature, this History explores the scope of the literature (variety of languages, regions and genres); nature of composition; and complex relationship with African social and geo-political history. It comprehensively covers the field of African literature, defined by creative expression in Africa as well as the black diaspora. This major history of African literature will be an essential resource for specialists and students." - from the publisher

"The book provides a valuable gender and culture inflected critical introduction to well-established women writers such as Toni Morrison, Alice Walker, Margaret Atwood, Bessie Head and many others from the U.S.A., the Caribbean, India, Africa, Britain, Australia, Canada and South Africa, including both black and white writers. There is also discussion of the work of British performance poet Jean 'Binta' Breeze, of Nigerian writer Buchi Emecheta, of Aboriginal writers Sally Morgan and Kath Walker, and New Zealanders Janet Frame and Keri Hulme. Uniquely, the post-colonial is further explored to discuss 'emergent' writing by women from Cyprus, South-East Asia and Oceania. The book engages with and clarifies contested critical areas of feminism and the post-colonial; explores historical background and cultural context, economic, political and psychoanalytical influences on gendered experience; and recognises the broad influence of African American women's creative and critical writing. Post-Colonial and African American Women's Writing provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints, sexual politics and women's lives as expressed in a rich variety of women's writing." - from the publisher

"The Routledge Handbook of Pan-Africanism provides an international, intersectional, and interdisciplinary overview of, and approach to, Pan-Africanism, making an invaluable contribution to the ongoing evolution of Pan-Africanism and demonstrating its continued significance in the 21st century. The handbook features expert introductions to, and critical explorations of, the most important historic and current subjects, theories, and controversies of Pan-Africanism and the evolution of black internationalism. Pan-Africanism is explored and critically engaged from different disciplinary points of view, emphasizing the multiplicity of perspectives and foregrounding an intersectional approach. The contributors provide erudite discussions of black internationalism, black feminism, African feminism, and queer Pan-Africanism alongside surveys of black nationalism, black consciousness, and Caribbean Pan-Africanism. Chapters on neo-colonialism, decolonization, and Africanization give way to chapters on African social movements, the African Union, and the African Renaissance. Pan-African aesthetics are probed via literature and music, illustrating the black internationalist impulse in myriad continental and diasporan artists' work. Including 36 chapters by acclaimed established and emerging scholars, the handbook is organized into seven parts, each centered around a comprehensive theme: Intellectual origins, historical evolution, and radical politics of Pan-Africanism Pan-Africanist theories Pan-Africanism in the African diaspora Pan-Africanism in Africa Literary Pan-Africanism Musical Pan-Africanism The contemporary and continued relevance of Pan-Africanism in the 21st century The Routledge Handbook of Pan-Africanism is an indispensable source for scholars and students with research interests in continental and diasporan African history, sociology, politics, economics, and aesthetics. It will also be a very valuable resource for those working in interdisciplinary fields, such as African studies, African American studies, Caribbean studies, decolonial studies, postcolonial studies, women and gender studies, and queer studies." - from the publisher

"With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain's, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psycho-social connectedness of people of African descent in the African and Ameri-Atlantic world." - from the publisher

"This anthology offers a balanced approach to colonial and postcolonial literature through a rich tapestry of short stories by both British colonizers and affected indigenous people. Organized by region, the compelling stories reflect the evolution of colonialism from the seventeenth to the twentieth century. Students explore the insights and emotions on both sides of the imperial fence, while learning about the hardships and triumphs of the colonial experience. A thorough pedagogical apparatus includes historical introductions, author headnotes, and reading questions that provide students with tools to approach each selection in an informed manner. Students come to appreciate how fiction both supported and questioned the basis and results of colonialism." - from the publisher

"This collection of contemporary postcolonial plays demonstrates the vitality of a body of work that is currently influencing the shape of contemporary world theatre. The anthology, the first of its kind, includes both internationally admired 'classics' and previously unpublished texts. It draws upon work from Canada, the Caribbean, South and West Africa, Southeast Asia, India, New Zealand, Hawai'i and Australia.""Dealing with imperialism and its aftermath, the plays use a wide range of dramaturgical techniques drawn from Western theatre and local performance traditions. Agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry are among the many ways through which individuals and groups express their concerns." "Postcolonial Plays: An Anthology includes a general introduction that outlines key issues relevant to the study of postcolonial theatre. Individual introductions to plays include biographical information on the author, an overview of the play's main thematic concerns and performance features, and a summary of its performance history." - from the publisher

"The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers the literature back to the earliest eras of story-telling and oral transmission, making this a unique and valuable resource for those studying social sciences as well as humanities. This work includes cross-references, suggestions for further reading, and a comprehensive index." - from the publisher

"African literature is a vast subject of growing output and interest. Written especially for students, this book selectively surveys the topic in a clear and accessible way. Included are roughly 600 alphabetically arranged entries on writers, genres, and major works. Many entries cite works for further reading, and the volume closes with a selected, general bibliography. Africa is a land of contrasts and of diverse cultures and traditions. It is also a land of conflict and creativity. The literature of the continent draws upon a fascinating body of oral traditions and lore and also reflects the political turmoil of the modern world. With the increased interest in cultural diversity and the growing centrality of Africa in world politics, African literature is figuring more and more prominently in the curriculum. This book helps students learn about the African literary achievement. Written expressly for students, this book is far more accessible than other reference works on the subject. Included are nearly 600 alphabetically arranged entries on authors, such as Chinua Achebe, Athol Fugard, Buchi Emecheta, Nadine Gordimer, and Wole Soyinka; major works, such as Things Fall Apart and Petals of Blood; and individual genres, such as the novel, drama, and poetry. Many entries cite works for further reading, and the volume closes with a selected, general bibliography." - from the publisher

"The turn of the twenty-first century has witnessed an expansion of critical approaches to African literature. The Routledge Handbook of African Literature is a one-stop publication bringing together studies of African literary texts that embody an array of newer approaches applied to a wide range of works. This includes frameworks derived from food studies, utopian studies, network theory, eco-criticism, and examinations of the human/animal interface alongside more familiar discussions of postcolonial politics. Every chapter is an original research essay written by a broad spectrum of scholars with expertise in the subject, providing an application of the most recent insights into analysis of particular topics or application of particular critical frameworks to one or more African literary works. The handbook will be a valuable interdisciplinary resource for scholars and students of African literature, African culture, postcolonial literature and literary analysis."

"Africa's strong tradition of storytelling has long been an expression of an oral narrative culture. African writers such as Amos Tutuola, Naguib Mahfouz, Wole Soyinka and J. M. Coetzee have adapted these older forms to develop and enhance the genre of the novel, in a shift from the oral mode to print. Comprehensive in scope, these new essays cover the fiction in the European languages from North Africa and Africa south of the Sahara, as well as in Arabic. They highlight the themes and styles of the African novel through an examination of the works that have either attained canonical status - an entire chapter is devoted to the work of Chinua Achebe - or can be expected to do so. Including a guide to further reading and a chronology, this is the ideal starting-point for students of African and world literatures." - from the publisher

"The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writers discussed include the Kenyan novelists Grace Ogot and Ngugi wa Thiong'o, Ugandan poet and essayist Taban Lo Liyong, Ethiopian playwright and poet Tsegaye Gabre-Medhin, Tanzanian novelist and diplomat Peter Palangyo, Ethiopian novelist Berhane Mariam Sahle-Sellassie, and the novelist M. G. Vassanji, who portrays the Indian diaspora in Africa, Europe, and North America. Separate entries within this list describe thematic concerns, such as colonialism, decolonization, the black aesthetic, and the language question; the growth of genres like autobiography and popular literature; important movements like cultural nationalism and feminism; and the impact of major forces such as AIDS/HIV, Christian missions, and urbanization. Comprehensive and richly detailed, this guide offers a fresh perspective on the role of East Africa in the development of African and world literature in English and a new understanding of the historical, cultural, and geopolitical boundaries of the region." - from the publisher

"Columbia's guides to postwar African literature paint a unique portrait of the continent's rich and diverse literary traditions. This volume examines the rapid rise and growth of modern literature in the three postcolonial nations of Zimbabwe, Malawi, and Zambia. It tracks the multiple political and economic pressures that have shaped Central African writing since the end of World War II and reveals its authors' heroic efforts to keep their literary traditions alive in the face of extreme poverty and AIDS. Adrian Roscoe begins with a list of key political events. Since writers were composing within both colonial and postcolonial contexts, he pays particular attention to the nature of British colonialism, especially theories regarding its provenance and motivation. Roscoe discusses such historical figures as David Livingstone, Cecil Rhodes, and Sir Harry Johnston, as well as modern power players, including Robert Mugabe, Kenneth Kaunda, and Kamuzu Banda. He also addresses efforts to create a literary-historical record from an African perspective, an account that challenges white historiographies in which the colonized was neither agent nor informer. A comprehensive alphabetical guide profiles both established and emerging authors and further illustrates issues raised in the introduction. Roscoe then concludes with a detailed bibliography recommending additional reading and sources. At the close of World War II the people of Central Africa found themselves mired in imperial fatigue and broken promises of freedom. This fueled a desire for liberation and a major surge in literary production, and in this illuminating guide Roscoe details the campaigns for social justice and political integrity, for education and economic empowerment, and for gender equity, participatory democracy, rural development, and environmental care that characterized this exciting period of development." - from the publisher

"From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945." - from the publisher

"Composed by a premier scholar of African literature, this volume is a comprehensive guide to the literary traditions of Gambia, Sierra Leone, Liberia, Ghana, and Nigeria, five distinct countries bound by their experience with colonialism. Oyekan Owomoyela begins with an overview of the authors, texts, and historical events that have shaped the development of postwar Anglophone literatures in this region, exploring shifts in theme and the role of foreign sponsorship and illuminating recent debates regarding the language, identity, gender, and social commitments of various authors and their works. His introduction concludes with a bibliography of key critical texts. The second half of the volume is an alphabetical tour of writers, publications, concepts, genres, movements, and institutions, with suggested readings for further research. Entries focus primarily on fiction but also touch on drama and poetry. Featured authors include Chris Abani, Chinua Achebe, Chimamanda Ngozi Adichie, Cyprian Ekwensi, Uzodinma Chukuka Iweala, Helen Oyeyemi, and Wole Soyinka. Topics range from the European origins of African literature and the West African diaspora to the development of an "African personality," the establishment of a regional publishing industry, and the global literary marketplace. Owomoyela also discusses such influences as the postwar emergence of Onitsha Market Literature, the Mbari Club, and the importance of the Noma Award. Owomoyela's portrait points to the major impact of West African literature on the evolution of both African and world literatures in English. Sure to become the definitive text for research in the field, The Columbia Guide to West African Literature in English Since 1945 is a vital resource for newcomers as well as for advanced scholars seeking a deeper understanding of the region's rich literary heritage." - from the publisher

“This is a brilliantly innovative and entertaining book, especially if you love literature… It will be of interest not only to anthropologists but also to literary historians interested in the history and the intercultural context of the current crop of best-selling, world-famous Nigerian authors.” - J. Lorand Matory, Duke University

"Nigeria is a country shaped by internal diversity and transnational connections, past and present. Leading Nigerian writers from Chinua Achebe, Amos Tutuola and Wole Soyinka to Chimamanda Ngozi Adichie and Teju Cole have portrayed these Nigerian issues, and have also written about some of the momentous events in Nigerian history. Afropolitan Horizons discusses their work alongside other novelists and commentators, as well as describing the ways in which Nigeria has appeared in foreign news reporting. It is all interwoven with the author’s own anthropological field research in a town in Central Nigeria." - from the publisher

"The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs. Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex desire. Binyavanga Wainaina's rise to critical acclaim arguably started on the literary blog Generator 21. Chimamanda Ngozi Adichie's literary celebrity partly relies on her prolific use of social media to tell the story of powerful Nigerian women. With further examples from the development of literature across the continent, this innovative book sheds new light on narratives about digital Africa. It will also be the first major work to provide a trajectory of class consciousness in Kenyan and Nigerian writing. Through this analysis, the book articulates the difference in attitudes towards queerness, sexuality, and hetero-normativity among successive generations of writers." - from the publisher

""AT PENPOINT aims to rewrite the story of postcolonial African literary and cultural production as one profoundly influenced by the Cold War. Monica Popescu shows how postcolonial studies of African literature have too often neglected the key institutional and aesthetic influence asserted by Soviet agents, and the resulting overlapping imperalisms African writers and creators worked within and contested during the second half of the twentieth century. Popescu's analysis attends to the myriad ways in which the tension between the United States and the USSR played out in the intellectual and aesthetic clashes among Third World intellectuals as well as on the battlefields of the proxy conflicts (specifically, the war in Angola) and experiments in African-style socialism that spread across the continent. Informed by several intellectual projects that have similarly brought postcolonial studies and the history of the Cold War together, Popescu traces a new cartography of cultural communication and meaning-making apart from a Western intellectual history and reinvigorates a leftist critique of imperialism too often occluded by postcolonial studies. Popescu uses her focus on the Cold War both to reassess familiar works from the era, such as Ayi Kwei Armah's The Beautyful Ones Are Not Yet Born as well as to shine light on previously un- or under-studied publications made newly relevant, including Lotus, the journal of the Afro-Asian Writers' Alliance." - from the publisher

"The product of a decade of research, this landmark collection is the first of four volumes in the Women Writing Africa Project, which seeks to document and map the extraordinary and diverse landscape of African women's oral and written literatures. Presenting voices rarely heard outside Africa, some recorded as early as the mid-nineteenth century, as well as rediscovered gems by such well-known authors as Bessie Head and Doris Lessing, this volume reveals a living cultural legacy that will revolutionize the understanding of African women's literary and cultural production. Ranging from communal songs and folktales to letters, diaries, political petitions, court records, poems, essays, and fiction, these texts provide a vivid—and heretofore largely invisible—picture of African women's lives. Their work and families, their experience of the cruelty of colonialism and war, and their struggles for civil rights are described in voices from twenty original languages and six countries in the region: Botswana, Lesotho, Namibia, South Africa, Swaziland, and Zimbabwe. Together the texts demonstrate women's critical role in cultural continuity and resistance to oppression. Each text is accompanied by a scholarly headnote that provides detailed historical background. An introduction by the editors sets the broader historical stage and explores the many issues involved in collecting and combining orature and literature from diverse cultures in one volume. Unprecedented in its scope and achievement, this volume will be an essential resource for anyone interested in women's history, culture, and literature in Africa, and worldwide." - from the publisher

"The acclaimed Women Writing Africa Project continues with the second volume of Women Writing Africa: West Africa and the Sahel. Drawing upon more than a decade of research, West Africa and the Sahel covers the territory where most African Americans find their roots. The collection encompasses an epic cultural history through the voices of women represented in twenty languages spoken in an area encompassing twelve countries. Beginning with African kingdoms dating six centuries or more before colonialism and independence, the volume gathers 132 texts—stories, songs, letters, drama, oral history, diaries, and historical documents—each with a readable authoritative headnote explaining its cultural and historical contexts. A general introduction provides an overview of West African cultural and literary history, including the brilliant and diverse traditions of women’s oral literatures." - from the publisher

"A pioneering work of cultural reclamation more than a decade in preparation, Women Writing Africa, Volume III: The Eastern Region collects more than a 100 texts dating back to 1711, each introduced with short notes. In the 1960s, the five countries represented—Kenya, Malawi, Tanzania, Uganda, and Zambia—achieved independence. Women made historic contributions in the resistance struggles and later during the process of development, as entries from activists and eloquent members of parliament attest. The volume boasts entries of uncommon historical interest including two rare texts by former slave women; a 1711 letter written by a woman who ruled a large Muslim domain; a mid-19th-century Muslim epic poem, freshly translated; a Christian hymn dating to 1890; and a memoir by a Mau Mau general. The 2004 Nobel Peace Prize Lecture by Wangari Maathai, the first environmentalist and the first African woman named a Nobel laureate, concludes the volume. While Kiswahili is the dominant language of the region, along with English, thierty-one other languages have been translated for the volume. Motherhood, education, religion, workforce participation, widows’ rights, prostitution, polygamy, circumcision, rebellion, and HIV/AIDS are some of the subjects examined in fiction, poetry, letters, journalism, oral histories, speeches, and historical documents spanning three centuries." - from the publisher

"Women Writing Resistance is the first transnational anthology to focus on women's strategies of resistance to the challenges they face in Africa today. The anthology brings together personal narratives, testimony, interviews, short stories, poetry, performance scripts, folktales, and lyrics. Thematically organized, it presents women's writing on such issues as intertribal and interethnic conflicts, the degradation of the environment, polygamy, domestic abuse, the controversial traditional practice of female genital cutting, Sharia law, intergenerational tensions, and emigration and exile. Contributors include internationally recognized authors and activists such as Wangari Maathai and Nawal El Saadawi, as well as a host of vibrant new voices from all over the African continent and from the African diaspora. Interdisciplinary in scope, this collection provides an excellent introduction to contemporary African women's literature and highlights social issues that are particular to Africa but are also of worldwide concern. It is an essential reference for students of African studies, world literature, anthropology, cultural studies, postcolonial studies, and women's studies." - from the publisher

"The Granta Book of the African Short Story introduces a group of African writers described by its editor, Helon Habila, as 'the post-nationalist generation'. Introducing a diverse and dazzling collection from all over the continent - from Morocco to Zimbabwe, Uganda to Kenya - Habila has focused on younger, newer writers, interspersed with some of their older, more established peers, to give a fascinating picture of a new and more liberated Africa. Disdaining the narrowly nationalist and political preoccupations of previous generations, these writers are characterized by their engagement with the wider world and the opportunities offered by the internet, the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement around the world. Many of them live outside Africa. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: "If you write for a particular nation, or tribe, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Final selection includes: Rachida El Charni; Henrietta Rose-Innes; George Makana Clarke; Ivan Vladislavik; Mansoura Ez Eldin; Rogerio Mandjate; Aminatta Forna; Igoni Barrett; Patrice Nganang; Leila Aboulela; Petina Gappah; Ala Al-Aswany; Doreen Baingana; EC Osondu Other writers that may appear include: Olufemi Terry; Abdourahman Waberi; Alain Mabanckou; Veronique Tadjo; Ungulani Ba Ka Khosa; Jean-Luc Raharimanana; Leila Lalami; Milly Jafta; Manuel Rui; Uwem Akpan; Chimamanda Adichie; Zoe Wicombe; Phaswane Mpe; Diane Awerbuck; Ondjaki; Dambudzo Marechera; Camara Laye; Alex La Guma; Brian Chakwava; Ala Al-Aswany; Tahar Ben Jelloum; Yvonne Vera; Monica Arac; Abdulrazak Gurnah; Niq Mhlongo; Fatou Diome; Biyi Bandele; Ben Okri; Tayeb Salih." - from the publisher

"The leading African Literary Award, known as the African Booker, named after the Booker Prize Founder, Michael Caine. Now entering its twentieth year, the Caine Prize for African Writing is Africa's leading literary prize, and is awarded to a short story by an African writer published in English, whether in Africa or elsewhere. Celebrating the 20th anniversary of the Caine Prize for African Writing–often referred to as the "African Booker Prize"–this collection showcases the winning short stories of African writers from the past 20 years and reflect the vast range of modern African experience. The writers include: As Ben Okri said: "That's what the Caine Prize is about: celebrating the genius of human diversity. The idea is to enrich the world through its greater contact with Africa, and to enrich Africa through its greater contact with the world.'" - from the publisher

"The highly acclaimed anthology of wonderful new writing and some old favourites from Africa From Egypt to South Africa, from Senegal to Ethiopia, Stephen Gray introduces a wealth of vital voices from the African continent. This anthology displays terrific new talent and gives an insight into contemporary Africa - from love stories to wars, from mothers to despots, this is a lively and eye opening anthology. Picador will be launching a writing competition in Africa at the beginning of 2001. Judging begins at the end of 2001 and will give African writing a much needed boost in the media." - from the publisher

"The first truly continentally representative collection of modern African drama in any language, this Norton Critical Edition includes plays from Egypt, Algeria, the Republic of South Africa, Nigeria, Ethiopia, Ghana, and Kenya. 'Backgrounds and Criticism' presents documents on modern African drama generally and on the assembled texts and authors specifically, including little-known materials. Featured are essays on Tawfik al-Hakim, Kateb Yacine, Athol Fugard, Wole Soyinka, Tsegaye Gabre-Medhin, Ama Ata Aidoo, Ngugi Wa Thiong’o, and Femi Osofisan. A Chronology and a Selected Bibliography are included." - from the publisher

"More than 700 alphabetically arranged entries detail the lives and works of Caribbean authors and provide extensive background information about Caribbean history and culture. The Caribbean is a part of the world with diverse cultures and a long and fascinating literary tradition. The people of this region have endured through civil strife, poverty, natural disasters, and military conflicts; and their literature reflects their despair and dreams. Accessible to students and general readers, this encyclopedia overviews the lives and works of Caribbean authors. Because Caribbean literature is so much a reflection of regional concerns, the encyclopedia gives special attention to the political, cultural, and historical contexts in which Caribbean authors have lived and worked. To help with this massive endeavor, scholar and librarian Danilo H. Figueredo has assembled an impressive team of advisors and authors. Included in the encyclopedia are more than 700 alphabetically arranged entries written by more than 20 expert contributors. These entries cover authors, works, genres, historical and cultural figures, themes, and various special topics. Spanish courses often look at literature from the Caribbean, and many American students trace their roots to that region. An essential reference for high school libraries, this resource will help students and teachers learn more about the literature of the Caribbean and its relation to the political, economic, historical, and social conditions of that area. Public libraries also need this encyclopedia, since many general readers are interested in Caribbean literature and culture." - from the publisher

"This volume is an essential text that brings together sixty-nine entries from scholars across three generations of Caribbean literary studies, ranging from foundational critical voices to emergent scholars in the field. The volume's reach of subject and clarity of writing provide an excellent resource and springboard to further research for those working in literature and cultural studies, postcolonial and diaspora studies as well as Caribbean studies, history and geography." - from the publisher

"The Changing Face of Afro-Caribbean Cultural Identity looks primarily at two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity. This search is extended to the Negritude movement through the poems of Senghor and Damas. Mamadou Badiane further discusses the under-represented Negritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the Negritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage that see themselves as a product of miscegenation between different cultures." - from the publisher

"Bringing together the most exciting recent archival work in anglophone, francophone, and hispanophone Caribbean studies, Raphael Dalleo constructs a new literary history of the region that is both comprehensive and innovative. He examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, Jose Marti, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming while also drawing lesser-known figures into the story. Dalleo's comparative approach will be important to Caribbeanists from all the region's linguistic traditions, and his book contributes even more broadly to debates in Latin American and postcolonial studies about postmodernity and globalization." - from the publisher

"Of Vagabonds and Fellow Travelers recovers the history of the writers, artists, and intellectuals of the African diaspora who, witnessing a transition to an American-dominated capitalist world-system during the Cold War, offered searing critiques of burgeoning U.S. hegemony. Cedric R. Tolliver traces this history through an analysis of signal events and texts where African diaspora literary culture intersects with the wider cultural Cold War, from the First Congress of Black Writers and Artists organized by Francophone intellectuals in September 1956 to the reverberations among African American writers and activists to the assassination of Patrice Lumumba. Among Tolliver's subjects are Caribbean writers Jacques Stephen Alexis, George Lamming, and Aimé Césaire, the black press writing of Alice Childress and Langston Hughes, and the ordeal of Paul Robeson, among other topics. The book's final chapter highlights the international and domestic consequences of the cultural Cold War and discusses their lingering effects on our contemporary critical predicament."

"The Routledge Reader in Caribbean Literature is an outstanding compilation of over seventy primary and secondary texts of writing from the Caribbean. Locating key writers within a specifically Caribbean framework, editors Alison Donnell and Sarah Lawson Welsh demonstrate that these singular voices have emerged not out of disparate cultures, but rather a wealth of literary tradition which, until now, was unknown or critically neglected. All twentieth century selections, both famous and less well-known are given a voice in this remarkable anthology, which encompasses poetry, short stories, essays, articles and interviews. With accessible historical and cultural introductions to the writings, this volume is a fascinating collection for anyone interested in the literature of the Caribbean or post colonial studies, as well as an ideal teaching tool." - from the publisher

"From Ram Mohan Ray to Arundhati Roy, two hundred years of Indian literature in English are covered in this volume, essential for anyone interested in this increasingly important literary tradition. Spanning a period from 1800 to the present, this collection of historical essays covers the canonical Indian poets, novelists, and dramatists writing in English—names like Rudyard Kipling, Rabrindanath Tagore, R.K. Narayan, and Salman Rushdie—as well as lesser-known literary figures—scientists, social reformers, anthropologists—who have made significant contributions to the evolution of Indian literature in English. The essays in this volume are arranged chronologically and are devoted to a single author, a group of authors, or to a genre. The book includes 150 rare and interesting photographs and sketches of writers and their contexts." - from the publisher

"A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions—including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu—in their full historical and cultural variety. The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia." - from the publisher

"In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today’s brightest talents in the company of their distinguished forbearers and likely heirs. The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali. Here, too, are selections from Nirad C. Chaudhuri’s Autobiography of an Unknown Indian, R. K. Narayan’s The English Teacher, and Salman Rushdie’s Midnight’s Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay policier as gripping as anything by Ed McBain. Never before has so much of the subcontinent’s writing been made available in a single volume." - from the publisher

"These ground-breaking collections offer 200 texts from eleven languages, never before available in English or as a collection, along with a new reading of cultural history that draws on contemporary scholarship on women and India. This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as "intellectually rigorous, challenging, and analytical," place the writers and their selections within the context of Indian culture and history." - from the publisher

"Studies of Irish fiction are still scanty in contrast to studies of Irish poetry and drama. Attempting to fill a large critical vacancy, Irish Novels 1890-1940 is a comprehensive survey of popular and minor fiction (mainly novels) published between 1890 and 1922, a critical period in Irish cultural and political history. Since these sixty-odd writers have rarely, if ever, been discussed (Oscar Wilde and Bram Stoker are the chief exceptions), the book opens up for further exploration a literary landscape, hitherto neglected, perhaps even unsuspected. This new landscape should alter the familiar perspectives on Irish literature of the period, first of all by adding genre fiction (science fiction, detective novels, ghost stories, New Woman fiction, and Great War novels) to the Irish syllabus, secondly by demonstrating the immense contribution of women writers to popular and mainstream Irish fiction." - from the publisher

"In the Victorian age there were hundreds of Irish authors who wrote thousands of novels. Some had Irish themes, others did not. Many were highly popular with what was largely a British reading audience. However, their achievements were disparaged and their work largely forgotten from the era of W. B. Yeats and the Irish Literary Revival, with its culturally nationalist agenda, onwards. This book is the first comprehensive study of these writers, based on a reading of around 370 novels by 150 authors. They include writers whose names continue to be remembered, among them William Carleton, the peasant novelist who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of ‘rollicking’, together with Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. The book examines their writing in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever-changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, this book will engage with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for deeper causes than have hitherto been offered and discovering occasions on which realism turned out to be possible." - Publisher description

"Studies of Irish fiction are still scanty in contrast to studies of Irish poetry and drama. Attempting to fill a large critical vacancy, Irish Novels 1890-1940 is a comprehensive survey of popular and minor fiction (mainly novels) published between 1890 and 1922, a critical period in Irish cultural and political history. Since these sixty-odd writers have rarely, if ever, been discussed (Oscar Wilde and Bram Stoker are the chief exceptions), the book opens up for further exploration a literary landscape, hitherto neglected, perhaps even unsuspected. This new landscape should alter the familiar perspectives on Irish literature of the period, first of all by adding genre fiction (science fiction, detective novels, ghost stories, New Woman fiction, and Great War novels) to the Irish syllabus, secondly by demonstrating the immense contribution of women writers to popular and mainstream Irish fiction."--Jacket.

"The Irish Novel at the End of the Twentieth Century interprets a wide variety of the most engaging Irish novels of the last ten years of the twentieth century from a perspective that focuses on the regulated sexual and constructed body. The demarcating line of identity - that perennial Irish problem - is gauged at the basic level of sexual and gender identity in contrast to or alliance with political, social, religious, or cultural norms. Novels published in the last decade of the twentieth century by such writers as John Banville, Mary Costello, Seamus Deane, Emma Donoghue, Roddy Doyle, Deirdre Madden, Patrick McCabe, and Mary Morrissy have crossed, erased, overwritten, and rewritten the space where identity is regulated or deregulated. Utilizing a Deleuzian reading strategy, the contemporary Irish novel produces a different kind of "sense" by presenting bodies whose zone of determinability is outside the regulatory norm granting, or intentionally not granting, the body an agency hitherto prohibited. All mechanisms that have gone into controlling the body-gender regulation, violence, representations of desire, religious taboos - are reinterpreted through the body in motion." - from the publisher

"This groundbreaking book explores the role 19th century Irish Catholic authors played in forging the creation of modern Irish literature. As such it offers a unique tour of Ireland’s literary landscape, from early origins during the Catholic political resurgence of the 1820s to the transformative zenith wrought by James Joyce’s Ulysses in 1922. Emer Nolan observes that contemporary Irish literature is steeped in the ambitions and internal conflicts of a previously captive Irish Catholic culture that came into its own with the narrative art form. He revisits, with keen insights, the prescient and influential songs, poems, and prose of Thomas Moore. He also points out that Moore’s wildly successful work helped create an audience for authors to come, i.e. John and Michael Banim, William Carleton and the popular novelists Gerald Griffin and Charles Kickham. An innovative aspect of this study is the author’s exploration of the relationship between James Joyce and Irish culture and his nineteenth-century Irish Catholic predecessors and their political and national passions. It is, in effect, a telling look at the future history of Irish fiction."

"The impact of the Irish famine of 1845-1852 was unparalleled in both political and psychological terms. The effects of famine-related mortality and emigration were devastating, in the field of literature no less than in other areas. In this incisive new study, Melissa Fegan explores the famine's legacy to literature, tracing it in the work of contemporary writers and their successors, down to 1919. Dr. Fegan examines both fiction and non-fiction, including journalism, travel-narratives and the Irish novels of Anthony Trollope. She argues that an examination of famine literature that simply categorizes it as "minor" or views it only as a silence or an absence misses the very real contribution that it makes to our understanding of the period. This is an important contribution to the study of Irish history and literature, sharply illuminating contemporary Irish mentalities." - from the publisher

"A History of Irish Modernism examines a wide variety of artworks (from the 1890s to the 1970s), including examples from literature, film, painting, music, radio, and architecture. Each chapter considers a particular aspect of Irish culture and reflects on its contribution to modernism at large. In addition to new research on the Irish Revival and cultural nationalism, which places them squarely in the modernist arena, chapters offer transnational and transdisciplinary perspectives that place Irish cultural production in new contexts. At the same time, the historical standpoint adopted in each chapter enables the contributors to examine how modernist practices developed across geographical and temporal distances. A History of Irish Modernism thus attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns - even as it embodies aesthetic principles that are the hallmark of modernism in Europe, the Americas and beyond." - from the publisher

"Examines the anglophone literatures of the archipelago from 1890 to 1970 for what they tell us about changing identities, geographies, and ecologies. The book argues that these literatures constitute an important resource for how we might begin to think about alternative political geographies, and alternative practices of belonging to place and environment. From the height of the British Empire in 1890, to the increasing sense by 1970 of the imminent 'break-up' of Britain, 'archipelagic modernism' turned to the 'peripheral' spaces of islands, coastlines, and the sea to re-invent the Irish and British archipelago as a plural and connective space." - from the publisher

"This book retells the story of Irish poetry written in English between the union of Britain and Ireland in 1801 and the early years of the Irish Free State. Through careful poetic and historical analysis, Matthew Campbell offers ways to read that poetry as ruptured, musical, translated and new. The book starts with the Romantic songs and parodies of nationalist and unionist writers - Moore, Mahony, Ferguson and Mangan - in times of defeat, resurgence and famine. It continues through a discussion of English Victorian poets such as Tennyson, Arnold and Hopkins, who wrote Irish poems as the British Empire unraveled. Campbell's treatment ends with Yeats, seeking a new poetry emerging from under union in times of violence and civil war. The book offers both a literary history of nineteenth-century Irish poetry and a way of reading it for scholars of Irish studies as well as Romantic and Victorian literature." - from the publisher

"In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book provides a unique introduction to major figures such as Seamus Heaney, but also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Paul Muldoon and Nuala Ni Dhomhnaill. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion, the only book of its kind on the market, provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike." - from the publisher

"This is a distinctive book that examines the diversity and energy of writing in a period marked by the unparalleled global prominence of Irish culture. This collection provides a wide-ranging survey of fiction, poetry and drama over the last two decades, considering both well-established figures and also emerging writers who have received relatively little critical attention. Contributors explore the central developments within Irish culture and society that have transformed the writing and reading of identity, sexuality, history and gender. The book examines the impact of Mary Robinson’s Presidency; growing cultural confidence ‘back home’; legislative reform on sexual and moral issues; the uneven effects generated by the resurgence of the Irish economy (the ‘Celtic Tiger’ myth); Ireland’s increasingly prominent role in Europe; and changing reputation. In its breadth and critical currency, this book will be of particular interest to academics and students working in the fields of literature, drama and cultural studies." - from the publisher

"The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W.B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries"-- Provided by publisher."To compare modern Irish and Scottish poetry is to change the critical axis. It is to unsettle categories like the "English lyric" or "Anglo-American modernism". We might begin with two Irish-Scottish poetic encounters a century apart. The Rhymers' Club, which foregathered in 1890s London, laid crucial foundations for modern poetry in English, and established the prototype for later avant-garde coteries. The Club's make-up was strikingly "archipelagic": a term that will recur in this introduction. The Rhymers' Club marks a space where literary and cultural traditions from different parts of the British Isles came into play; where late nineteenth-century aestheticism met Celticism; and, more materially, where Irish, Scottish and Welsh poets competed for metropolitan attention - W.B. Yeats with particular success." - from the publisher

"What role did the theatre of the Irish literary revival play in the politics of identity so avidly debated in pre-revolutionary Ireland? Conversely, how far did that dialogue influence the development of the theatre? Ben Levitas here pursues such vexed questions through a panoramic study of Irish drama and the nationalist debate 1890-1916. He follows the unfolding tension of that relationship and, in giving equal weight to the protagonists inside and outside the theatre movement, provides fresh insight into the dynamics of Irish cultural politics. Extending its range beyond the canonical works considered by most critics, and beyond Dublin to the influence of Cork and Ulster, The Theatre of Nation tackles many neglected and forgotten texts which through the circumstances of their reception are given new force." "Discussions and disputes both private and public are thus engaged to expose the implications of the theatre movement for nationalist ambitions. The lesser lights of the Irish revival illuminate unfamiliar aspects of writers such as W.B. Yeats, Lady Gregory, and J.M. Synge; while the evolution of Irish Ireland, The Gaelic League, and Sinn Fein is similarly reconsidered, disturbed by issues of class, gender, and generation. An integrated investigation of the politics of drama and its influence in Ireland, The Theatre of Nation concludes that Ireland's theatre had a pivotal role to play in the controversies of its time and in the coming revolution." - from the publisher

"The Oxford handbook of modern Irish theatre' provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right." - from the publisher

"This up-to-date reference book brings together three hundred leading Canadianists to look at literature in Canada from a variety of perspectives. In over two thousand entries that attest to Canada's cultural plurality, the Encyclopedia covers literature in English and French, and also in such other languages as Yiddish, Spanish, Haida, and Cree. It discusses authors and their work, related literary and social issues, professional institutions that play a role in the lives of Canadian writers, and the major historical and cultural events that have shaped Canada." - from the publisher

"The Second Edition of The Oxford Companion to Canadian Literature, published in 1997, was lauded as a landmark reference work. This updated concise version, about half its length, retains its informative coverage of major writers, significant works, and other aspects of the Canadian literary scene past and present. While most of the regional and genre surveys have been omitted, along with francophone writers whose books have not been translated into English, many of the 898 entries of The Concise Oxford Companion to Canadian Literature have been expanded by William Toye's descriptions of recent publications. He has also provided sixty-one new entries on writers and subjects that include Caroline Adderson, Lise Bissonnette, Stephanie Bolster, Wayson Choy, The Colony of Unrequited Dreams, Carole Corbeil, Alan Cumyn, Modris Eksteins, Cecil Foster, Ian Hacking, Elizabeth Hay, Wayne Johnston, Mercy Among the Children, Peter Oliva, Witold Rybczynski, Paul St. Pierre, Libby Scheier, Shyam Selvadurai, Russell Smith, and Margaret Visser." - from the publisher

"From Aboriginal writing to Margaret Atwood, this is a complete English-language history of Canadian writing in English and French from its beginnings. The multi-authored volume pays special attention to works from the 1960s and after, to multicultural and Indigenous writing, popular literature, and the interaction of anglophone and francophone cultures throughout Canadian history. Established genres such as fiction, drama and poetry are discussed alongside forms of writing which have traditionally received less attention, such as the essay, nature-writing, life-writing, journalism, and comics, and also writing in which the conventional separation between genres has broken down, such as the poetic novel. Written by an international team of distinguished scholars, the volume includes a separate, substantial section discussing major genres in French, as well as a detailed chronology of historical and literary/cultural events, and an extensive bibliography covering criticism in English and French." - from the publisher

""Eva-Marie Kröller's comprehensive introduction to major writers, genres and topics in Canadian literature takes into consideration relevant social, political and economic developments. Broad surveys of fiction, drama, and poetry are complemented by chapters on Aboriginal writing, francophone writing, autobiography, literary criticism, writing by women, and the emergence of urban writing in a country traditionally defined by its regions. Nature-writing, exploration- and travel-writing, and short fiction are also covered."

"Shifting the Ground of Canadian Literary Studies is a collection of interdisciplinary essays that examine the various contexts - political, social, and cultural - that have shaped the study of Canadian literature and the role it plays in our understanding of the Canadian nation-state. The essays are tied together as instances of critical practices that reveal the relations and exchanges that take place between the categories of the literary and the nation, as well as between the disciplinary sites of critical discourses and the porous boundaries of their methods. They are concerned with the material effects of the imperial and colonial logics that have fashioned Canada, as well as with the paradoxes, ironies, and contortions that abound in the general perception that Canada has progressed beyond its colonial construction.Smaro Kamboureli's introduction demonstrates that these essays engage with the larger realm of human and social practices - throne speeches, book clubs, policies of accommodation of cultural and religious differences, Indigenous thought about justice and ethics - to show that literary and critical work is inextricably related to the Canadian polity in light of transnational and global forces." - from the publisher

"Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives." - from the publisher

"Over the past one hundred and fifty years, and most especially since the late 1960s, Canadian women have made a remarkable contribution to world literature. Carol Shields won the Pulitzer Prize; Margaret Atwood, Janette Turner Hospital, Anne Michaels, and Carol Shields were short listed for
the Booker Award; Atwood and Michaels were nominated for the Orange. This anthology encompasses over a century and a half of writing by Canadian women. The stories collected here represent a cross-section of the best writing by women in the genre and demonstrate a wide range of styles from the realistic to the post-modern and experimental. All the stories are about women: in childhood, adolescence, maturity, old age; in relationships such as daughters, sisters, lovers, mothers; in a variety of social and political contexts. Though all authors are Canadian by birth or choice, nationality
and gender have different meanings for each of them. But all write confidently and eloquently of their experience as women. No reader will fail to be amused, enthralled, intrigued, or invigorated." - from the publisher

"The Oxford Literary History of Australia is an up-to-date reference for readers, writers, teachers, and students. The contributors - drawn from a range of backgrounds and geographical locations - rethink the landscapes of Australian literature in an engaging style and take into account contemporary theories of literature and associated art forms. All of them have demonstrated expertise in literary-historical research and a capacity to write clearly and engagingly. Their aim is to produce a highly readable and authoritative reference guide." "The Oxford Literary History of Australia tells many stories. In the opening section the initial phase in the life of language in Australia is explored through the settling-in of English and its interaction with Aboriginal languages. The last section takes up this story again by outlining the unsettling of English in the face of changing technologies, trade and immigration patterns, and institutional pressures." - from the publisher

"Australian writing has excelled in the short story, as Michael Wilding's selection strongly demonstrates. His anthology ranges across more than 120 years of Australian fiction, from the great originals such as Marcus Clarke and Henry Lawson to contemporary stylists such as Helen Garner and Tim Winton. Many of the writers are recognized throughout the world - Patrick White, Christina Stead, Peter Carey, to name just three - but the anthology also introduces less familiar and celebrated writers. The Australian short story has always included both realist and formally experimental elements. This anthology represents both tendencies. It shows the ways in which the cosmopolitan, expatriate experiences of writers such as Stead and White invigorated the genre; and how, during the 1960s and 1970s - an exciting and innovative time for Australian fiction - short story writers responded to international models and explored the potential of the form. The anthology is notable for the quality of writings by Aboriginal and non-Anglo-Saxon contributors, and for the abundance of fine stories from women - from Barbara Baynton, Henry Handel Richardson, and Marjorie Barnard to Charmian Clift, Elizabeth Jolley, and Janette Turner Hospital." - from the publisher

"In a political system that renders them largely voiceless, Australia's Aboriginal people have used the written word as a powerful tool for over two hundred years. Anthology of Australian Aboriginal Literature presents a rich panorama of Aboriginal culture, history, and life through the writings of some of the great Australian Aboriginal authors. From Bennelong's 1796 letter to contemporary writing, Anita Heiss and Peter Minter have selected works that represent the range and depth of Aboriginal writing in English. Journalism, petitions, and political letters from both the nineteenth and twentieth centuries are brought together with major works of poetry, prose, and drama from the mid-twentieth century onward. These works voice not only the ongoing suffering of dispossession but the resilience of Australia's Aboriginal people, their hope and joy." - from the publisher

"Based on the pioneering New York Times series, About Us collects the personal essays and reflections that have transformed the national conversation around disability. Boldly claiming a space in which people with disabilities can be seen and heard as they are-not as others perceive them-About Us captures the voices of a community that has for too long been stereotyped and misrepresented. Speaking not only to those with disabilities, but also to their families, coworkers and support networks, the authors in About Us offer intimate stories of how they navigate a world not built for them. Since its 2016 debut, the popular New York Times' "Disability" column has transformed the national dialogue around disability. Now, echoing the refrain of the disability rights movement, "Nothing about us without us," this landmark collection gathers the most powerful essays from the series that speak to the fullness of human experience-stories about first romance, childhood shame and isolation, segregation, professional ambition, child-bearing and parenting, aging and beyond. Reflecting on the fraught conversations around disability-from the friend who says "I don't think of you as disabled," to the father who scolds his child with attention differences, "Stop it stop it stop it what is wrong with you?"-the stories here reveal the range of responses, and the variety of consequences, to being labeled as "disabled" by the broader public. Here, a writer recounts her path through medical school as a wheelchair user-forging a unique bridge between patients with disabilities and their physicians. An acclaimed artist with spina bifida discusses her art practice as one that invites us to "stretch ourselves toward a world where all bodies are exquisite." With these notes of triumph, these stories also offer honest portrayals of frustration over access to medical care, the burden of social stigma and the nearly constant need to self-advocate in the public realm. In its final sections, About Us turns to the questions of love, family and joy to show how it is possible to revel in life as a person with disabilities. Subverting the pervasive belief that disability results in relentless suffering and isolation, a quadriplegic writer reveals how she rediscovered intimacy without touch, and a mother with a chronic illness shares what her condition has taught her young children. With a foreword by Andrew Solomon and introductory comments by co-editors Peter Catapano and Rosemarie Garland-Thomson, About Us is a landmark publication of the disability movement for readers of all backgrounds, forms and abilities." - from the publisher

"A groundbreaking collection of first-person writing on the joys and challenges of the modern disability experience: Disability Visibility brings together the voices of activists, authors, lawyers, politicians, artists, and everyday people whose daily lives are, in the words of playwright Neil Marcus, "an art ... an ingenious way to live." According to the last census, one in five people in the United States lives with a disability. Some are visible, some are hidden--but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together an urgent, galvanizing collection of personal essays by contemporary disabled writers. There is Harriet McBryde Johnson's "Unspeakable Conversations," which describes her famous debate with Princeton philosopher Peter Singer over her own personhood. There is columnist s. e. smith's celebratory review of a work of theater by disabled performers. There are original pieces by up-and-coming authors like Keah Brown and Haben Girma. There are blog posts, manifestos, eulogies, and testimonies to Congress. Taken together, this anthology gives a glimpse of the vast richness and complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own assumptions and understandings. It celebrates and documents disability culture in the now. It looks to the future and past with hope and love." - from the publisher

"What is the direct impact that disability studies has on the lives of disabled people today? The editors and contributors to this essential anthology, Barriers and Belonging, provide thirty-seven personal narratives that explore what it means to be disabled and why the field of disability studies matters. The editors frame the volume by introducing foundational themes of disability studies. They provide a context of how institutions--including the family, schools, government, and disability peer organizations--shape and transform ideas about disability. They explore how disability informs personal identity, interpersonal and community relationships, and political commitments. In addition, there are heartfelt reflections on living with mobility disabilities, blindness, deafness, pain, autism, psychological disabilities, and other issues. Other essays articulate activist and pride orientations toward disability, demonstrating the importance of reframing traditional narratives of sorrow and medicalization." - from the publisher

""From disability advocate with a PhD in disability studies and creative nonfiction, and creator of the Instagram account @sitting_pretty, an essay collection based on a lifetime of experiences in a paralyzed body, tackling themes of identity, accessibility, bodies, and representation"-- Provided by publisher.Growing up as a paralyzed girl during the 90s and early 2000s, Taussig only saw disability depicted as something monstrous, inspirational, or angelic. She longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling. Here she writes about the rhythms and textures of what it means to live in a body that doesn't fit. Taussig reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life. She shows how disability affects all of us, directly or indirectly, at one point or another."

""The world is a surreal pageant," writes Stephen Kuusisto. "Ahead of me the shapes and colors suggest the sails of Tristan's ship or an elephant's ear floating in air, though in reality it is a middle-aged man in a London Fog rain coat which billows behind him in the April wind." So begins Kuusisto's memoir, Planet of the Blind, a journey through the kaleidoscope geography of the partially-sighted, where everyday encounters become revelations, struggles, or simple triumphs. Not fully blind, not fully sighted, the author lives in what he describes as "the customs-house of the blind", a midway point between vision and blindness that makes possible his unique perception of the world. In this singular memoir, Kuusisto charts the years of a childhood spent behind bottle-lens glasses trying to pass as a normal boy, the depression that brought him from obesity to anorexia, the struggle through high school, college, first love, and sex. Ridiculed by his classmates, his parents in denial, here is the story of a man caught in a perilous world with no one to trust--until a devastating accident forces him to accept his own disability and place his confidence in the one relationship that can reconnect him to the world--the relationship with his guide dog, a golden Labrador retriever named Corky. With Corky at his side, Kuusisto is again awakened to his abilities, his voice as a writer and his own particular place in the world around him. Written with all the emotional precision of poetry, Kuusisto's evocative memoir explores the painful irony of a visually sensitive individual--in love with reading, painting, and the everyday images of the natural world--faced with his gradual descent into blindness. Folded into his own experience is the rich folklore the phenomenon of blindness has inspired throughout history and legend." - from the publisher

"Stephen Hawking has dazzled readers worldwide with a string of bestsellers exploring the mysteries of the universe. Now, for the first time, perhaps the most brilliant cosmologist of our age turns his gaze inward for a revealing look at his own life and intellectual evolution. My Brief History recounts Stephen Hawking’s improbable journey, from his postwar London boyhood to his years of international acclaim and celebrity. This concise, witty, and candid account introduces listeners to a Hawking rarely glimpsed in previous books: the inquisitive schoolboy whose classmates nicknamed him Einstein; the jokester who once placed a bet with a colleague over the existence of a particular black hole; and the young husband and father struggling to gain a foothold in the world of physics and cosmology. Writing with characteristic humility and humor, Hawking opens up about the challenges that confronted him following his diagnosis of ALS at age twenty-one. Tracing his development as a thinker, he explains how the prospect of an early death urged him onward through numerous intellectual breakthroughs, and talks about the genesis of his masterpiece A Brief History of Time—one of the iconic books of the twentieth century. Clear-eyed, intimate, and wise, My Brief History opens a window for the rest of us into Hawking’s personal cosmos." - from the publisher

""The incredible life story of Haben Girma, the first Deafblind graduate of Harvard Law School, and her amazing journey from isolation to the world stage." -- From Amazon.com summary.Girma grew up with her family in the Eritrean city of Asmara during Eritrea's thirty-year war with Ethiopia. Defining her disability as an opportunity for innovation, she learned non-visual techniques for everything from dancing salsa to handling an electric saw. She developed a text-to-braille communication system that created a new way to connect with people. Pioneering her way through obstacles, Girma graduated from Harvard Law, and now uses her talents to advocate for people with disabilities. This is a testament to her determination to find the keys to connection." - from the publisher

"Labeled "dyslexic and profoundly learning disabled with attention and behavior problems," Jonathan Mooney was a short bus rider--a derogatory term used for kids in special education and a distinction that told the world he wasn't "normal." Along with other kids with special challenges, he grew up hearing himself denigrated daily. Ultimately, Mooney surprised skeptics by graduating with honors from Brown University. But he could never escape his past, so he hit the road. To free himself and to learn how others had moved beyond labels, he bought his own short bus and set out cross-country, looking for kids who had dreamed up magical, beautiful ways to overcome the obstacles that separated them from the so-called normal world."

"From 2013 to 2017, the narrator was periodically interned in a psychiatric ward where she was subjected to electroconvulsive therapy. As the treatments at this “factory” progressed, the writer’s memories began to disappear. What good is a writer without her memory? This novel, based on the author’s experiences, is an eloquent and profound attempt to hold on to the past, to create a story, to make sense, and to keep alive ties to family, friends, and even oneself. Moments from childhood, youth, marriage, parenting, and divorce flicker across the pages of October Child. This is the story of one woman’s struggle against mental illness and isolation. It is a raw testimony of how writing can preserve and heal." - from the publisher

"An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esmé Weijun Wang writes not just to her fellow members of the “collected schizophrenias” but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community’s own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalization to the complexity of compounding factors such as PTSD and Lyme disease, Wang’s analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood." - from the publisher

"At nineteen, Hutchinson was struggling to find the vocabulary to understand and accept who he was and how he fit into a community in which he couldn't see himself. Convinced that he couldn't keep going, that he had no future, Hutchinson followed through on trying to make that a reality -- an attempted suicide. Over time, he came to embrace life, and to find self-acceptance. In his deeply honest memoir, he takes readers through the journey of what brought him to the edge, and what has helped him truly believe that it does get better. -- adapted from jacket'I wasn't depressed because I was gay. I was depressed *and* gay.' Shaun David Hutchinson was nineteen. Confused. Struggling to find the vocabulary to understand and accept who he was and how he fit into a community in which he couldn't see himself. The voice of depression told him that he would never be loved or wanted, while powerful and hurtful messages from society told him that being gay meant love and happiness weren't for him. A million moments large and small over the years all came together to convince Shaun that he couldn't keep going, that he had no future. And so he followed through on trying to make that a reality. Thankfully, Shaun survived, and over time, came to embrace how grateful he is and how to find self-acceptance and that it doesn't matter how others define us, only how we define ourselves. In this courageous and deeply honest memoir, Shaun takes readers through the journey of what brought him to the edge, and what has helped him truly believe that it does get better."

"The Mohawk phrase for depression can be roughly translated to "a mind spread out on the ground." In this urgent and visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of personal, intergenerational, and colonial traumas she and so many Native people have experienced. Elliott's deeply personal writing details a life spent between Indigenous and white communities, a divide reflected in her own family, and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation. Throughout, she makes thrilling connections both large and small between the past and present, the personal and political. A national bestseller in Canada, this updated and expanded American edition helps us better understand legacy, oppression, and racism throughout North America, and offers us a profound new way to decolonize our minds." - from the publisher

"Here, in Temple Grandin's own words, is the story of what it is like to live with autism, to be among the few people who have broken through many of the neurological impairments associated with autism. Throughout her life, she has developed unique coping strategies, including her famous "squeeze machine," which she modeled after seeing the calming effect of squeeze chutes on cattle. She describes her painful isolation growing up "different" and her discovery of visual symbols to interpret the "ways of the natives." Thinking in Pictures also gives information from the front lines of autism, including treatment, medication, and diagnosis, as well as Temple's insights into genius, savants, sensory phenomena, and animal behavior. Ultimately, it is Temple's unique ability to describe the way her visual mind works and how she first made the connection between her impairment and animal temperament that is the basis of her extraordinary gift and phenomenal success." - from the publisher

"This book is a message from autistic people to their parents, friends, teachers, coworkers and doctors showing what life is like on the spectrum. It’s also my love letter to autistic people. For too long, we have been forced to navigate a world where all the road signs are written in another language.”

"With a reporter’s eye and an insider’s perspective, Eric Garcia shows what it’s like to be autistic across America. Garcia began writing about autism because he was frustrated by the media’s coverage of it; the myths that the disorder is caused by vaccines, the narrow portrayals of autistic people as white men working in Silicon Valley. His own life as an autistic person didn’t look anything like that. He is Latino, a graduate of the University of North Carolina, and works as a journalist covering politics in Washington D.C. Garcia realized he needed to put into writing what so many autistic people have been saying for years; autism is a part of their identity, they don’t need to be fixed. In We’re Not Broken, Garcia uses his own life as a springboard to discuss the social and policy gaps that exist in supporting those on the spectrum. From education to healthcare, he explores how autistic people wrestle with systems that were not built with them in mind. At the same time, he shares the experiences of all types of autistic people, from those with higher support needs, to autistic people of color, to those in the LGBTQ community. In doing so, Garcia gives his community a platform to articulate their own needs, rather than having others speak for them, which has been the standard for far too long." - from the publisher

"From the creator of Your Fat Friend, an explosive indictment on the systemic and cultural issues facing plus-sized people that will move us toward creating an agenda for fat justice. Anti-fatness is everywhere. In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, 'I did not come to body positivity for self-esteem. I came to it for social justice.' By sharing her experiences as well as those of others--from smaller fat to very fat people--she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as "awkward, unattractive, ugly and noncompliant"; and in 48 states, it's legal--even routine--to deny employment because of an applicant's size. Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don't Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike." - from the publisher

"New York Times bestselling author Roxane Gay has written with intimacy and sensitivity about food and bodies, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as 'wildly undisciplined, ' Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she casts an insightful and critical eye on her childhood, teens, and twenties--including the devastating act of violence that acted as a turning point in her young life--and brings readers into the present and the realities, pains, and joys of her daily life. With the bracing candor, vulnerability, and authority that have made her one of the most admired voices of her generation, Roxane explores what it means to be overweight in a time when the bigger you are, the less you are seen. Hunger is a deeply personal memoir from one of our finest writers, and tells a story that hasn't yet been told but needs to be." - from the publisher

"In this powerful and provocative memoir, genre-bending essayist and novelist Kiese Laymon explores what the weight of a lifetime of secrets, lies, and deception does to a black body, a black family, and a nation teetering on the brink of moral collapse. Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been. In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family that begins with a confusing childhood—and continues through twenty-five years of haunting implosions and long reverberations." - from the publisher

"A memoir of unblinking honesty and poignant, laugh-out-loud humor, BLACKOUT is the story of a woman stumbling into a new kind of adventure--the sober life she never wanted. Shining a light into her blackouts, she discovers the person she buried, as well as the confidence, intimacy, and creativity she once believed came only from a bottle. Her tale will resonate with anyone who has been forced to reinvent or struggled in the face of necessary change. It's about giving up the thing you cherish most--but getting yourself back in return."

"The first literary addiction memoir, featuring the autobiographical Suspiria de Profundis, the inspiration for the 2018 horror film Suspiria, starring Dakota Johnson and Tilda Swinton and directed by Luca Guadagnino. In this remarkable autobiography, Thomas De Quincey hauntingly describes the surreal visions and hallucinatory nocturnal wanderings he took through London—and the nightmares, despair, and paranoia to which he became prey—under the influence of the then-legal painkiller laudanum. Forging a link between artistic self-expression and addiction, Confessions of an English Opium-Eater and Other Writings seamlessly weaves the effects of drugs and the nature of dreams, memory, and imagination. First published in 1821, it paved the way for later generations of literary drug users, from Baudelaire to Burroughs, and anticipated psychoanalysis with its insights into the subconscious." - from the publisher description of the Penguin edition

"Born with cerebral palsy, Amy can't walk without a walker, talk without a voice box, or even fully control her facial expressions. Plagued by obsessive-compulsive disorder, Matthew is consumed with repeated thoughts, neurotic rituals, and crippling fear. Both in desperate need of someone to help them reach out to the world, Amy and Matthew are more alike than either ever realized. When Amy decides to hire student aides to help her in her senior year at Coral Hills High School, these two teens are thrust into each other's lives. As they begin to spend time with each other, what started as a blossoming friendship eventually grows into something neither expected." - from the publisher

"John Green, the award-winning, international bestselling author of The Anthropocene Reviewed, returns with a story of shattering, unflinching clarity in this brilliant novel of love, resilience, and the power of lifelong friendship. Aza Holmes never intended to pursue the disappearance of fugitive billionaire Russell Pickett, but there’s a hundred-thousand-dollar reward at stake and her Best and Most Fearless Friend, Daisy, is eager to investigate. So together, they navigate the short distance and broad divides that separate them from Pickett’s son Davis. Aza is trying. She is trying to be a good daughter, a good friend, a good student, and maybe even a good detective, while also living within the ever-tightening spiral of her own thoughts." - from the publisher “A tender story about learning to cope when the world feels out of control.” —People “A sometimes heartbreaking, always illuminating, glimpse into how it feels to live with mental illness.” – NPR

"Her sister was captured in Iraq, she’s the resident laughingstock at school, and her therapist tells her to count instead of eat. Can a daring new girl in her life really change anything? Angie is broken — by her can’t-be-bothered mother, by her high-school tormenters, and by being the only one who thinks her varsity-athlete-turned-war-hero sister is still alive. Hiding under a mountain of junk food hasn’t kept the pain (or the shouts of “crazy mad cow!”) away. Having failed to kill herself — in front of a gym full of kids — she’s back at high school just trying to make it through each day. That is, until the arrival of KC Romance, the kind of girl who doesn’t exist in Dryfalls, Ohio. A girl who is one hundred and ninety-nine percent wow! A girl who never sees her as Fat Angie, and who knows too well that the package doesn’t always match what’s inside. With an offbeat sensibility, mean girls to rival a horror classic, and characters both outrageous and touching, this darkly comic anti-romantic romance will appeal to anyone who likes entertaining and meaningful fiction." - from the publisher

"A heartrending novel about one man’s search for meaning in a difficult life. A child ridiculed for his weight, a son overshadowed by a favored brother, a husband who falls short of his wife’s ambitions, an old man with a broken heart… As Orbits’s life passes, he doggedly pursues a simple dream — a little place in the country where a family might thrive — while wondering if he can ever shake free of the tragedies that seem to define him. Fatboy Fall Down is the lush and heartbreaking musings of a man trying to understand his place in the world. Though shot through with sadness, Fatboy Fall Down is also full of surprising moments of wry humor, and Rabindranath Maharaj’s deft touch underscores the resilience of the human spirit." - from the publisher

"It’s the early 1970s and Dion Katthusen, thirteen, is growing up fatherless in a small village in northern Germany. An only child plagued with a devastating stutter, Dion is ostracized by his peers and finds solace in the company of nature, collecting dragonflies in a moor filled with myths and legends. On the precipice of adulthood, Dion begins to spill the secrets of his heart—his burning desire for faultless speech and his abiding relationship with his mother, a failed painter with secrets of her own. Even as Dion spins his story, his speech is filled with fissures and holes—much like the swampy earth that surrounds him. Nature, though so often sublime, can also be terribly cruel.Moor is Dion’s story—a story of escaping the quicksand of loneliness and of the demands we make on love, even as those surrounding us are hurt in their misguided attempts to bear our suffering. Powerfully tuned to the relationship between human and nature, mother and son, Moor is a mysterious and experimental portrait of childhood. Written by up-and-coming German novelist Gunther Geltinger, the novel received critical acclaim in Germany and is now presented in English for the first time by translator Alexander Booth. Evocative and bold, Dion’s story emerges from the forces of nature, his voice rising from the ground beneath the reader’s feet, not soon to be forgotten." - from the publisher

"Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him. Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical." - from the publisher

"A dazzling and haunting vision of the end of the world, Ice is a masterpiece of literary science fiction now in a new 50th anniversary edition with a foreword by Jonathan Lethem. In a frozen, apocalyptic landscape, destruction abounds: great walls of ice overrun the world and secretive governments vie for control. Against this surreal, yet eerily familiar broken world, an unnamed narrator embarks on a hallucinatory quest for a strange and elusive “glass-girl” with silver hair. He crosses icy seas and frozen plains, searching ruined towns and ransacked rooms, all to free her from the grips of a tyrant known only as the warden and save her before the ice closes all around. A novel unlike any other, Ice is at once a dystopian adventure shattering the conventions of science fiction, a prescient warning of climate change and totalitarianism, a feminist exploration of violence and trauma, a Kafkaesque literary dreamscape, and a brilliant allegory for its author’s struggles with addiction—all crystallized in prose glittering as the piling snow." - from the publisher

Librarian's note: Students in the course NDL-112 noted that as much as there is an apocalyptic and science fictional element to Ice, in terms of the narrative style it was most striking as a portrayal of a narrator suffering from trauma, addiction, and mental illness. See also Kavan's short story collection Julia and the Bazooka for more fiction related to these themes.

"Proclaimed the Kafka of Romania by Eugène Ionesco, Max Blecher wrote this incandescent masterpiece shortly before his untimely death. Adventures in Immediate Irreality, the masterwork of the Romanian writer Max Blecher, vividly paints the crises of “irreality” that plagued him in his youth: eerie unsettling mirages wherein he would glimpse future events. In gliding chapters that move with a peculiar dream logic of their own, this memoiristic novel sketches the tremulous, frightening, and exhilarating awakenings of a very young man." - from the publisher

"The last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without." - from the publisher

"For years, librarians have relied on A to Zoo for easy to use, up to date and comprehensive information on fiction and nonfiction picture books. As a subject guide, this valuable resource allows librarians to help their patrons identify picture books, alphabetically cataloged under more than 1,000 subjects headings and subheadings. The bibliographic guide provides full detailed information for each title, including subjects, and notations for Caldecott Award winners. This sixth edition features more than 3,000 new titles of the latest publications in the children's literature field. The convenient indexes facilitate searches by title, author, and illustrator as well as by subject, allowing quick responses to library user needs. With this latest updated volume, A to Zoo continues to provide librarians with a singular source for collection building, program development, and responding to patrons requests for picture books, from the classics to the latest publications." - Publisher description

"Best Books for Children makes it easier than ever to put young readers in touch with books that serve their interest. This evaluative listing of over 18,000 titles--each with two or three recommendations from leading journals--reflects the scope of recent quality children's literature. Enriching their reading experience both in and out of the classroom, this resource will assist you in: developing thematic lessons; encouraging children's recreational reading; preparing general and specific reading lists; and getting the most out of your book-buying budget." - Publisher description

"This book is an ambitious new resource that provides a thorough grounding in the field through a selection of original interdisciplinary essays on canonical and popular works in the Anglo-American tradition. Twenty-six essays by top scholars from varied disciplines address theoretical, historical, sociological, and critical issues through analyses of classic novels, early educational and religious works, picture books, comics and graphic novels, newer children's classics, and works of poetry and drama." - from the publisher

"Some of the most innovative and spell-binding literature has been written for young people, but only recently has academic study embraced its range and complexity. This book offers a state of the subject survey of English language children's literature from the seventeenth century to the present. With discussions ranging from eighteenth century moral tales to modern fantasies by J.K. Rowling and Philip Pullman, it illuminates acknowledged classics and many more neglected works. Its unique structure means that equal consideration can be given to both texts and contexts. Some chapters analyse key themes and major genres, including humour, poetry, school stories, and picture books. Others explore the sociological dimensions of children's literature and the impact of publishing practices. Written by leading scholars from around the world, this work will be essential reading for all students and scholars of children's literature, offering original readings and new research that reflects the latest developments in the field." - from the publisher

"This second edition of Multicultural and Ethnic Children's Literature in the United States describes the history and characteristics of ethnic and multicultural children's literature in the U.S. and elsewhere, elaborating on people, businesses, and organizations that create, disseminate, promote, critique, and collect these materials"-- Provided by publisher.

" This landmark volume is the first to bring together leading scholarship on children’s and young adult literature from three intersecting disciplines: Education, English, and Library and Information Science. Distinguished by its multidisciplinary approach, it describes and analyzes the different aspects of literary reading, texts, and contexts to illuminate how the book is transformed within and across different academic figurations of reading and interpreting children’s literature. Part one considers perspectives on readers and reading literature in home, school, library, and community settings. Part two introduces analytic frames for studying young adult novels, picturebooks, indigenous literature, graphic novels, and other genres. Chapters include commentary on literary experiences and creative production from renowned authors and illustrators. Part three focuses on the social contexts of literary study, with chapters on censorship, awards, marketing, and literary museums. The singular contribution of this Handbook is to lay the groundwork for colleagues across disciplines to redraw the map of their separately figured worlds, thus to enlarge the scope of scholarship and dialogue as well as push ahead into uncharted territory." - from the publisher

"Children's Literature: Classic Texts and Contemporary Trends provides students with high quality critical material on a selection of important classic and contemporary children's books. From Louisa May Alcott's Little Women to J.K. Rowling's Harry Potter and the Philosopher's Stone to Melvin Burgess's Junk, each has been selected because they still find a favored place on the bookshelves of today's children and because they are widely studied on university courses. These case studies explore children's literature across a variety of genres and ages, bringing together lively and accessible scholarly essays by leading scholars, some reprinted and others newly commissioned. The collection is supported by detailed introductory material, suggestions for further reading and a color plate section reproducing covers and illustrations." - from the publisher

"Children's Literature charts the makings of the Western literary imagination from Aesop's fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter. Seth Lerer here explores the iconic books, ancient and contemporary alike, that have forged a lifelong love of literature in young readers during their formative years. Along the way, Lerer also looks at the changing environments of family life and human growth, schooling and scholarship, and publishing and politics in which children found themselves changed by the books they read. This ambitious work appraises a broad trajectory of influences--including Shakespeare's plays, John Locke's theories of education, Darwin's On the Origin of Species, and the Puritan tradition--which have each shaped children's literature through the ages as well." --From publisher description.

"Original artwork and materials explore children's literature and its impact in society and culture over time. A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere. The story of the origins of children's literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L'Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children's books and effective ways of putting good books into children's hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children's book art, manuscripts, correspondence, and ephemera appeared--the University of Minnesota's Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever. Regarding children's literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever" -- Provided by publisher.

"Here's an exciting new edition of a work that helps you to encourage independent reading skills in children ages 4 to 7, to develop your collection of first readers, and to plan thematic, literature-based programs. With a new user-friendly organization, this guide profiles some 3,750 of the best first readers published mostly within the past decade (with a few classic and benchmark titles included as well). These books feature lively interaction between text and illustration, and cover topics and themes with true kid-appeal. Every entry offers bibliographic information, a brief plot summary, and critical comments that help you make informed selection and programming decisions. Detailed indexes of titles, illustrators, series, and reading levels, in addition to the subject index, provide easy access to the books. PreK-3."

"Presents a history of African American literature for children from its beginnings in the oral culture of the slaves of the South to the initial church works of the nineteenth century and its full emergence as a literature following the Harlem Renaissance." -from the publisher

"Until recently, scholars believed that African American children's literature did not exist before 1900. Now, Who Writes for Black Children? opens the door to a rich archive of largely overlooked literature read by black children. This volume's combination of analytic essays, bibliographic materials, and primary texts offers alternative histories for early African American literary studies and children's literature studies. From poetry written by a slave for a plantation school to joyful "death biographies" of African Americans in the antebellum North to literature penned by African American children themselves, Who Writes for Black Children? presents compelling new definitions of both African American literature and children's literature. Editors Katharine Capshaw and Anna Mae Duane bring together a rich collection of essays that argue for children as an integral part of the nineteenth-century black community and offer alternative ways to look at the relationship between children and adults. Including two bibliographic essays that provide a list of texts for future research as well as an extensive selection of hard-to-find primary texts, Who Writes for Black Children? broadens our ideas of authorship, originality, identity, and political formations. In the process, the volume adds new texts to the canon of African American literature while providing a fresh perspective on our desire for the literary origin stories that create canons in the first place." - from the publisher

"There is a rich and varied body of literature for lesbian, gay, bisexual, transgender, queer/questioning, asexual/allied and intersexed young people, which can function as a mirror for LGBTQAI+ individuals and as a window for others. This resource for librarians who work with children and teens not only surveys the best in LGBTQAI+ lit but, just as importantly, offers guidance on how to share it in ways that encourage understanding and acceptance among parents, school administrators, and the wider community. Helping to fill a gap in serving this population, this guide discusses the path to marriage equality, how LGBTQAI+ terms have changed, and reasons to share LGBTQAI+ literature with all children; presents annotated entries for a cross-section of the best LGBTQAI+ lit and nonfiction for young children, middle year students, and teens, with discussion questions and tips; offers advice on sensitive issues such as starting conversations with young people, outreach to stakeholders, and dealing with objections and censorship head on; and ideas for programming and marketing. This resource gives school librarians, children's, and YA librarians the guidance and tools they need to confidently share these books with the patrons they support." - from the publisher

"The start of the twenty-first century has been a new golden age of young adult literature. In their literary quality, their variety, and their innovative nature, these books are not only the best of a splendid new millennium, they are-- compared with other decades-- the best of the best." - Publisher's description

More than 1,160 entries are arranged alphabetically by author name, and list everything young readers, librarians and teachers need to know to make selections, including title, publisher and publication date; other titles by the author; an annotated list of similar books by different authors; and more.

"Thirty-two chapters, each on a different theme such as "accepting differences" and 'poverty's challenges,' discuss four to six popular young adult novels in depth. Each chapter ends with a list of additional recommended novels." - Publisher description

"A decade-by-decade discussion of the most important novels having homosexual, bisexual, or transgender themes. Includes a 'timeline of events relevant to GLBTQ young,' and bibliographies by year."

"This book goes beyond examining broad themes and trends in the field and looks closely at specific authors and texts. The book is comprehensive and as current as possible, covering works by African American authors for young adults published between 1968-1993-some 200 titles by close to 50 writers. In addition to established authors and best selling titles, the coverage includes material overlooked by previous studies, such as works from small presses and talented new authors. An extensive introduction reviews important milestones in this body of literature and analyzes noteworthy bibliographical and critical publications about such writing. It includes suggested guidelines for evaluating a work in terms of its direct and indirect treatment of such issues as race, gender, class, ability, age, sexuality, and sexual orientation. The book also offers specific guidance for determining the appropriate readership for a work with regard to age and gender. The main body of the book is an annotated bibliography, alphabetical by author, with the works arranged chronologically by publication date. Each annotation reads more like a full-length book review and is from one to two pages long and explores themes, plot and character development, evaluates the quality of the writing, judges the handling of issues of race, class, and gender, and provides a readership recommendation." - from the publisher