A Guide to English: Thematic Genres and "Genre Fiction"

"A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T.S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both"-- Provided by publisher.

"There’s been a revolution in American popular fiction. The writers who dominated the bestseller lists a generation ago with blockbuster novels about movie stars and exotic foreign lands have been replaced by a new generation writing a new kind of bestseller, one that hooks readers with crime, suspense, and ever-increasing violence. Patrick Anderson, The Washington Post’s man on the thriller beat, calls this revolution “the triumph of the thriller,” and lists among its stars Thomas Harris, Michael Connelly, George Pelecanos, Dennis Lehane, Sue Grafton, and Elmore Leonard. [...] Anderson shows Scott Turow inventing the modern legal thriller and John Grisham translating it into a stunning series of bestsellers. He casts a cold eye on Tom Clancy’s militaristic techno-thrillers, and praises Alan Furst and Robert Littell as world-class spy novelists. He examines the pioneering role of Lawrence Sanders, the offbeat appeal of Dean Koontz, the unprecedented success of The Da Vinci Code, and the emergence of the literary thriller. Most of all, Anderson demands that the best of these novelists be given their due–not as genre writers, but as some of the most talented men and women at work in American fiction. Don’t trust the literary elites to tell you what to read, he warns–make up you own minds. The Triumph of the Thriller will convince many readers that we’ve entered an important new era in popular fiction. This book can be your guide to it."

"This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested." - Publisher description

"This is a book about the Detection Club, the world's most famous and most mysterious social network of crime writers. Drawing on years of research, it reveals the story of how members such as Agatha Christie and Dorothy L. Sayers reinvented detective fiction. Detective stories from the so-called "Golden Age" between the wars are often dismissed as cosily conventional. Nothing could be further from the truth: some explore forensic pathology and shocking serial murders, others delve into police brutality and miscarriages of justice; occasionally the innocent are hanged, or murderers get away scot-free. Their authors faced up to the Slump and the rise of Hitler during years of economic misery and political upheaval, and wrote books agonising over guilt and innocence, good and evil, and explored whether killing a fellow human being was ever justified. Though the stories included no graphic sex scenes, sexual passions of all kinds seethed just beneath the surface. Attracting feminists, gay and lesbian writers, Socialists and Marxist sympathisers, the Detection Club authors were young, ambitious and at the cutting edge of popular culture -- some had sex lives as bizarre as their mystery plots. Fascinated by real life crimes, they cracked unsolved cases and threw down challenges to Scotland Yard, using their fiction to take revenge on people who hurt them, to conduct covert relationships, and even as an outlet for homicidal fantasy. Their books anticipated not only CSI, Jack Reacher and Gone Girl, but also Lord of the Flies. The Club occupies a unique place in Britain's cultural history, and its influence on storytelling in fiction, film and television throughout the world continues to this day." - Publisher's description

"In this, the first major study of British women writers' appropriation and re-visioning of this central literary genre, Diana Wallace explores the development of a female version of the historical novel, revealing it to be one of the most important forms of women's reading and writing in the twentieth century. This study combines a comprehensive survey with detailed readings of key writers, including Georgette Heyer, Naomi Mitchison, Sylvia Townsend Warner, Daphne du Maurier, Margaret Irwin, Mary Renault, 'Jean Plaidy', Dorothy Dunnett, Catherine Cookson, Mary Stewart, Philippa Gregory, A.S. Byatt and Pat Barker." - from the publisher

"The crime fiction examined here covers virtually all of recorded history - from ancient Egypt through classical Greece and Rome; from medieval Europe through nineteenth-century England and America. The essays in this collection analyze and evaluate these works and demonstrate that they are not only gripping stories in their own right, but also the nerve center for historians of all stripes - from the professional to the most casual minded - to learn about past societies. People of the past appear with all their pretenses down and their acts of violence laid bare."

"Alexias is a young aristocrat living during the end of Athens’s Golden Age. Prized for his beauty and athletic prowess, Alexias studies under Sokrates with his closest friend, Lysis. Together, the young men come of age in an Athens on the verge of great upheaval. They attend the Olympics, partake in symposia, fight on the battlefields of the Peloponnesian War, and fall in love. The first of Mary Renault’s celebrated historical novels of ancient Greece, The Last of the Wine follows Alexias and Lysis into adulthood, when Athens is defeated by Sparta, the Thirty Tyrants take hold of the city, and the lives of both men are changed forever. Through their friendship, Renault opens a vista onto ancient Greek life, uncovering its vibrancy, culture, and political strife, and offers an unforgettable story of love, honor, loyalty, and the remarkable bond between two men." - from the publisher

"Sappho's Leap is a journey back 2,600 years to inhabit the mind of the greatest love poet the world has ever known. At the age of fourteen, Sappho is seduced by the beautiful poet Alcaeus, plots with him to overthrow the dictator of their island, and is caught and married off to a repellent older man in hopes that matrimony will keep her out of trouble. Instead, it starts her off on a series of amorous adventures with both men and women, taking her from Delphi to Egypt, and even to the Land of the Amazons and the shadowy realm of Hades. Erica Jong―always our keenest-eyed chronicler of the wonders and vagaries of sex and love―has found the perfect subject for a witty and sensuous tale of a passionate woman ahead of her time. A generation of readers who have been moved to laughter and recognition by Jong's heroines will be enchanted anew by her re-creation of the immortal poet." - from the publisher

"As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman - blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon's beloved daughter, is brought to the coast under false pretenses, and when a knife is fashioned out of the finest and most precious of materials, it looks as if the ships will soon be on their way. But can a father really go to these lengths to secure political victory, and can a daughter willingly give up her life for the worldly ambitions of her father?' 'Throwing off the heroic values we expect of them, Barry Unsworth's mythic characters embrace the political ethos of the twenty-first century and speak in words we recognize as our own. The blowhard Odysseus warns the men to not 'marginalize' Agamemnon and to 'strike while the bronze is hot.' High-sounding principles clash with private motives, and dark comedy ensues."

"Patroclus, an awkward young prince, follows Achilles into war, little knowing that the years that follow will test everything they have learned, everything they hold dear. And that, before he is ready, he will be forced to surrender his friend to the hands of Fate. Set during the Trojan War. Achilles, 'the best of all the Greeks,' son of the cruel sea goddess Thetis and the legendary King Peleus, is strong, swift, and beautiful--irresistible to all who meet him. Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods' wrath. They are trained by the centaur Chiron in the arts of war and medicine, but when word comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause and, torn between love and fear for his friend, Patroclus follows. Little do they know that the Fates will test them both as never before and demand a terrible sacrifice." - from the publisher

"The year is 323 BCE. King Alexander of Macedonia--Alexander the Great--lies paralyzed by poison in his palace in Babylon. He is thirty-two years old, had Aristotle as a mentor, and is the greatest military commander the world has ever seen. At the other end of the palace, Phyllis, a cook for Alexander's army, sits locked in a room, arrested on suspicion of being the poisoner. All of her adult life she has lived in the field--and for a long period of time was Alexander's lover. Who has poisoned the king? Phyllis is allowed to live as long as she writes down everything she knows about Alexander. She tells a brutal story of the violent daily life in the war, about the planning of the expansion into the Arabian Peninsula, about an invisible library containing marvelous manuscripts and discoveries, and about the passion between a cook and a king. With The Invisble Library, Thorvald Steen interweaves known and unknown, relying on facts until they run out, then building his story on what is probable, to tell the story of a little-known period in the life of one of the most renowned figures in history. The result is an existential and inspired novel that goes to the heart of the human experience--who are we in war, in love, during the final days of life?" - from the publisher

"From the Booker Prize-winning author of the Regeneration trilogy comes a monumental new masterpiece, set in the midst of literature's most famous war. Pat Barker turns her attention to the timeless legend of The Iliad, as experienced by the captured women living in the Greek camp in the final weeks of the Trojan War. The ancient city of Troy has withstood a decade under siege of the powerful Greek army, who continue to wage bloody war over a stolen woman--Helen. In the Greek camp, another woman watches and waits for the war's outcome: Briseis. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. Keenly observant and cooly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position to observe the two men driving the Greek forces in what will become their final confrontation, deciding the fate, not only of Briseis's people, but also of the ancient world at large. Briseis is just one among thousands of women living behind the scenes in this war--the slaves and prostitutes, the nurses, the women who lay out the dead--all of them erased by history. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis's perspective, are rife with newfound revelations. Barker's latest builds on her decades-long study of war and its impact on individual lives--and it is nothing short of magnificent." - from the publisher

"In her great historical epic Kristin Lavransdatter, set in fourteenth-century Norway, Nobel laureate Sigrid Undset tells the life story of one passionate and headstrong woman. Painting a richly detailed backdrop, Undset immerses readers in the day-to-day life, social conventions, and political and religious undercurrents of the period. Now in one volume, Tiina Nunnally’s award-winning definitive translation brings this remarkable work to life with clarity and lyrical beauty. As a young girl, Kristin is deeply devoted to her father, a kind and courageous man. But when as a student in a convent school she meets the charming and impetuous Erlend Nikulaussøn, she defies her parents in pursuit of her own desires. Her saga continues through her marriage to Erlend, their tumultuous life together raising seven sons as Erlend seeks to strengthen his political influence, and finally their estrangement as the world around them tumbles into uncertainty. With its captivating heroine and emotional potency, Kristin Lavransdatter is the masterwork of Norway’s most beloved author—one of the twentieth century’s most prodigious and engaged literary minds—and, in Nunnally’s exquisite translation, a story that continues to enthrall." - from the publisher

"Owen Glendower is John Cowper Powys' brilliant re-imagining of the life and exploits of Wales's national hero. It is the year 1400, and Wales is on the brink of a bloody revolt. At a market fair on the banks of the River Dee, a gathering of peasants, bards, prophets, heretics, and soldiers, a mad rebel priest and his beautiful companion are condemned to be burned at the stake. To their rescue rides the unlikely figure of Rhisiart, a young Oxford scholar whose fate will be entangled with that of Owen Glendower, the last true Prince of Wales, a man called, at times against his will, to fulfill the prophesied role of national redeemer. Psychologically complex, sensuous in its language, vivid in its evocation of a period shrouded by myth, Owen Glendower tells a compelling story of war, love, and magic."

"Taking us back in history to a place where autopsies were blasphemous, coffee was an exotic drink, dried toads were the recommended remedy for the plague, and the devil was as real as anything, The Hangman’s Daughter brings to cinematic life the sights, sounds, and smells of seventeenth-century Bavaria, telling the engrossing story of a compassionate hangman who will live on in readers’ imaginations long after they’ve put down the novel."

"A brilliant, lush, sweeping historical novel about the rise of the most powerful woman of the Middle Ages: Hild Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world--of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next--that can seem uncanny, even supernatural, to those around her. She establishes herself as the king's seer. And she is indispensable--until she should ever lead the king astray. The stakes are life and death: for Hild, her family, her loved ones, and the increasing numbers who seek the protection of the strange girl who can read the world and see the future. Hild is a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age--all of it brilliantly and accurately evoked by Nicola Griffith's luminous prose. Recalling such feats of historical fiction as Hilary Mantel's Wolf Hall and Sigrid Undset's Kristin Lavransdatter, Hild brings a beautiful, brutal world--and one of its most fascinating, pivotal figures, the girl who would become St. Hilda of Whitby--to vivid, absorbing life."

"Snorri Sturluson was an Icelandic politician, writer and historian living during the twelfth century. He was a man of great political influence, and his writings are still researched and valued today. Snorri was killed on September 22, 1241, in Reykholt, where he lived the last years of his life, and The Little Horse is a novel about his final five days. Snorri, knowing his end is near, begins to write a saga of his own life. He wants to refute all those who oppose him in Norway and Iceland, and defend himself against rumors that he is power hungry and a deceitful womanizer. He is haunted by the fear that his son Orækja will turn against him, and waits to meet Margaret, the woman he loves, who challenges him in every possible way. Meanwhile, assassins in the distance prepare to carry out their orders to end his life. This creative, beautifully constructed novel reimagines the final days of the Icelandic hero, providing a wonderful new perspective on the politics and culture of the period."

"At the center of this story is the Cathedral. Its design and construction in the 13th and 14th centuries in the Rhineland town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer to local merchants and lowly stonecutters, everyone, even the town's Jewish denizens, is implicated and affected by the slow rise of Hagenburg's Cathedral, which in no way enforces morality or charity. Around this narrative center, Ben Hopkins has constructed his own monumental edifice, a novel that is rich with the vicissitudes of mercantilism, politics, religion, and human enterprise." - from the publisher

"In the vaulted Gothic towers of Notre-Dame Cathedral lives Quasimodo, the hunchbacked bellringer. Mocked and shunned for his appearance, he is pitied only by Esmerelda, a beautiful gypsy dancer to whom he becomes completely devoted. Esmerelda, however, has also attracted the attention of the sinister archdeacon Claude Frollo, and when she rejects his lecherous approaches, Frollo hatches a plot to destroy her, that only Quasimodo can prevent. Victor Hugo's sensational, evocative novel brings life to the medieval Paris he loved, and mourns its passing in one of the greatest historical romances of the nineteenth century." - from the publisher

"In the last days of the Venetian Republic, the successive wives of Count Alvise Lanzi suffer mysterious, agonizing deaths. Murder Most Serene offers a cruel portrait of a beautiful but corrupt city-state and its equally extravagant and corrupt inhabitants. Redolent of darkness, death, poison and transgression, it is also an over-the-top, tongue-in-cheek Venetian romp. Rich in historical detail and bursting with bejeweled putrescence, Gabrielle Wittkop's chilling memento mori eschews the murder mystery in which it is garbed for a scintillating depiction of physical, moral, societal and institutional corruption, in which the author plays the role of puppeteer--"present, masked as convention dictates, while in a Venice on the brink of downfall, women gorged with venom burst like wineskins. Self-styled heir to the Marquis de Sade, Gabrielle Wittkop (1920-2002) was a French author who wrote a remarkable series of novels and travelogues, all laced with sardonic humor and dark sexuality, with recurrent themes of death, disease and decrepitude. After meeting Justus Wittkop, a German deserter, in Paris under the Occupation, she hid him from the Nazis and then married him after the war, in what she described as an 'intellectual alliance,' given he was homosexual. He would commit suicide in 1986, with her approval, after being diagnosed with Parkinson's. Her first novel, The Necrophiliac, appeared in 1972, but a number of her books have only been made available since her own suicide in 2002, after she was diagnosed with lung cancer." - from the publisher

"In 1506, Michelangelo -- young but already renowned sculptor -- is invited by the Sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci's design had been rejected: "You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal." Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II -- whose commission he leaves unfinished -- and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants -- constructed from real historical fragments -- is a story about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another." - from the publisher

"A novel set in Renaissance Italy, and centering on the captivating young duchess Lucrezia de' Medici"-- Provided by publisherFlorence, the 1550s. Lucrezia, third daughter of the grand duke, is obscure in the palazzo's clandestine workings. Then her older sister dies on the eve of her wedding to the Alfonso, ruler of Ferrara, Modena and Reggio. Now Lucrezia is to take her sister's place in a troubled court where her arrival is not universally welcomed. Sitting for her wedding portrait, one thing becomes clear to Lucrezia: her only duty is to provide an heir to shore up the future of the Ferrarese dynasty." - from the publisher

"The year is 1797, and the kingdom of Segu is flourishing, fed by the wealth of its noblemen and the power of its warriors. The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian. Based on actual events, Segu transports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce." - from the publisher

"'First published in Kenya in 2014 to critical and popular acclaim, Kintu is a modern classic, a multilayered narrative that reimagines the history of Uganda through the cursed bloodline of the Kintu clan. Divided into six sections, the novel begins in 1750, when Kintu Kidda sets out for the capital to pledge allegiance to the new leader of the Buganda Kingdom. Along the way, he unleashes a curse that will plague his family for generations. In an ambitious tale of a clan and a nation, Makumbi weaves together the stories of Kintu's descendants as they seek to break from the burden of their shared past and reconcile the inheritance of tradition and the modern world that is their future." - from the publisher

"Things Fall Apart is one of the most widely read African novels ever published. It is written by one of Nigeria s leading novelists, Chinua Achebe. Set in the Ibo village of Umuofia, Things Fall Apart recounts a stunning moment in African history - its colonization by Britain. The novel, first published in 1958, has by today sold over 8 million copies, been translated into at least forty-five languages, and earned Achebe the somewhat misleading and patronizing title of "the man who invented African literature." It carefully re-creates tribal life before the arrival of Europeans in Africa, and then details the jarring changes brought on by the advent of colonialism and Christianity.The book is a parable that examines the colonial experience from an African perspective, through Okonkwo, who was "a strong individual and an Igbo hero struggling to maintain the cultural integrity of his people against the overwhelming power of colonial rule." Okonkwo is banished from the community for accidentally killing a clansman and is forced to live seven years in exile. He returns to his home village, only to witness its disintegration as it abandons tradition for European ways. The book describes the simultaneous disintegration of Okonkwo and his village, as his pleas to his people not to exchange their culture for that of the English fall on deaf ears.The brilliance of Things Fall Apart is that it addresses the imposition of colonization and the crisis in African culture caused by the collapse of colonial rule. Achebe prophetically argued that colonial domination and the culture it left in Africa had such a stranglehold on African peoples that its consequences would haunt African society long after colonizers had left the continent. A Chronology of Achebe's life and work and a Selected Bibliography are also included." - from the publisher

"Set in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested." - from the publisher

"Ungulani Ba Ka Khosa first published Ualalapi: Fragments from the End of Empire in Portuguese in 1987. Named one of Africa's hundred best books of the twentieth century, it reflects on Mozambique's past and present through interconnected narratives related to the last ruler of the Gaza Empire, Ngungunhane. Defeated by the Portuguese in 1895, Ngungunhane was recuperated by Mozambique's post-independence government as a national and nationalist hero. The regime celebrated his resistance to the colonial occupation of southern Mozambique as a precursor to the twentieth-century struggle for independence. In Ualalapi, Ungulani challenges that ideological celebration and portrays Ngungunhane as a despot, highlighting the violence and tyranny that were markers of the Gaza Empire. This fresh look at the history of late nineteenth-century southeast Africa provides a prism through which to question the machinations of power in Mozambique during the 1980s." - from the publisher

"'This is how we carried out of Africa the poor broken body of Bwana Daudi, the Doctor, David Livingstone, so that he could be borne across the sea and buried in his own land.' So begins Petina Gappah's powerful novel of exploration and adventure in nineteenth-century Africa--the captivating story of the loyal men and women who carried explorer and missionary Dr. Livingstone's body, his papers and maps, fifteen hundred miles across the continent of Africa, so his remains could be returned home to England and his work preserved there. Narrated by Halima, the doctor's sharp-tongued cook, and Jacob Wainwright, a rigidly pious freed slave, this is a story that encompasses all of the hypocrisy of slavery and colonization--the hypocrisy at the core of the human heart--while celebrating resilience, loyalty, and love." - from the publisher

"Based on true events, a story of courage, forgiveness, love, and freedom in pre-colonial Ghana, told through the eyes of two women born to vastly different fates. Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that turns her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father's court. These two women's lives converge as infighting among Wurche's people threatens the region, during the height of the slave trade at the end of the nineteenth century. Through the experiences of Aminah and Wurche, The Hundred Wells of Salaga offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people." - from the publisher

"Erudite, ambitious Ilyas was stolen from his parents by the schutztruppe askari, the Germans' colonial troops; after years at war, he returns to his village to find his parents gone, and his sister Afiya given away. Hamza was not stolen, but was sold; he has come of age in the schutztruppe, at the right hand of an officer whose zeal and control have ensured his protection but marked him for life. He does not have words for how the war ended for him, in a haze of blood. Returning to the village of his childhood, all Hamza wants is work, however humble, and security - and the beautiful Afiya. The century is young, and the blaze of empire burns hot on the east coast of Africa. The Germans and the British and the French and the Belgians and whoever else have may have drawn their maps and signed their treaties, but the embers of revolt are not yet extinguished, and the colonialists' hunger for complete dominion is far from sated. As these interlinked friends and lovers come and go, live and work and fall in love, the shadow of war lengthens and darkens, ready to snatch them up and carry them away. Raw yet rich, sweeping yet intimate, sprawling yet acutely realised, Afterlives is an epic novel about family, love, friendship, displacement empire and war; about the ways that violence defines and undoes us, and the lives that history chooses to forget." - from the publisher

"The Red and the Black, Stendhal's masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorel's quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of post-Napoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature."

"The Charterhouse of Parma chronicles the exploits of Fabrizio del Dongo, an ardent young aristocrat who joins Napoleon's army just before the battle of Waterloo. Yet perhaps the novel's most unforgettable characters are the hero's beautiful aunt, the alluring Duchess of Sanseverina, and her lover, Count Mosca, who plot to further Fabrizio's political career at the treacherous court of Parma in a sweeping story that illuminates an entire epoch of European history." - from the publisher

"From the award-winning translators of Anna Karenina and The Brothers Karamazov comes this magnificent new translation of Tolstoy's masterwork. Nominated as one of America’s best-loved novels by PBS’s The Great American Read. War and Peace broadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both men. As Napoleon’s army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature." - from the publisher

"This book introduces the most gallant and redoubtable figure in naval history - Horatio Hornblower. The seventeen year old Hornblower became infamous as soon as he stepped on board ship as the midshipman who was seasick in the Spithead, but things were soon to change. Amid battle, action and adventure he proves himself time and time again - courageous in danger, resourceful in moments of difficulty and decisive in times of trouble. The reader stands right beside him as he prepares to fight his first duel, feels that heat as he battles to control a blazing ship and shares his horror as he experiences for the first time, the panic of the plague. The young Hornblower - a truly formidable force in his majesty's service." - from the publisher

"Compared by some to such classics as Don Quixote, Tom Jones, Roderick Random, and Gil Blas, Anthony Adverse is a novel of the road--a huge novel of 1,224 pages that traces the fascinating and heroic adventures of a soldier-of-fortune from his humble birth in an Alpine village in 1775 through Europe and Africa to his death in the the American Southwest in 1825. [...] Whatever the sources he used, Allen produced a book populated by a gallery of clearly drawn characters and marked by episodes and subplots that carry the reader from one part of the world to another at an almost breathless pace. It is a book that does not once lose its vitality." - from Gale DLB v.9, American Novelists, 1910-1945, Part I: Adamic-Fischer, "Hervey Allen"

"One rain-swept February night in 1809, an unconscious man is carried into a house in Somerset. He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain. Gradually Lacroix recovers his health, but not his peace of mind - he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs. Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all." - from the publisher

"19th-century Europe--from Turin to Prague to Paris--abounds with the ghastly and the mysterious. Jesuits plot against Freemasons. In Italy, republicans strangle priests with their own intestines. In France, during the Paris Commune, people eat mice, plan bombings and rebellions in the streets, and celebrate Black Masses. Every nation has its own secret service, perpetrating conspiracies and even massacres. There are false beards, false lawyers, false wills, even false deaths. From the Dreyfus Affair to the Protocols of the Elders of Zion, the Jews are blamed for everything. One man connects each of these threads into a massive crazy-quilt conspiracy within conspiracies. Here, he confesses all, thanks to Umberto Eco's ingenious imagination--a thrill-ride through the underbelly of actual, world-shattering events." - from the publisher

"In this internationally acclaimed novel, Steve Sem-Sandberg brilliantly refracts the story of Büchner's groundbreaking play Woyzeck through a new lens. W., the astonishing new novel by August Prize– winning author Steve Sem-Sandberg, is a literary reimagining of one of modern literature’s touchstone texts, the play Woyzeck. Considered the first modern drama, Woyzeck tells the story of a loyal soldier and survivor of the Napoleonic Wars who, in a fit of jealous rage, kills the woman he loves. In 1836 this true story inspired Georg Büchner to write the play, unfinished at his death at just twenty-three years old. W. grippingly recounts the lovers’ relationship, the murder case, and the soldier’s execution. The story unfolds as the soldier W. struggles to recount the events of his life. He grasps at understanding and experiences feelings of time and timelessness. He finds patterns and repetitions, but these are of no interest to those determining his fate. Sem-Sandberg searched court archives to bring new light to this story, and he masterfully sustains a rich period atmosphere through poetic and controlled prose, down to the choice of pronouns as the soldier is held at a cold distance in court proceedings when addressed with the formal, capitalized 'You.' Against a landscape devastated by inhumanity and greed that, yet, manages to sustain hope, Steve Sem-Sandberg’s W. tells a ruthless, moving, and utterly relevant story as the soldier W. desperately and humanly fights to make something of the life given to him."

"In the fall of 1849, Herman Melville traveled to London to deliver his novel White-Jacket to his publisher. On his return to America, Melville would write Moby-Dick. Melville: A Novel imagines what happened in between: the adventurous writer fleeing London for the country, wrestling with an angel, falling in love with an Irish nationalist, and, finally, meeting the angel's challenge--to express man's fate by writing the novel that would become his masterpiece. Eighty years after it appeared in English, Moby-Dick was translated into French for the first time by the Provençal novelist Jean Giono and his friend Lucien Jacques. The publisher persuaded Giono to write a preface, granting him unusual latitude. The result was this literary essai, Melville: A Novel--part biography, part philosophical rumination, part romance, part unfettered fantasy." - from the publisher

"1878: The Lyceum Theatre, London. Three extraordinary people begin their life together, a life that will be full of drama, transformation, passionate and painful devotion to art and to one another. Henry Irving, the Chief, is the volcanic leading man and impresario; Ellen Terry is the most lauded and desired actress of her generation, outspoken and generous of heart; and ever following along behind them in the shadows is the unremarkable theatre manager, Bram Stoker. Fresh from life in Dublin as a clerk, Bram may seem the least colourful of the trio but he is wrestling with dark demons in a new city, in a new marriage, and with his own literary aspirations. As he walks the London streets at night, streets haunted by the Ripper and the gossip which swirls around his friend Oscar Wilde, he finds new inspiration. But the Chief is determined that nothing will get in the way of his manager's devotion to the Lyceum and to himself. And both men are enchanted by the beauty and boldness of the elusive Ellen. This exceptional novel explores the complexities of love that stand dangerously outside social convention, the restlessness of creativity, and the experiences that led to Dracula, the most iconic supernatural tale of all time." - from the publisher

"A servant and former slave is accused of murdering her employer and his wife in this astonishing historical thriller that moves from a Jamaican sugar plantation to the fetid streets of Georgian London.The brutal double murder of renowned scientist George Benham and his eccentric French wife, Marguerite, has set London abuzz. Crowds pack the courtroom, the newspapers print lurid theories about the killings. But Frannie Langton claims she cannot recall what happened that evening, how she came to be covered in blood. She does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams' London home-- and into a passionate and forbidden relationship." - from the publisher

"A prim and proper lady thief must save her aunt from a crazed pirate and his dangerously charming henchman in this fantastical historical romance. Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up. Ned Lightbourne is a sometimes assassin who is smitten with Cecilia from the moment they meet. Unfortunately, that happens to be while he's under direct orders to kill her. His employer, Captain Morvath, who possesses a gothic abbey bristling with cannons and an unbridled hate for the world, intends to rid England of all its presumptuous women, starting with the Wisteria Society. Ned has plans of his own. But both men have made one grave mistake: Never underestimate a woman. When Morvath imperils the Wisteria Society, Cecilia is forced to team up with her handsome would-be assassin to save the women who raised her--hopefully proving, once and for all, that she's as much of a scoundrel as the rest of them." - from the publisher

"A story of pioneer suffering and endurance, this is the tale of the Donner Party, and the mothers of the group who save it from complete disaster." - from the publisher

"Orphaned at birth, Eliza Sommers is raised in the British colony of Valparaíso, Chile, by the well-intentioned Victorian spinster Miss Rose and her more rigid brother Jeremy. Just as she meets and falls in love with the wildly inappropriate Joaquín Andieta, a lowly clerk who works for Jeremy, gold is discovered in the hills of northern California. By 1849, Chileans of every stripe have fallen prey to feverish dreams of wealth. Joaquín takes off for San Francisco to seek his fortune, and Eliza, pregnant with his child, decides to follow him. As Eliza embarks on her perilous journey north in the hold of a ship and arrives in the rough-and-tumble world of San Francisco, she must navigate a society dominated by greedy men. But Eliza soon catches on with the help of her natural spirit and a good friend, the Chinese doctor Tao Chi’en. What began as a search for love ends up as the conquest of personal freedom. A marvel of storytelling, Daughter of Fortune confirms once again Isabel Allende's extraordinary gift for fiction and her place as one of the world's leading writers." - from the publisher

"Published in 1924 and widely acknowledged as a major work of twentieth-century Latin American literature, José Eustasio Rivera's The Vortex follows the harrowing adventures of the young poet Arturo Cova and his lover Alicia as they flee Bogotá and head into the wild and woolly backcountry of Colombia. After being separated from Alicia, Arturo leaves the high plains for the jungle, where he witnesses firsthand the horrid conditions of those forced or tricked into tapping rubber trees. A story populated by con men, rubber barons, and the unrelenting landscape, The Vortex is both a denunciation of the sensational human-rights abuses that took place during the Amazonian rubber boom and one of the most famous renderings of the natural environment in Latin American literary history." - from the publisher

"First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentinean and Spanish-language literature. Written in a style that is both precise and sumptuous, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. Eaten up by pride, lust, petty grudges, and paranoid fantasies, Don Diego does as little as he possibly can while plotting an eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good. Don Diego's slow, nightmarish slide into the abyss is not just a tale of one man's perdition but an exploration of existential, and very American, loneliness. Zama's stark, dreamlike prose and spare imagery make every word appear to emerge from an ocean of things left unsaid." - from the publisher

"The appearance in 1966 of Paradiso (the only novel published while the Cuban author José Lezama Lima was alive, until then known only for his exceptional talent as a poet and essayist) aroused the enthusiastic and admiring response of notable critics and writers such as Julio Cortázar and Octavio Paz, among others. The plot of this oceanic and baroque work, with clear autobiographical roots, revolves around the childhood and youth of José Cemí, and in it the author builds a poetic world in which reality, myth and fantasy weave a perfect fabric. whose unity reinforces a masterful command of the language. This edition of "Paradiso" reproduces the text, revised and authorized by Lezama Lima, which was published in Mexico by Ediciones Era, in 1968, under the care of Julio Cortázar and Carlos Monsiváis, although for this edition the essential edition is in view. review coordinated in 1988 by Cintio Vitier." - from the publisher

"One of the most influential literary works of our time, One Hundred Years of Solitude remains a dazzling and original achievement by the masterful Gabriel Garcia Marquez, winner of the Nobel Prize in Literature. One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendiá family. Inventive, amusing, magnetic, sad and alive with unforgettable men and women—brimming with truth, compassion, and a lyrical magic that strikes the soul—this novel is a masterpiece in the art of fiction." - from the publisher

"Latin America has seen, time and again, the rise of dictators, Supreme Leaders possessed of the dream of absolute power, who sought to impose their mad visions of Perfect Order on their own people. Latin American writers, in turn, have responded with fictional portraits of such figures, and no novel of this genre is as universally esteemed as Augusto Roa Bastos's I the Supreme, a book that draws on and reimagines the career of the man who was "elected" Supreme Dictator for Life in Paraguay in 1814. By turns grotesque, comic, and strangely moving, I the Supreme is a profound meditation of the uses and abuses of power-over men, over events, over language itself." - from the publisher

"If there was not so much fiction in News from the Empire, it could be called a work of history. In fact, the focus of this broad work is history itself, as well as the many unrecorded lives and events that history has forgotten from this strange era in Mexico's early nationhood. Using Emperor Maximilian and his wife, Carlota, as a starting point, Fernando Del Paso both considers what Mexico is and the country's place in the larger narrative of world history. The book spans the palaces of Europe and the villages of Mexico, yet despite its broad focus News is a book rich in characters and details, a work that opens up this era of Mexican history to readers without specialized knowledge. Maximilian and Carlota are the focus of the book, and even if they are not explicitly on every page, they are always in the background somewhere, providing the humanizing contradictions that fill it. Del Paso draws a complicated picture of two naïve people placed in a situation they could not manage and a country they did not understand. This innocence is especially inexplicable in the case of Maximilian, who, as brother of Austria's Emperor Franz Josef, should have known something about ruling but is completely unable to govern." - from the publisher

"This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs. China Iron, Martín Fierro's abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who 'stole' Martín Fierro's poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river-dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects."

"Dance on the Volcano tells the story of two sisters growing up during the Haitian Revolution in a culture that swings heavily between decadence and poverty, sensuality and depravity. One sister, because of her singing ability, is able to enter into the white colonial society otherwise generally off limits to people of color. Closely examining a society sagging under the white supremacy of the French colonist rulers, Dance on the Volcano is one of only novels to closely depict the seeds and fruition of the Haitian Revolution, tracking an elaborate hierarchy of skin color and class through the experiences of two young women. It is a story about hatred and fear, love and loss, and the complex tensions between colonizer and colonized, masterfully translated by Kaiama L. Glover." - from the publisher

"Written over the course of twenty-one years and published in 1966, Wide Sargasso Sea, based on Charlotte Brontë's Jane Eyre, takes place in Jamaica and Dominica in 1839-45. Textual notes illuminate the novel's historical background, regional references, and the non-translated Creole and French phrases necessary to fully understand this powerful story. Backgrounds include a wealth of material on the novel's long evolution, its connections to Jane Eyre, and Rhys's biographical impressions of growing up in Dominica. Criticism introduces readers to the critical debates inspired by the novel with a Derek Walcott poem and eleven essays. - Publisher.Beautiful and wealthy Antoinette Cosway's passionate love for an English aristocrat threatens to destroy her idyllic West Indian island existence and her very life; accompanied by notes and criticism." - from the publisher

"Lilith was born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they--and she--will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link." - from the publisher

"Caryl Phillips's A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips's gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized. A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own." - from the publisher

"Eleven-year-old George Washington Black - or Wash - a field slave on a Barbados sugar plantation, is intially terrified when he is chosen to be the manservant of his master's brother. To his surprise, however, the eccentric Christopher Wilde turns out to be a naturalist, explorer, inventor, and abolitionist. Soon Wash is intiated into a world where two people, separated by an impossible divide, can begin to see each other as human. But when a man is killed and a bounty is placed on Wash's head, they must abandon everything and flee. Spanning the Caribbean to the frozen Far North, London to Morocco, Washington Black is a story of self-invention and betrayal, of love and redemption, and of a world destroyed and made whole again." - from the publisher

"When clever, headstrong Kaveri moves to Bangalore to marry handsome young doctor Ramu, she's resigned herself to a quiet life. But that all changes the night of the party at the Century Club, where she escapes to the garden for some peace and quiet--and instead spots an uninvited guest in the shadows. Half an hour later, the party turns into a murder scene. When a vulnerable woman is connected to the crime, Kaveri becomes determined to save her and launches a private investigation to find the killer, tracing his steps from an illustrious brothel to an Englishman's mansion. She soon finds that sleuthing in a sari isn't as hard as it seems when you have a talent for mathematics, a head for logic, and a doctor for a husband... And she's going to need them all as the case leads her deeper into a hotbed of danger, sedition, and intrigue in Bangalore's darkest alleyways." - from the publisher

"In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga--literally 'victory city'--the wonder of the world. Over the next two hundred and fifty years, Pampa Kampana's life becomes deeply interwoven with Bisnaga's, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that Parvati set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry--with Pampa Kampana at its center." - from the publisher

"Ogai Mori's famous 1913 novel is set in 1881, a time of vast social change, one which the author comments on in his story of the hopes and dreams lost as the Edo era slowly gives way to the Meiji period. Otama is a young, hopeful daughter, the only child of a widowed merchant, forced to become a mistress in order to provide for her impoverished father. When she learns that it is a moneylender to whom she is promised, she feels betrayed and looks for a way of escape. A medical student her own age could, she thinks, rescue her. But whether or not the thought ever entered his head, he is off to continue his studies in Germany, and she is left behind. The book is much admired not only for its grasp of the social changes that so affected Japan, but also for the fact that, unusual for its time, it so plainly sympathized with the dilemmas faced by women." - from the publisher

"

Ancient China is illustriously brought to life in these folk tales, legends, and stories of historical figures that routinely rank alongside such Japanese literary classics as “Rashomon” by Ryunosuke Akutagawa and Kokoro by Natsume Soseki. When they first appeared in Japanese periodicals in 1942 and 1943, they sparked a potentially rich and long career for author Atsushi Nakajima, who tragically died of asthma complicated by severe pneumonia shortly thereafter, but whose work has continued to grow in Japanese regard ever since. This collection marks the first time these works have been translated into English." - from the publisher

"Seventeenth-century Japan: Two Portuguese Jesuit priests travel to a country hostile to their religion, where feudal lords force the faithful to publicly renounce their beliefs. Eventually captured and forced to watch their Japanese Christian brothers lay down their lives for their faith, the priests bear witness to unimaginable cruelties that test their own beliefs. Shusaku Endo is one of the most celebrated and well-known Japanese fiction writers of the twentieth century, and Silence is widely considered to be his great masterpiece."

"'Be careful trying to place blame, or it might come back to you,' Ceng Guangxian's father warns him after the first time his good intentions end in ruin. Yet time and again as Guangxian comes of age, bad luck and his own desires for a bigger, better future wreak havoc upon his family, fortune, and social reputation, leaving him scrambling to find the causes of the mishaps that define his life. Dong Xi's Record of Regret, here in its first English translation, introduces readers to a masterpiece of contemporary Chinese literature, and to the unparalleled tragicomic style of one of China's most celebrated writers. Set in the wake of China's Cultural Revolution, the novel follows Guangxian from his days as a middle school student to adulthood as a lonely, middle-aged man. Guangxian's path of misery--which he meticulously documents--is driven by absurdity: his discovery of two dogs mating leads to his father's infidelity with a neighbor; Guangxian's attempts to court a woman with the gift of a new dress result in his imprisonment for rape; he selects a spouse through a catastrophic game of chance, drawing from a set of names scrawled on crumpled pieces of paper. Guangxian's guilty conscience and youthful understanding of morality compound these disasters. Translated by Dylan Levi King to preserve the tone and engaging style of Dong Xi's original text, Record of Regret provides English readers a look into a darkly humorous landscape of dubious loyalties and lessons, seen through the eyes of a man trying to find his place in an upside-down world." - from the publisher

"Musashi Miyamoto fights in 1600 for the losing side of the battle at Sekigahara when the Tokugawa Shogunate begins its reign.This epic recounts the life and times of medieval Japan's greatest swordsman--a man who began life as an over-eager lout but turned himself into a master of his chosen weapon. But his life was spent not only in training to perfect the art of killing, but also in a quest to conquer himself. Unable to settle down, Musashi embarks on the life of a ronin (masterless samurai) as he wends his way through the feudal world of medieval Japan in his search for perfection. In the process he finds a young woman who loves him and many enemies who seek his destruction, including the most feared swordsman of all. The book teems with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely."

"In the tempestuous closing decades of the sixteenth century, the Empire of Japan writhes in chaos as the shogunate crumbles and rival warlords battle for supremacy. Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch. Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko--absolute ruler of Japan in the Emperor's name. When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi--brash, impulsive, and utterly fearless--who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness. As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan."

"Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty, as the Chinese battle both Japanese invaders and each other in the turbulent 1930s. A legend in China, where it won major literary awards and inspired an Oscar-nominated film, Red Sorghum is a book in which fable and history collide to produce fiction that is entirely new--and unforgettable."

"This tour-de-force is widely regarded as the quintessential post-WWII Japanese novel. A plan to kidnap a major corporation's CEO becomes an allegory for the alienation of the individual self, a mirror to modern-day Japanese identity. In 1995 in Tokyo, five men meet at the racetrack every Sunday to bet on the horses. They have little in common except a disaffection with their lives. One is a poorly socialized but genius factory welder. One is a demoted detective with a chip on his shoulder. One is an ethnically Korean banker who is tired of being ostracized for his race. One is a truck driver who struggles to make ends meet; he is also the harried single parent of a teenage girl with Down's syndrome. The fifth man, Monoi, a sixty-five-year-old drug store owner, is the one who brings them all together. Monoi has a hard past and a tragic present. He grew up in poverty during the war, and gave the best years of his life working for companies that didn't take care of him. Last summer, his only grandson was killed in a highly suspicious one-person car accident; shortly after, Monoi's son-in-law, the boy's father, a successful dentist, committed suicide after a correspondence with Hinode Beer Company, a huge conglomerate where his son had been interviewing. Snooping around, Monoi discovers a very strange chain of communication between his dead son-in-law and a blackmailer over a forgotten family secret. Monoi, alone in the world and intent on revenge, decides to put together a heist that will victimize the corporate behemoth that stole his family: he will kidnap Hinode's CEO and extract blood money from the corrupt financiers who back it. He enlists his four disaffected friends to help pull it off."

"Featuring short stories 'Shadow Wife,' the tale of the vengeful swordsman prodigy Hisama Sakakibara, and 'The Crawler,' the story of stubborn treasury official Genbei Chitsugi, this masterpiece collection of historical ghost stories depicts the pathos of lower-class samurai who live for and are held captive by the sword."

"Based on a remarkable true story, the New York Times bestselling author of Please Look After Mom brilliantly images the life of Yi Jin, an orphan who would fall under the affections of the Empress and become a jewel in the late Joseon Court. When a novice French diplomat arrives for an audience with the Emperor, he is enraptured by the Joseon Dynasty's magnificent culture, then at its zenith. But all fades away when he sees Yi Jin perform the delicate traditional Dance of the Spring Oriole. Though well aware that women of the court belong to the palace, the young diplomat confesses his love to the Emperor, and gains permission for Yi Jin to accompany him back to France. A world away in Belle Epoque Paris, Yi Jin lives a free, independent life, away from the gilded cage of the court, and begins translating and publishing Joseon literature into French with another Korean student. But even in this new world, great sorrow awaits her. Yi Jin's grieving and suffering is only amplified by homesickness and a longing for her oldest friend. But her homecoming was not a happy one. Betrayal, jealousy, and intrigue abound, culminating with the tragic assassination of the last Joseon empress--and the poisoned pages of a book. Rich with historic detail and filled with luminous characters, Korea's most beloved novelist brings a lost era to life in a story that will resonate long after the final page."

"A beloved Viking saga and masterpiece of historical fiction, The Long Ships is a high spirited adventure that stretches from Scandinavia to Spain, England, Ireland, and beyond. Frans Gunnar Bengtsson’s The Long Ships resurrects the fantastic world of the tenth century AD when the Vikings roamed and rampaged from the northern fastnesses of Scandinavia down to the Mediterranean. Bengtsson’s hero, Red Orm—canny, courageous, and above all lucky—is only a boy when he is abducted from his Danish home by the Vikings and made to take his place at the oars of their dragon-prowed ships. Orm is then captured by the Moors in Spain, where he is initiated into the pleasures of the senses and fights for the Caliph of Cordova. Escaping from captivity, Orm washes up in Ireland, where he marvels at those epicene creatures, the Christian monks, and from which he then moves on to play an ever more important part in the intrigues of the various Scandinavian kings and clans and dependencies. Eventually, Orm contributes to the Viking defeat of the army of the king of England and returns home an off-the-cuff Christian and a very rich man, though back on his native turf new trials and tribulations will test his cunning and determination. Packed with pitched battles and blood feuds and told throughout with wit and high spirits, Bengtsson’s book is a splendid adventure that features one of the most unexpectedly winning heroes in modern fiction." - from the publisher

"Hailed in Europe as an instant classic, We, the Drowned is the story of the port town of Marstal, Denmark, whose inhabitants sailed the world from the mid-nineteenth century to the end of the Second World War. The novel tells of ships wrecked and blown up in wars, of places of terror and violence that continue to lure each generation; there are cannibals here, shrunken heads, prophetic dreams, and miraculous survivals. The result is a brilliant seafaring novel, a gripping saga encompassing industrial growth, the years of expansion and exploration, the crucible of the first half of the twentieth century, and most of all, the sea." - from the publisher

"Islanders are never afraid, if they were, they wouldn't be able to live here. Born on the island that bears her name, Ingrid Barrøy's world is circumscribed by storm-scoured rocks and the moods of the sea by which her family lives and dies. But her father dreams of a bridge, and her mother longs for her own childhood island, and Norway faces its own sea change: the advent of a modern world and its attendant unpredictability and violence. Brilliantly translated into English by Don Bartlett and Don Shaw, The Unseen is a profound exploration of family, resilience, and fate."

"Finnmark, Norway, 1617. Forty fishermen, including Maren Magnusdatter's brother and father, are drowned and left broken on the rocks below. The women of the tiny Arctic town of Vardø must fend for themselves. Three years later Absalom Cornet comes from Scotland, where he burned witches in the northern isles. His young Norwegian wife, Ursa, sees something she has never seen before: independent women. But Absalom sees only a place untouched by God, and flooded with a mighty evil. Maren and Ursa are drawn to one another in ways that surprise them both, but Absalom's iron rule threatening Vardø's very existence. -- adapted from jacket.After a storm has killed off all the island's men, two women in a 1600s Norwegian coastal village struggle to survive against both natural forces and the men who have been sent to rid the community of alleged witchcraft." - from the publisher

"In 1973, Australian writer Patrick White was awarded the Nobel Prize in Literature "for an epic and psychological narrative art which has introduced a new continent into literature." Set in nineteenth-century Australia, Voss is White's best-known book, a sweeping novel about a secret passion between the explorer Voss and the young orphan Laura. As Voss is tested by hardship, mutiny, and betrayal during his crossing of the brutal Australian desert, Laura awaits his return in Sydney, where she endures their months of separation as if her life were a dream and Voss the only reality. Marrying a sensitive rendering of hidden love with a stark adventure narrative, Voss is a novel of extraordinary power and virtuosity from a twentieth-century master." - from the publisher

"This novel is a murder mystery set in a remote gold-mining frontier town in 19th-century New Zealand. Arriving in New Zealand in 1866 a weary Englishman, Walter Moody, lands in a gold-mining frontier town on the coast of New Zealand to make his fortune and forever leave behind his family's shame. On arrival, he stumbles across a tense gathering of twelve local men who have met in secret to investigate what links three crimes that occurred on a single day, events in which each man finds himself implicated in some way. Moody finds himself drawn into a series of unsolved crimes and complex mysteries." - from the publisher

"While the world was still reeling from the staggering losses incurred in the First World War, a little-known Canadian sculptor was raising a colossal monument in France, where more than sixty-six thousand of his countrymen had fought and died. The Vimy Ridge Memorial still stands as a stark reminder of the Canadians who gave their lives in France - and as a testament to the vision and single-minded obsession of its now-forgotten architect, Walter Allward." "It is against the backdrop of this incredible achievement that Jane Urquhart sets her new novel. At the center of the story is Klara Becker, the granddaughter of a master woodcarver, who spends her childhood in a German-settled community in southwestern Ontario in the years leading up to the Great War. It is a childhood punctuated by tremendous losses: her mother dies of cancer when she is a teenager; her older brother, in love with wandering, eventually leaves the family; and her brief but passionate love affair with Eamon O'Sullivan is cut short when he volunteers for action and never returns. But Klara's inherited gift for carving eventually reunites her with her brother and gives her purpose as she works on the memorial that will make her whole again." - from the publisher

"A stunning debut by one of Mexico's most dazzling younger writers. In 1916, Victor Kretzchmar and Thadeus Dreyer face each other over a chessboard on a train heading to the Austro-Hungarian Empire's disastrous Eastern Front. The stakes are high: the winner will take Kretzchmar's identity as a railway signalman and live out the war in safety. The loser will go to certain death. In 1943, the decorated World War I hero and influential Nazi General Thadeus Dreyer is in charge of training doubles to stand in for leading Nazis at dangerous public events. But when the Amphitryon Project falls out of favor with Goering, Dreyer and the doubles disappear. In 1960, Adolf Eichmann, a master chess player, is arrested in Buenos Aires, where he has been living under an assumed name. One of the few escaped Nazis to be recaptured, he is extradited to Israel and executed. Only an old Polish count claims to know Eichmann's true identity, but he dies before it can be revealed. The clues to what ties all of these men together are concealed in an old manuscript that the count has left to his heirs, an unlikely trio of misfits who suddenly find themselves at the center of a dangerous game. This gripping novel explores questions of identity and history against the turbulent backdrop of twentieth-century Europe." - from the publisher

"In 1916, the Irish nationalist Roger Casement was hanged by the British government for treason. Casement had dedicated his extraordinary life to improving the plight of oppressed peoples around the world--especially the native populations in the Belgian Congo and the Amazon--but when he dared to draw a parallel between the injustices he witnessed in African and American colonies and those committed by the British in Northern Ireland, he became involved in a cause that led to his imprisonment and execution. Ultimately, the scandals surrounding Casement's trial and eventual hanging tainted his image to such a degree that his pioneering human rights work wasn't fully reexamined until the 1960s." - from the publisher

The #1 national bestselling, award-winning author of Life after Life transports us to the dazzling London of the Roaring Twenties in a whirlwind tale of corruption, seduction, and debts that have come due. It's 1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven, whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie's empire faces threats from without and within. For beneath the dazzle of Soho's gaiety, there is a dark underbelly, a world in which it is all too easy to become lost. With her unique Dickensian flair, Kate Atkinson gives us a window in a vanished world. Slyly funny, brilliantly observant, and ingeniously plotted, Shrines of Gaiety showcases the myriad talents that have made Atkinson one of the most lauded writers of our time." - from the publisher

"Gerda Taro was a German-Jewish war photographer, anti-fascist activist, artist and innovator who, together with her partner, the Hungarian Endre Friedmann, was one half of the alias Robert Capa, widely considered to be the twentieth century’s greatest war and political photographer. She was killed while documenting the Spanish Civil War and tragically became the first female photojournalist to be killed on a battlefield. August 1, 1937, Paris. Taro’s twenty-seventh birthday, and her funeral. Friedmann, who would henceforth assume the moniker Robert Capa alone, leads the procession. He taught Taro to use a Leica. Together, they left for the Spanish Civil War to bear witness to fascist war crimes. He is devastated, but there are others, equally bereft, in the procession: Ruth Cerf, Taro’s old friend from Leipzig with whom she fled to Paris; Willy Chardack, ex-lover; Georg Kuritzkes, another lover and a key figure in the International Brigades. They have all known a different Gerda, and one who is at times radically at odds with the heroic anti-fascist figure who is being mourned by the multitudes. Gerda Taro is at the heart of this kaleidoscopic novel but another of its main characters is the era itself, the 1930s, with economic depression, the rise of Nazism, hostility towards refugees in France, the century’s ideological warfare, the cultural ferment, and the ascendency of photography as the age’s quintessential art form. The Girl with the Leica is a must-read for fans of historical fiction centered on extraordinary women’s lives." - from the publisher

"In the late 1930s, civil war gripped Spain. When General Franco and his Fascists succeed in overthrowing the government, hundreds of thousands are forced to flee in a treacherous journey over the mountains to the French border. Among them is Roser, a pregnant young widow, who finds her life irreversibly intertwined with that of Victor Dalmau, an army doctor and the brother of her deceased love. In order to survive, the two must unite in a marriage neither of them wants, and together are sponsored by poet Pablo Neruda to embark on the SS Winnipeg along with 2,200 other refugees in search of a new life. As unlikely partners, they embrace exile and emigrate to Chile as the rest of Europe erupts in World War. Starting over on a new continent, their trials are just beginning. Over the course of their lives, they will face test after test. But they will also find joy as they wait patiently for a day when they are exiles no more, and will find friends in the most unlikely of places. Through it all, it is that hope of being reunited with their home that keeps them going. And in the end, they will find that home might have been closer than they thought all along." - from the publisher

"Antagony surveys the social history of Barcelona and Catalonia, primarily since the end of the Spanish Civil War in 1939. The work, originally published as a tetralogy and now collected into one volume, follows the youth and education of Raúl Ferrer Gaminde, son of a well-connected, middle-class Catalan family that embraces Franco and Spanish Nationalism. Its potent drama plays out through Goytisolo's crisp, forceful presentation of youth, humor, optimism, rebellion, violence, sexual awakening, indulgence, punishment, and the realization of one's artistic vocation. Alternately modern and historical, Antagony displays intelligent realism, emotional gravity, profane beauty, brute vulgarity, sweeping rhetorical scope, and seamless transitions through long, streaming passages of narrative and introspection." - from the publisher

"A small farm in Normandy, as Hitler rises to power in Germany. Ludo lives with his uncle, a kite maker Ambrose Fleury, in the small town of Clery in the French countryside. Everyone in the Fleury family has an impressive "historical memory" that earns Ludo the ire of his teachers and arguments with Lila, the naive daughter of Polish aristocrats living next door. After Germany invades Poland, Lila and her family disappear. Ludo's journey to save her from the Nazis becomes a journey to save his loved ones, his country, and ultimately himself." - from the publisher

"Born at the close of World War II, 2014 Nobel Prize winner Patrick Modiano was a young man in his twenties when he burst onto the Parisian literary scene with these three brilliant, angry novels about the wartime Occupation of Paris. The epigraph to his first novel, among the first to seriously question Nazi collaboration in France, reads: "In June 1942 a German officer goes up to a young man and says: 'Excuse me, monsieur, where is La Place de l'Étoile?' The young man points to the star on his chest." The second novel, The Night Watch, tells the story of a young man caught between his work for the French Gestapo, his work for a Resistance cell, and the black marketeers whose milieu he shares. Ring Roads recounts a son's search for his Jewish father who disappeared ten years earlier, whom he finds trying to weather the war in service to unsavory characters. Together these three brilliant, almost hallucinatory evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance. Award-winning translator Frank Wynne has revised the translations of The Night Watch and Ring Roads --long out of print--for our current day, and brings La Place de l'Étoile into English for the first time. The Occupation Trilogy provides the perfect introduction to one of the world's greatest writers." - from the publisher

"The Aesthetics of Resistance (German: Die Ästhetik des Widerstands, 1975–1981) is a three-volume novel by the German-born playwright, novelist, filmmaker, and painter Peter Weiss which was written over a ten-year period between 1971 and 1981. Spanning from the late 1930s into World War II, this historical novel dramatizes anti-fascist resistance and the rise and fall of proletarian political parties in Europe. It represents an attempt to bring to life and pass on the historical and social experiences and the aesthetic and political insights of the workers' movement in the years of resistance against fascism. Living in Berlin in 1937, the unnamed narrator and his peers, sixteen and seventeen-year-old working-class students, seek ways to express their hatred for the Nazi regime. They meet in art museums and galleries, and in their discussions they explore the affinity between political resistance and art, the connection at the heart of Weiss's novel. Weiss suggests that meaning lies in the refusal to renounce resistance, no matter how intense the oppression, and that it is in art that new models of political action and social understanding are to be found. The novel includes extended meditations on paintings, sculpture, and literature. Moving from the Berlin underground to the front lines of the Spanish Civil War and on to other parts of Europe, the story teems with characters, almost all of whom are based on historical figures." - from Wikipedia

"On the sixtieth anniversary of the 1942 roundup of Jews by the French police in the Vel d'Hiv section of Paris, American journalist Julia Jarmond is asked to write an article on this dark episode during World War II and embarks on an investigation that leads her to long-hidden family secrets and to the ordeal of Sarah, a young girl caught up in the raid." - from the publisher

"In February 1940, the Nazis established what would become the second-largest Jewish ghetto, in the Polish city of Lódz. The leader they appointed was Mordechai Chaim Rumkowski, a sixty-three-year-old Jewish businessman and orphanage director—and the elusive, authoritarian power sustaining the ghetto’s very existence. A haunting, profoundly challenging novel, The Emperor of Lies chronicles the tale of Rumkowski’s monarchical rule over a quarter-million Jews for the next four and a half years. Driven by a titanic ambition, he sought to transform the ghetto into a productive industrial complex and strove to make it—and himself—indispensable to the Nazi regime. These compromises would have extraordinary consequences not only for Rumkowski but for everyone living in the ghetto. Drawing on the detailed records of life in Lódz, Steve Sem-Sandberg, in a masterful feat of literary imagination and empathy, captures the full panorama of human resilience and probes deeply into the nature of evil. Through the dramatic narrative, he asks the most difficult questions: Was Rumkowski a ruthless opportunist, an accessory to the Nazi regime motivated by a lust for power? Or was he a pragmatist who managed to save Jewish lives through his collaboration policies? How did the inhabitants of the ghetto survive in such extreme circumstances? A critically acclaimed breakout bestseller in Sweden, The Emperor of Lies introduces a writer of great significance to American readers. The archives detail daily life in the Lodz ghetto, under the reign of Rumkowki, but it takes a writer with Sem-Sandberg’s singular talent to help us understand the truth of this chilling history." - from the publisher

"Magnus is a deeply moving and enigmatic novel about the Holocaust. Magnus is a man searching for his own identity, attempting to piece together the complex puzzle of his life. But his true story turns out to be closer to a painting by Edward Munch than the romantic tale of family heroism and self-sacrifice on which he was nurtured by the woman he believed was his mother. In Magnus, Sylvie Germain uses imagination and intuition to unlock the enigma of human life and confer on history the power of myth and fable." - from the publisher

"The Am Spiegelgrund clinic, in glittering Vienna, masqueraded as a well-intentioned reform school for wayward boys and girls and a home for chronically ill children. The reality, however, was very different: in the wake of Germany's annexation of Austria on the eve of World War II, its doctors, nurses, and teachers created a monstrous parody of the institution's benign-sounding brief. The Nazi regime's euthanasia program would come to determine the fate of many of the clinic's inhabitants. Through the eyes of a child inmate, Adrian Ziegler, and a nurse, Anna Katschenka, Steve Sem-Sandberg, the author of the award-winning The Emperor of Lies, explores the very meaning of survival. An absorbing, emotionally overwhelming novel, rich in incident and character, The Chosen Ones is obliquely illuminated by the author's sharp sense of the absurd. Passionately serious, meticulously researched, and deeply profound, this extraordinary and dramatic novel bears witness to oppression and injustice, and offers invaluable and necessary insight into an intolerable chapter in Austria's past." - from the publisher

"A novel of the cruelty of war, and tenuousness of life and the impossibility of love. Richard Flanagan's story — of Dorrigo Evans, an Australian doctor haunted by a love affair with his uncle's wife — journeys from the caves of Tasmanian trappers in the early twentieth century to a crumbling pre-war beachside hotel, from a Thai jungle prison to a Japanese snow festival, from the Changi gallows to a chance meeting of lovers on the Sydney Harbour Bridge. Taking its title from 17th-century haiku poet Basho's travel journal, The Narrow Road to the Deep North is about the impossibility of love. At its heart is one day in a Japanese slave labour camp in August 1943. As the day builds to its horrific climax, Dorrigo Evans battles and fails in his quest to save the lives of his fellow POWs, a man is killed for no reason, and a love story unfolds." - from the publisher

"September 1943: German forces occupy Rome. Gestapo boss Obersturmbannführer Paul Hauptmann rules with terror. Hunger is widespread. Rumors fester. The war's outcome is far from certain. Diplomats, refugees, and escaped Allied prisoners flee for protection into Vatican City, at one fifth of a square mile the world's smallest state, a neutral, independent country within Rome. A small band of unlikely friends led by a courageous Irish priest is drawn into deadly danger as they seek to help those seeking refuge." - from the publisher

"An utterly enchanting, immersive novel about an irrepressible young heroine who becomes an undercover agent during World War II--a sparkling debut, by turns heartwarming and heartbreaking. One blustery night in 1928, a whale washes up on the shores of the English Channel. By law, all whales belong to the King, but twelve-year-old Cristabel Seagrave has other plans. She and the rest of the household and their guests--her sister, Flossie (known affectionately as "The Veg"); her brother Digby, the long-awaited heir to Chilcombe manor; Maudie Kitkat, maidservant; Taras, a hot-tempered visiting artist--build a theatre within the whale's skeleton. Cristabel is an orphan, mostly ignored by her feckless step-parents and brisk governesses. But within the Whalebone Theatre, she is fully at home and in charge, and her imagination comes to life. As Cristabel grows into a headstrong young woman, chafing against expectations, World War II rears its head. She and Digby become British secret agents working undercover in Nazi-Occupied France on separate missions--a more dangerous kind of play-acting, it turns out, and one that threatens to tear the family apart. The Whalebone Theatre is a sweeping, transporting, completely irresistible novel, full of warmth and charm, humor and poignancy, passion and adventure--a story of love, bravery, lost innocence, and self-transformation." - from the publisher

"Travel writing has always been intimately linked with the construction of American identity. Occupying the space between fact and fiction, it exposes cultural fault lines and reveals the changing desires and anxieties of both the traveller and the reading public. These specially-commissioned essays trace the journeys taken by writers from the pre-revolutionary period right up to the present. They examine a wide range of responses to the problems posed by landscapes found both at home and abroad, from the Mississippi and the Southwest to Europe and the Holy Land. Throughout, the contributors focus on the role played by travel writing in the definition and formulation of national identity, and consider the experiences of minority writers as well as canonical authors. This Companion forms an invaluable guide for students approaching this new, important and exciting subject for the first time." - Publisher description

"In this book, Larzer Ziff traces the history of distinctively American travel writing through the stories of five great representatives. John Ledyard (1752-1789) sailed with Captain Cook, walked across the Russian empire, and attempted to find a transcontinental route across North America. John Lloyd Stephens (1805-1852), who today is recognized as the father of Mayan archaeology, uncovered hundreds of ruins in two expeditions to the Yucatan and Central America, and he also was one of the first Americans to reach the Arabia Petrae. Bayard Taylor (1825-1878) invented travel writing as a profession. The only writer on Commodore Perry's expedition to Japan, he traveled also to Europe, Africa, India, and the Arctic Circle solely for the purpose of producing books about these journeys. Finally, in Mark Twain's unabashed concentration on the haps and mishaps of the tourist and Henry James's strikingly different cosmopolitan accounts of European sites and societies, travel writing conclusively emerged as great art." "Ziff explains the ways in which the American background of these writers informed their impressions of foreign scenes and shows how America served always as the final object of the critical scrutiny they brought to bear on other people and their lands." - from the publisher

"In Writing Home, Mary Suzanne Schriber offers the first comprehensive analysis of the large body of U.S. women's travel literature written between the pre-Civil War years and World War I. Examining almost a century's worth of published book-length accounts, ranging from the travel diaries of ordinary women to the narratives of Harriet Beecher Stowe and Edith Wharton, Schriber argues persuasively for the importance of gender considerations in the reading of all travel texts. She discusses the differences between men's and women's constructions, in writing, of their experiences abroad - differences that extend beyond more observations to the way each gender is treated in foreign cultures, responds to them, and seizes the occasion of travel and writing to do cultural work." - from the publisher

"One of the more frequently lodged, serious, and justifiable complaints about ecocritical work is that it is insufficiently theorized. Ecocritical Theory puts such claims decisively to rest by offering readers a comprehensive collection of sophisticated but accessible essays that productively investigate the relationship between European theory and ecocritique. With its international roster of contributors and subjects, it also militates against the parochialism of ecocritics who work within the limited canon of the American West. Bringing together approaches and orientations based on the work of European philosophers and cultural theorists, this volume is designed to open new pathways for ecocritical theory and practice in the twenty-first century." - from the publisher

"Drawing on the latest debates in ecocritical theory and sustainability studies, Literature as Cultural Ecology: Sustainable Texts outlines a new approach to the reading of literary texts. Hubert Zapf considers the ways in which literature operates as a form of cultural ecology, using language, imagination and critique to challenge and transform cultural narratives of humanity's relationship to nature. In this way, the book demonstrates the important role that literature plays in creating a more sustainable way of life. Applying this approach to works by writers such as Emily Dickinson, Edgar Allan Poe, Herman Melville, William Faulkner, Toni Morrison, Zakes Mda, and Amitav Ghosh, Literature as Cultural Ecology is an essential contribution to the contemporary environmental humanities." - from the publisher

"Green Studies is a booming area for study and The Green Studies Reader is a fantastically comprehensive selection of critical texts which address the connection between ecology, culture, and literature. It offers a complete guide to the growing area of 'ecocriticism' and a wealth of material on green issues from the romantic period to the present. Included are extracts from today's leading ecocritics and figures from the past who pioneered a green approach to literature and culture. This Reader sets the agenda for Green Studies and encourages a reassessment of development of criticism and offers readers a radical view of its future." - from the publisher

"In the 1970s the relationship between literature and the environment emerged as a topic of serious and widespread interest among writers and scholars. The ideas, debates, and texts that grew out of this period subsequently converged and consolidated into the field now known as ecocriticism. A Century of Early Ecocriticism looks behind these recent developments to a prior generation's ecocritical inclinations. Written between 1864 and 1964, these thirty-four selections include scholars writing about the “green” aspects of literature as well as nature writers reflecting on the genre. In his introduction, David Mazel argues that these early “ecocritics” played a crucial role in both the development of environmentalism and the academic study of American literature and culture. Filled with provocative, still timely ideas, A Century of Early Ecocriticism demonstrates that our concern with the natural world has long informed our approach to literature." - from the publisher

"If art, science, and the humanities have shared one thing, it was their common engagement with constructions and representations of the human. Under the pressure of new contemporary concerns, however, we are experiencing a "posthuman condition"; the combination of new developments-such as the neoliberal economics of global capitalism, migration, technological advances, environmental destruction on a mass scale, the perpetual war on terror and extensive security systems- with a troublesome reiteration of old, unresolved problems that mean the concept of the human as we had previously known it has undergone dramatic transformations. The Posthuman Glossary is a volume providing an outline of the critical terms of posthumanity in present-day artistic and intellectual work. It builds on the broad thematic topics of Anthropocene/Capitalocene, eco-sophies, digital activism, algorithmic cultures and security and the inhuman. It outlines potential artistic, intellectual, and activist itineraries of working through the complex reality of the 'posthuman condition', and creates an understanding of the altered meanings of art vis-à-vis critical present-day developments. It bridges missing links across disciplines, terminologies, constituencies and critical communities. This original work will unlock the terms of the posthuman for students and researchers alike." - from the publisher

"As we enter a new millennium ruled by technology, will poetry still matter? The Song of the Earth answers eloquently in the affirmative. A book about our growing alienation from nature, it is also a brilliant meditation on the capacity of the writer to bring us back to earth, our home. In the first ecological reading of English literature, Jonathan Bate traces the distinctions among “nature,” “culture,” and “environment” and shows how their meanings have changed since their appearance in the literature of the eighteenth century. An intricate interweaving of climatic, topographical, and political elements poetically deployed, his book ranges from greenhouses in Jane Austen’s novels to fruit bats in the poetry of Les Murray, by way of Thomas Hardy’s woodlands, Dr. Frankenstein’s Creature, John Clare’s birds’ nests, Wordsworth’s rivers, Byron’s bear, and an early nineteenth-century novel about an orangutan who stands for Parliament. Though grounded in the English Romantic tradition, the book also explores American, Central European, and Caribbean poets and engages theoretically with Rousseau, Adorno, Bachelard, and especially Heidegger. The model for an innovative and sophisticated new “ecopoetics,” The Song of the Earth is at once an essential history of environmental consciousness and an impassioned argument for the necessity of literature in a time of ecological crisis." - from the publisher

"Brave New Words challenges present and future literary scholars and teachers to look beyond mere literary critique toward the concrete issue of social change and how to achieve it. Calling for a profound realignment of thought and spirit in the service of positive social change, Ammons argues for the continued importance of multiculturalism in the twenty-first century despite attacks on the concept from both right and left. Concentrating on activist U.S. writers- from ecocritics to feminists to those dedicated to exposing race and class biases, from Jim Wallis and Cornel West to Winona LaDuke and Paula Moya and many others- she calls for all humanists to link their work to the progressive literature of the last half century, to insist on activism in the service of positive change as part of their mission, and to teach the power of hope and action to their students." - from the publisher

"Ecocritics and other literary scholars interested in the environment have tended to examine writings that pertain directly to nature and to focus on subject matter more than expression. In this book, Scott Knickerbocker argues that it is time for the next step in ecocriticism: scholars need to explore the figurative and aural capacity of language to evoke the natural world in powerful ways.Ecopoetics probes the complex relationship between artifice and the natural world in the work of modern American poets - in particular Wallace Stevens, Elizabeth Bishop, Richard Wilbur, and Sylvia Plath. These poets relate to nature as a deep wellspring of meaning, although they all avoid using language the way most nature writers do, merely to reflect or refer directly to the world. Each of these poets, in his or her own distinct way, employs instead what Knickerbocker terms sensuous poesis, the process of rematerializing language through sound effects and other formal devices as a sophisticated response to nonhuman nature.Rather than attempt to erase the artifice of their own poems, to make them seem more natural and thus supposedly closer to nature, the poets in this book unapologetically embrace artifice - not for its own sake but in order to perform and enact the natural world. Indeed, for them, artifice is natural. In examining their work, Knickerbocker charts a new direction for ecocriticism." - from the publisher

"Contemporary visions of the future have been shaped by hopes and fears about the effects of human technology and global capitalism on the natural world. In an era of climate change, mass extinction, and oil shortage, such visions have become increasingly catastrophic, even apocalyptic. Exploring the close relationship between science fiction, ecology, and environmentalism, the essays in Green Planets consider how science fiction writers have been working through this crisis. Beginning with H. G. Wells and passing through major twentieth-century writers like Ursula K. Le Guin, Stanislaw Lem, and Thomas Disch to contemporary authors like Margaret Atwood, China Miéville, and Paolo Bacigalupi, as well as recent blockbuster films like Avatar and District 9, this text considers the important place for science fiction in a culture that now seems to have a very uncertain future. The book includes an extended interview with Kim Stanley Robinson and an annotated list for further exploration of ecological SF and related works of fiction, nonfiction, films, television, comics, children's cartoons, anime, video games, music, and more." - from the publisher

"Risk Criticism is a study of literary and cultural responses to global environmental risk in an age of unfolding ecological catastrophe. In 2015, the Bulletin of the Atomic Scientists reset its iconic Doomsday Clock to three minutes to midnight, as close to the apocalypse as it has been since 1953. What pushed its hands was not just the threat of nuclear weapons, but also other global environmental risks that the Bulletin judged to have risen to the scale of the nuclear, including climate change and innovations in the life sciences. If we may once have believed that the end of days would come in a blaze of nuclear firestorm, we now suspect that the apocalypse may be much slower, creeping in as chemical toxins, climate change, or nanotechnologies run amok. Taking inspiration from the questions raised by the Bulletin's synecdochical "nuclear," Risk Criticism aims to generate a hybrid form of critical practice that brings "nuclear criticism" into conversation with ecocriticism. Through readings of novels, films, theater, poetry, visual art, websites, news reports, and essays, Risk Criticism tracks the diverse ways in which environmental risks are understood and represented today." - from the publisher

What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future?

The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on:

• the history of literary experiment from the beginning of the twentieth century to the present
• the impact of new media on literature, including multimodal literature, digital fiction and code poetry
• the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction
• experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf.

Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future.

"In The Meaning of Contemporary Realism (1957) Georg Lukács discussed how the power struggle of the Cold War made it all the more pressing for literary writers to present 'concrete potentialities' of individual character in novel ways. Powers of Possibility explores how American experimental writers since the 1960s have set about presenting exactly that whilst engaging with specific issues of social power. The book's five chapters cover a range of writers, literary genres, and political issues including: Allen Ginsberg's anti-Vietnam War poems; LeRoi Jones/Amiri Baraka and Black Power theatre; William S. Burroughs's novels and the Space Programmes; Kathy Acker's fiction and Biopolitics; and Lyn Hejinian, Language poetry, and the Cold War. Each chapter examines how relations of character and social power were widely discussed in terms of potentiality: Black Power groups, for example, debated the 'revolutionary potential' of African Americans, while advances in the space programmes led to speculation about the evolution of 'human potential' in space colonies. In considering how the literary writers engage with such debates, Alex Houen also shows how each writer's approach entails combining different meanings of 'potential': 'possible as opposed to actual'; 'a quantity of force'; a 'capacity' or 'faculty'; and 'potency'. Such an approach can be characterised as a literary 'potentialism' that turns literary possibilities (including experiments with style and form) into an affective aesthetic force with which to combat or reorient the effects of social power on people. Potentialism is not a literary movement, Houen emphasises, so much as a novel concept of literary practice--a concept that stands as a refreshing alternative to notions of 'postmodernism' and the 'postmodern avant-garde'."--Jacket.

"A Caveat or Warning for Common Cursitors, vulgarly called vagabonds (shortened as Caveat) was first published in 1566 by Thomas Harman, and although no copies of that edition survive, it must have been popular, because two printers were punished by the Stationers' Company in 1567 for pirated editions. Two editions were published in 1568, and a revised edition in 1573. It is one of the fundamental texts for rogue literature. Harman is one of the first writers to use the word rogue, which was adopted in the Poor Law legislation of 1572. The Caveat contained stories of vagabond life, a description of their society and techniques, a taxonomy of rogues, and a canting dictionary, which were reproduced in later works. Harman's reputation has changed since his work was first republished in the early twentieth century; A. V. Judges described him then as having "all the deftness of the trained sociologist", and the Caveat has been used as a primary source. However, historians have long doubted the reliability of his accounts of vagabond society and the use of cant." - from Wikipedia

"The classic Chinese novel: 'Imagine a combination of picaresque novel, fairy tale, fabliau, Mickey Mouse, Davy Crockett, and Pilgrim’s Progress' (The Nation). Probably the most popular book in the history of the Far East, this classic sixteenth-century novel is a combination of picaresque novel and folk epic that mixes satire, allegory, and history into a rollicking adventure. It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original." - from the publisher

"The text reprinted here is based on award-winning translator Burton Raffel’s masterful translation of Don Quijote, which is consistent, fluid, and modeled closely on the original Spanish. "Backgrounds and Context" invites readers to explore the creative process that culminated in the publication of Don Quijote. Included are selections from works parodied by Cervantes (Amadis of Gaul and Orlando Furioso) and a portion of the spurious sequel to Part 1 written by Fernándes de Avellaneda. "Criticisms" presents fifteen major interpretations of both the novel and selected episodes, describing Cervantes’ intellectual milieu, revealing how he infused new life into the literary modes and motifs he had inherited, and illustrating the fundamental importance of Don Quijote in the history of modern fiction." - from the publisher

"A picaresque novel of the lower Baroque style, written in 1668 by Hans Jakob Christoffel von Grimmelshausen and probably published the same year (although bearing the date 1669). Inspired by the events and horrors of the Thirty Years' War which devastated Germany from 1618 to 1648, it is regarded as the first adventure novel in the German language and the first German novel masterpiece. The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons and is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he was so simple that he did not know what his own name was. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service, and from there embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and to an alternative world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage himself, denouncing the world as corrupt." - from the publisher

"Composed in the wake of Defoe’s newfound literary success, Moll Flanders tells the story of an eighteenth century woman who takes fate into her own hands by developing his skills as a thief and con artist. Traveling back and forth between England and the United States (or from one con to another), Moll’s story rejects the antiquated notion of female dependence and demonstrates the full potential of a woman’s endurance and autonomy." - from the publisher

"Gils Blas recounts the education and swashbuckling adventures of an adaptable young valet as he progresses from one master to the next, making his way from naive youth to cunning servant to landed proprietor and nobleman--with a stint in jail, bereavements, and fits of remorse along the way. Finally, our hero learns compassion and achieves tranquillity in a life in the country. A terrific tale of action and adventure, newly designed in a 6-by-9-inch format by Waking Lion Press." - description of Waking Lion Press edition

"Roderick Random (1748), Smollett's first novel, is full of the dazzling vitality characteristic of all his work, as well as of his own life. Roderick is the boisterous and unprincipled hero who answers life's many misfortunes with a sledgehammer. Left penniless, he leaves his native Scotland for London and on the way meets Strap, and old schoolfellow. Together they undergo many adventures at the hands of scoundrels and rogues. Roderick qualifies as a surgeon's mate and is pressed as a common soldier on board the man-of-war Thunder. In a tale of romance as well as adventure, Roderick also finds time to fall in love ... Smollett drew on his own experiences as a surgeon's mate in the navy for the memorable scenes on board ship, and the novel combines documentary realism with great humor and panache." - from the publisher

"Following a row with his father, a young man leaves home, and—following a series of picturesque wanderings—eventually finds love with the girl of his dreams. Deeply imbued with the style of German Romanticism, this classic story is at once an exhilarating romp and an exemplary distillation of 19th-century thought." - description of the Oneworld Classics edition

"'What you have loved remains yours.' Thus speaks the irresistible rogue Sindbad, ironic hero of these fantastic tales, who has seduced and abandoned countless women over the course of centuries but never lost one, for he returns to visit them all--ladies, actresses, housemaids--in his memories and dreams. From the bustling streets of Budapest to small provincial towns where nothing ever seems to change, this ghostly Lothario encounters his old flames wherever he goes: along the banks of the Danube; under windows where they once courted; in churches and in graveyards, where Eros and Thanatos tryst. Lies, bad behavior, and fickleness of all kinds are forgiven, and love is reaffirmed as they only thing worth persevering for, weeping for, and living for." - from the publisher

"Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He’s obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of Alexandr Koreiko, an "undercover millionaire"—no Soviet citizen was allowed to openly hoard so much capital—the chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase."

"Compared by some to such classics as Don Quixote, Tom Jones, Roderick Random, and Gil Blas, Anthony Adverse is a novel of the road--a huge novel of 1,224 pages that traces the fascinating and heroic adventures of a soldier-of-fortune from his humble birth in an Alpine village in 1775 through Europe and Africa to his death in the the American Southwest in 1825. [...] Whatever the sources he used, Allen produced a book populated by a gallery of clearly drawn characters and marked by episodes and subplots that carry the reader from one part of the world to another at an almost breathless pace. It is a book that does not once lose its vitality." - from Gale DLB v.9, American Novelists, 1910-1945, Part I: Adamic-Fischer, "Hervey Allen"

"The landmark comic satire that asks, 'What would happen if all black people in America turned white?' It's New Year's Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white--a new way to 'solve the American race problem.' Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who's able to attain everything he's ever wanted: money, power, good liquor, and the white woman who rejected him when he was black. Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America's obsession with race." - from the publisher

"Jaroslav Hašek's black satire, the inspiration for such works as Joseph Heller's Catch-22. Good-natured and garrulous, Švejk becomes the Austro-Hungarian army's most loyal Czech soldier when he is called up on the outbreak of the First World War - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards, getting drunk and becoming a general nuisance, the resourceful Švejk uses all his natural cunning and genial subterfuge to deal with the doctors, police, clergy and officers who chivvy him towards battle. The story of a 'little man' caught in a vast bureaucratic machine, The Good Soldier Švejk combines dazzling wordplay and piercing satire to create a hilariously subversive depiction of the futility of war. Cecil Parrott's vibrant, unabridged and unbowdlerized translation is accompanied by an introduction discussing Hašek's turbulent life as an anarchist, communist and vagranty, and the Everyman character of Švejk. This edition also includes a guide to Czech names, maps and original illustrations by Josef Ladas." - description of the Penguin Classics edition

"Maqroll the Gaviero (the Lookout) is one of the most alluring and memorable characters in the fiction of the last twenty-five years. His extravagant and hopeless undertakings, his brushes with the law and scrapes with death, and his enduring friendships and unlooked-for love affairs make him a Don Quixote for our day, driven from one place to another by a restless and irregular quest for the absolute." "Alvaro Mutis's seven chronicles of the adventures and misadventures of Maqroll have won him numerous honors and a passionately devoted readership throughout the world. Here for the first time in English all these stories appear in a single volume in Edith Grossman's prize-winning translation." - from the publisher

"From Robert Charles Wilson, the Hugo Award-winning author of Spin, comes Julian Comstock, an exuberant adventure in a post-climate-change America. In the reign of President Deklan Comstock, a reborn United States is struggling back to prosperity. Over a century after the Efflorescence of Oil, after the Fall of the Cities, after the False Tribulation, after the days of the Pious Presidents, the sixty stars and thirteen stripes wave from the plains of Athabaska to the national capital in New York. In Colorado Springs, the Dominion sees to the nation's spiritual needs. In Labrador, the Army wages war on the Dutch. America, unified, is rising once again. Then out of Labrador come tales of the war hero "Captain Commongold." The masses follow his adventures in the popular press. The Army adores him. The President is...troubled. Especially when the dashing Captain turns out to be his nephew Julian, son of the President's late brother Bryce―a popular general who challenged the President's power, and paid the ultimate price. As Julian ascends to the pinnacle of power, his admiration for the works of the Secular Ancients sets him at fatal odds with the Dominion. Treachery and intrigue will dog him as he closes in on the accomplishment of his lifelong ambition: to make a film about the life of Charles Darwin." - from the publisher

"A larger-than-life old man with a fondness for vodka goes on an unexpected adventure in this whimsical novel -- perfect for fans of Forrest Gump and A Man Called Ove. The international publishing sensation -- more than six million copies sold worldwide! A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert) decides it's not too late to start over . . . After a long and eventful life, Allan Karlsson ends up in a nursing home, believing it to be his last stop. The only problem is that he's still in good health, and in one day, he turns 100. A big celebration is in the works, but Allan really isn't interested (and he'd like a bit more control over his vodka consumption). So he decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey, involving, among other surprises, a suitcase stuffed with cash, some unpleasant criminals, a friendly hot-dog stand operator, and an elephant (not to mention a death by elephant). It would be the adventure of a lifetime for anyone else, but Allan has a larger-than-life backstory: Not only has he witnessed some of the most important events of the twentieth century, but he has actually played a key role in them. Starting out in munitions as a boy, he somehow finds himself involved in many of the key explosions of the twentieth century and travels the world, sharing meals and more with everyone from Stalin, Churchill, and Truman to Mao, Franco, and de Gaulle. Quirky and utterly unique, The 100-Year-Old Man Who Climbed Out the Window and Disappeared has charmed readers across the world." - from the publisher

"Poverty and injustice test one man's relentless optimism. From one of China's foremost authors, Jia Pingwa's Happy Dreams is a powerful depiction of life in industrializing contemporary China, in all its humor and pathos, as seen through the eyes of Happy Liu, a charming and clever rural laborer who leaves his home for the gritty, harsh streets of Xi'an in search of a better life. After a disastrous end to a relationship, Hawa "Happy" Liu embarks on a quest to find the recipient of his donated kidney and a life that lives up to his self-given moniker. Traveling from his rural home in Freshwind to the city of Xi'an, Happy brings only an eternally positive attitude, his devoted best friend WuFu, and a pair of high-heeled women's shoes he hopes to fill with the love of his life. In Xi'an, Happy and Wufu find jobs as trash pickers sorting through the city's filth, but Happy refuses to be deterred by inauspicious beginnings. In his eyes, dusty birds become phoenixes, the streets become rivers, and life is what you make of it. When he meets the beautiful Yichun, he imagines she is the one to fill the shoes and his Cinderella-esque dream. But when the harsh city conditions and the crush of societal inequalities take the life of his friend and shake Happy to his soul, he'll need more than just his unrelenting optimism to hold on to the belief that something better is possible."

"Herra Björnsson is at the beginning of the end of her life. Oh, she has two weeks left, maybe three—she has booked her cremation appointment, at a crispy 1,000 degrees, so it won’t be long. But until then she has her cigarettes, a World War II–era weapon, some Facebook friends, and her memories to sustain her. And what a life this remarkable eighty-year-old narrator has led. In the internationally bestselling and award-winning Woman at 1,000 Degrees, which has been published in fourteen languages, noted Icelandic novelist Hallgrímur Helgason has created a true literary original. From Herra’s childhood in the remote islands of Iceland, where she was born the granddaughter of Iceland’s first president, to teen years spent living by her wits alone in war-torn Europe while her father fought on the side of the Nazis, to love affairs on several continents, Herra Björnsson moved Zelig-like through the major events and locales of the twentieth century. She wed and lost husbands, had children, fled a war, kissed a Beatle, weathered the Icelandic financial crash, and mastered the Internet. She has experienced luck and betrayal and upheaval and pain, and—with a bawdy, uncompromising spirit—she has survived it all. Now, as she awaits death in a garage in Reykjavík, she shows us a woman unbowed by the forces of history. Each part of Herra’s story is a poignant piece of a puzzle that comes together in the final pages of this remarkable, unpredictable, and enthralling novel." - from the publisher

"This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs. China Iron, Martín Fierro's abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who 'stole' Martín Fierro's poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river-dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects."

"Quichotte, an aging traveling salesman obsessed with the "unreal real" of TV, falls in impossible love with a queen of the screen; while obsessively writing her love letters, he wishes an imaginary son, Sancho, into existence. Together they set off across America in Quichotte's trusty Chevy Cruze to find her and convince her of his love. Meanwhile, Quichotte's tragicomic story is being told by the author who created him: Brother, a mediocre spy novelist in the midst of a midlife crisis. As their stories intertwine, we are taken on a wild, picaresque journey through a country on the edge of moral and spiritual collapse. Just as Cervantes wrote Don Quixote to satirize the culture of his time, Rushdie brings us a new twist on a classic. Quichotte is a profoundly human love story and a wickedly entertaining satire of a corrupt age in which fact is so often indiscernible from fiction. With unforgettable characters and riveting suspense, this dazzling novel showcases an essential storyteller at his brilliant best." - from the publisher

"The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. Many historians maintain that the eighteenth century witnessed the idealization of the caring, loving mother. Here Greenfield charts how the newly emerging novels of the period, in their increasing feminization, responded to and helped shape that image, often infusing it with more nuance and flexibility. By the end of the eighteenth century, she notes, novels by women about missing mothers and their suffering daughters abounded. Even as the political implications of the novels vary, the books uniformly insist on the tenacity of the mother-daughter bond despite the mother's absence. Exploring the historically contingent assumptions about maternal care that informed writers during this period, Greenfield argues that women's novels helped construct the story of mother love and loss that psychoanalysis would soon inherit." - from the publisher

"This book offers a new understanding of the relationship between family structures and narrative structure in the nineteenth-century novel. Comparing Russia and England, it argues that the two nations had fundamentally different conceptions of the family and that these, in turn, shaped the way they constructed plots. The English placed primary value on the vertical, diachronic family axis--looking back to ancestors and head to progeny--while the Russians emphasized the lateral, synchronic axis--family expanding outward in the present from nuclear core, to extended and chosen kin. This difference shaped the way authors plotted consanguineal relations, courtship and marriage, and alternative kinship constructions. Idealizing the domestic sphere and emphasizing family continuity, the English novel made family a conservative force, while Russian novels approached it as a backward site of patriarchal tyranny in desperate need of reform. Russian family plots offered a progressive, liberalizing push toward new, nontraditional family constructions. The book's comparative approach calls for a re-evaluation of reigning theories of the novel, theories that are based on the linear English family model and cannot accommodate the more complex, Russian alternative. It reveals where these theories fall short, explains the reasons for their shortcomings, and offers a new way of conceptualizing family's role in shaping the nineteenth-century novel. Classics from Dickens, Eliot, and Trollope, to Dostoevsky, Tolstoy, and Turgenev are contextualized in the broader literary landscape of their day, and Russia's great women writers regain their rightful place alongside their male counterparts as the book draws together family history, literary analysis, and novel theory." - from the publisher

"This Norton Critical Edition includes: Dennis Washburn’s acclaimed and unabridged translation of Murasaki Shikibu’s eleventh-century literary masterpiece, widely considered the world’s first novel; editorial matter by Dennis Washburn; fourteen background selections―from the eleventh-century The Daughter of Sugawara no Takasue to Virginia Woolf―carefully selected to increase the reader’s understanding and appreciation of this nuanced and vibrant work; nine critical essays on The Tale of Genji’s central themes." - from the publisher

"'Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Familes,and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.' (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world 'into two different Parties, Pamelists and Antipamelists', even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant's long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse." - from the publisher

" The reputation of Frances Burney (1752-1840) was largely established with her first novel, Evelina. Published anonymously in 1778, it is an epistolary account of a sheltered young woman’s entrance into society and her experience of family. Its comedy ranges from the violent practical joking reminiscent of Smollett’s fiction to witty repartee that influenced Austen. The Broadview edition is based on the second edition of the novel (1779), which incorporates Burney’s revisions and corrections. Its appendices include contemporary reviews of Evelina as well as eighteenth-century works on the family and on comedy." - from the publisher

"War and Peace broadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both men. As Napoleon’s army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature."

"Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society. Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness. While previous versions have softened the robust, and sometimes shocking, quality of Tolstoy's writing, Pevear and Volokhonsky have produced a translation true to his powerful voice. This award-winning team's authoritative edition also includes an illuminating introduction and explanatory notes. Beautiful, vigorous, and eminently readable, this Anna Karenina will be the definitive text for generations to come." - from the publisher

"The award-winning translation of Fyodor Dostoevsky's classic novel of psychological realism. The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the 'wicked and sentimental' Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel." - from the publisher

"The Golovyov Family is a thought-provoking and powerfully written novel. Recognized as a classic since it first publication in Russia in 1880, it recounts the history of a family of landowners through three generations. In a letter written shortly after the book’s publication, the author reflected that 'I wrote The Golovyov Family as an attack on the family principal.' As Russian scholar Carl Proffer wrote: 'Gogol has been passed from school to school for thirteen decades. Even Bulgakov, who regarded Saltykov-Schhedrin as his teacher, who is the most satirical writer after Saltykov, and whose main works were unpublished until ten years ago, has been written about by representatives of many different critical sects. That Saltykov's works have not had this kind of appeal is somewhat puzzling. Even a Freudian novice could work Oedipal themes out of the autobiographical elements in The Golovlyov Family, and the Tartu University school could draw complex diagrams to show how The Golovyov Family is that most wonderful of all things, a 'unified whole.' It is time that Saltykov stopped being the exclusive property of critics whose primary concerns are sociological or historical. As the reader of The Golovlyov Family will see with considerable pleasure Saltykov’s prose has much more to offer than not." - from the publisher

"Buddenbrooks, first published in Germany in 1900, when Mann was only twenty-five, has become a classic of modem literature -- the story of four generations of a wealthy bourgeois family in northern Germany. With consummate skill, Mann draws a rounded picture of middle-class life: births and christenings; marriages, divorces, and deaths; successes and failures. These commonplace occurrences, intrinsically the same, vary slightly as they recur in each succeeding generation. Yet as the Buddenbrooks family eventually succumbs to the seductions of modernity -- seductions that are at variance with its own traditions -- its downfall becomes certain. In immensity of scope, richness of detail, and fullness of humanity, Buddenbrooks surpasses all other modem family chronicles; it has, indeed, proved a model for most of them. Judged as the greatest of Mann's novels by some critics, it is ranked as among the greatest by all. Thomas Mann was awarded the Nobel Prize for literature in 1929." - from the publisher

The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. This is the only critical edition of the work available, with Notes that explain contemporary artistic and literary allusions and define the slang of the time.

"The Family Mashber is a protean work: a tale of a divided family and divided souls, a panoramic picture of an Eastern European town, a social satire, a kabbalistic allegory, an innovative fusion of modernist art and traditional storytelling, a tale of weird humor and mounting tragic power, embellished with a host of uncanny and fantastical figures drawn from daily life and the depths of the unconscious. Above all, the book is an account of a world in crisis (in Hebrew, mashber means crisis), torn between the competing claims of family, community, business, politics, the individual conscience, and an elusive God. At the center of the book are three brothers: the businessman Moshe, at the height of his fortunes as the story begins, but whose luck takes a permanent turn for the worse; the religious seeker Luzi, who, for all his otherworldliness, finds himself ever more caught up in worldly affairs; and the idiot-savant Alter, whose reclusive existence is tortured by fear and sexual desire. The novel is also haunted by the enigmatic figure of Sruli Gol, a drunk, a profaner of sacred things, an outcast, who nonetheless finds his way through every door and may well hold the key to the brothers’ destinies." - from the publisher

"The first novel in the epic God Is an Englishman series, this book is a stirring saga of England in the 19th century, as the Industrial Revolution takes hold, forever changing the landscape of England and her people. Adam Swann, scion of an army family, returns home in 1858 after service with Her Majesty's army in the Crimea and India, determined to build his fortune in the dog-eat-dog world of Victorian commerce. Swann is soon captivated by Henrietta, the high-spirited daughter of a local mill owner. As Swann works to build his name, he and Henrietta share adventures, reversal, and fortune. A beloved novel by a beloved author, God Is an Englishman is a treasure both for Delderfield fans and the growing legion of fans of historical fiction." - from the publisher

"In Ordinary People, Judith Guest’s remarkable first novel, the Jarrets are a typical American family. Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain, and ultimate healing. Ordinary People is an extraordinary novel about an 'ordinary' family divided by pain, yet bound by their struggle to heal." - from the publisher

"The Mulvaneys are blessed by all that makes life sweet. But something happens on Valentine’s Day, 1976—an incident that is hushed up in the town and never spoken of in the Mulvaney home—that rends the fabric of their family life...with tragic consequences. Years later, the youngest son attempts to piece together the fragments of the Mulvaneys’ former glory, seeking to uncover and understand the secret violation that brought about the family’s tragic downfall. Profoundly cathartic, this extraordinary novel unfolds as if Oates, in plumbing the darkness of the human spirit, has come upon a source of light at its core. Moving away from the dark tone of her more recent masterpieces, Joyce Carol Oates turns the tale of a family struggling to cope with its fall from grace into a deeply moving and unforgettable account of the vigor of hope and the power of love to prevail over suffering." - from the publisher

"The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. What follows is a suspenseful epic of one family’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Taking its place alongside the classic works of postcolonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers." - from the publisher

"A dazzling triumph from the bestselling author of The Virgin Suicides--the astonishing tale of a gene that passes down through three generations of a Greek-American family and flowers in the body of a teenage girl. "I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974. . . My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver's license...records my first name simply as Cal." So begins the breathtaking story of Calliope Stephanides and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Jeffrey Eugenides's Middlesex is an exhilarating reinvention of the American epic." - from the publisher

"Medea Georgievna Sinoply Mendez is an iconic figure in her Crimean village, the last remaining pure-blooded Greek in a family that has lived on that coast for centuries. Childless Medea is the touchstone of a large family, which gathers each spring and summer at her home. There are her nieces (sexy Nike and shy Masha), her nephew Georgii (who shares Medea’s devotion to the Crimea), and their friends. In this single summer, the languor of love will permeate the Crimean air, hearts will be broken, and old memories will float to consciousness, allowing us to experience not only the shifting currents of erotic attraction and competition, but also the dramatic saga of this family amid the forces of dislocation, war, and upheaval of twentieth-century Russian life." - from the publisher

"Kweku Sai is dead. A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent. Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge. Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide." - from the publisher

"In the book of Genesis, when God calls out, 'Abraham!' to order him to sacrifice his son Isaac, Abraham responds, 'Here I am.' Later, when Isaac calls out, 'My father!' to ask him why there is no animal to slaughter, Abraham responds, 'Here I am.' How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others'? These are the questions at the heart of Jonathan Safran Foer's first novel in eleven years--a work of extraordinary scope and heartbreaking intimacy. Unfolding over four tumultuous weeks, in present-day Washington, D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the Middle East. At stake is the very meaning of home--and the fundamental question of how much life one can bear. Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers and critics loved in his earlier work, Here I Am is Foer's most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer's stature as a dazzling literary talent but reveals a mature novelist who has fully come into his own as one of the most important writers of his generation." - from the publisher

"Two half sisters, Effia and Esi, unknown to each other, are born into two different tribal villages in 18th century Ghana. Effia will be married off to an English colonial, and will live in comfort in the sprawling, palatial rooms of Cape Coast Castle, raising half-caste children who will be sent abroad to be educated in England before returning to the Gold Coast to serve as administrators of the Empire. Her sister, Esi, will be imprisoned beneath Effia in the Castle's women's dungeon, and then shipped off on a boat bound for America, where she will be sold into slavery. Stretching from the tribal wars of Ghana to slavery and Civil War in America, from the coal mines in the north to the Great Migration to the streets of 20th century Harlem, Yaa Gyasi's has written a modern masterpiece, a novel that moves through histories and geographies and--with outstanding economy and force--captures the troubled spirit of our own nation." - from the publisher

"A new tour de force from the bestselling author of Free Food for Millionaires, for readers of The Kite Runner and Cutting for Stone. PACHINKO follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan. So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity." - from the publisher

"'That night Stasia took an oath, swearing to learn the recipe by heart and destroy the paper. And when she was lying in her bed again, recalling the taste with all her senses, she was sure that this secret recipe could heal wounds, avert catastrophes, and bring people happiness. But she was wrong.' At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified: this is a recipe for ecstasy that carries a very bitter aftertaste ... Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia's is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century. Tumbling down the years, and across vast expanses of longing and loss, generation after generation of this compelling family hears echoes and sees reflections. Great characters and greater relationships come and go and come again; the world shakes, and shakes some more, and the reader rejoices to have found at last one of those glorious old books in which you can live and learn, be lost and found, and make indelible new friends." - from the publisher

"Kin is a family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision. Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail." - from the publisher

"It's December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless -- unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who's been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Jonathan Franzen's novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen's gift for melding the small picture and the big picture has never been more dazzlingly evident." - from the publisher

"Tracing the Victorian literary crisis over the representation of working-class women to the 1842 parliamentary blue book on mines and its controversial images of women at work, Hidden Hands argues that the female industrial worker became more dangerous to represent than the prostitute or the male radical because the worker exposed crucial contradictions between the class and gender ideologies of the period and its economic realities." - from the publisher

"The social novel in nineteenth-century Britain has been considered the effort of a predominantly male canon of writers. In this ground-breaking study, Joseph Kestner challenges that assumption, arguing that it was a succession of female writers--women often meriting only a footnote in literary history--who initiated and advanced the tradition using narrative fiction to register protest, expose abuses, and promote reform.Kestner explores the contributions to Victorian social policy by the fiction of these neglected authors (Hannah More, Elizabeth Stone, Frances Trollope, Charlotte Tonna, Camilla Toulmin, Geraldine Jewsbury, Fanny Mayne, Julia Kavanagh, Dinah Mulock Craik) as well as of more prominent female authors (Maria Edgeworth, Harriet Martineau, Elizabeth Gaskell, Charlotte Brontë, George Eliot) and male writers (Charles Dickens, Benjamin Disraeli, G. M. W. Reynolds, John Galt, Charles Kingsley)." - from the publisher

"One winter night, Peter Lake—master mechanic and second-story man—attempts to rob a fortresslike mansion on the Upper West Side. Though he thinks it is empty, the daughter of the house is home. Thus begins the affair between a middle-aged Irish burglar and Beverly Penn, a young girl dying of consumption. It is a love so powerful that Peter, a simple and uneducated man, will be driven to stop time and bring back the dead. His great struggle is one of the most beautiful and extraordinary stories of American literature." - from the publisher

"Utterly extraordinary . . . A piercing sense of the beautiful arising from narrative and emotional fantasy is everywhere alive in the novel . . . Not for some time have I read a work as funny, thoughtful, passionate or large-souled . . . I find myself nervous, to a degree I don’t recall in my past as a reviewer, about failing the work, inadequately displaying its brilliance."—Benjamin DeMott, New York Times Book Review

"Don DeLillo's mesmerizing novel was a major bestseller when it was published in 1997 and was the most widely reviewed novel of the year. It opens with a legendary baseball game played between the Brooklyn Dodgers and the New York Giants in 1951. The home run that won the game was called the Shot Heard Round the World, and was shadowed by the terrifying news that on the same day, Russia tested its first hydrogen bomb. Underworld then tells the story of Klara Sax and Nick Shay, and of a half century of American life during the Cold War and beyond." - from the publisher

"With this brilliant novel, the bestselling author of The Mysteries of Pittsburgh and Wonder Boys gives us an exhilarating triumph of language and invention, a stunning novel in which the tragicomic adventures of a couple of boy geniuses reveal much about what happened to America in the middle of the twentieth century. Like Phillip Roth's American Pastoral or Don DeLillo's Underworld, Michael Chabon's The Amazing Adventures of Kavalier & Clay is a superb novel with epic sweep, spanning continents and eras, a masterwork by one of America's finest writers. It is New York City in 1939. Joe Kavalier, a young artist who has also been trained in the art of Houdini-esque escape, has just pulled off his greatest feat to date: smuggling himself out of Nazi-occupied Prague. He is looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a collaborator to create the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Out of their fantasies, fears, and dreams, Joe and Sammy weave the legend of that unforgettable champion the Escapist. And inspired by the beautiful and elusive Rosa Saks, a woman who will be linked to both men by powerful ties of desire, love, and shame, they create the otherworldly mistress of the night, Luna Moth. As the shadow of Hitler falls across Europe and the world, the Golden Age of comic books has begun. The brilliant writing that has led critics to compare Michael Chabon to John Cheever and Vladimir Nabokov is everywhere apparent in The Amazing Adventures of Kavalier & Clay. Chabon writes "like a magical spider, effortlessly spinning out elaborate webs of words that ensnare the reader," wrote Michiko Kakutani of The New York Times about Wonder Boys-and here he has created, in Joe Kavalier, a hero for the century." - from the publisher

"Set against London's racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence. Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own. At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith." - from the publisher

"The author of the classic bestsellers The Secret History and The Little Friend returns with a brilliant, highly anticipated new novel. A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and abandoned by his father, Theo is taken in by a friend's family and struggles to make sense of his new life. In the years that follow, he becomes entranced by one of the few things that reminds him of his mother: a small, mysteriously captivating painting that ultimately draws Theo into the art underworld. Composed with the skills of a master, The Goldfinch is a haunted odyssey through present-day America, and a drama of almost unbearable acuity and power. It is a story of loss and obsession, survival and self-invention, and the enormous power of art." - from the publisher

"Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother -- her only family -- is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life. Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world -- including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong." - from the publisher

"Metafiction begins by surveying the state of contemporary fiction in Britain and America and explores the complex political, social and economic factors which influence critical judgment of fiction. The author shows how, as the novel has been eclipsed by the mass media, novelists have sought to retain and regain a wide readership by drawing on the themes and preoccupations of these forms. Making use of contemporary fiction by such writers as Fowles, Borges, Spark, Barthelme, Brautigan, Vonnegut and Barth, and drawing on Russian Formalist theories of literary evolution, the book argues that metafiction uses parody along with popular genres and non-literary forms as a way not only of exposing the inadequate and obsolescent conventions of the classic novel, but of stuggesting the lines along which fiction might develop in the future." - from the publisher

"Grotesque Anatomies is a study of Menippean satire in English since the Renaissance. It consists of revisionist, close readings of canonical works such as Eliot's The Waste Land and Pope's Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them. The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form (Seneca-Lucian-Julian) and the longer, more encylopedic form (Varro-Petronius-Boethius), and their subsequent fusion during the Renaissance. It also contains an account of the critical reception of the genre, with the term 'Menippean satire' first being used by Justus Lipsius in 1581. Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as 'radical heterogeneity' is outlined. This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period. The following chapters examine iconic works as examples of Menippean satire and of the grotesque. Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie's Midnight's Children in this context. It also gives an account of metaphor as a 'grotesque transformation.' Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock's Gryll Grange in this context. The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as 'grotesque association'. Chapter 4 is a close reading of the scatological imagery of Pope's Dunciad, and how scatology generally tends towards a cyclical metaphysics. It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad. Chapter 5 argues for Eliot's The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of 'under-mindedness' and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires. Chapter 6 examines Urquhart's eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period. The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing." - from the publisher

"Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements." - from the publisher

"Parodying everyone from classic authors to his own contemporaries, the dazzling and exuberant stories of Rabelais expose human follies with mischievous and often obscene humor. Gargantua depicts a young giant who becomes a cultured Christian knight. Pantagruel portrays Gargantua's bookish son who becomes a Renaissance Socrates, divinely guided by wisdom and by his idiotic, self-loving companion, Panurge." - from the publisher

"One of the major documents of modern European civilization, Robert Burton's astounding compendium, a survey of melancholy in all its myriad forms, has invited nothing but superlatives since its publication in the seventeenth century. Lewellyn Powys called it "the greatest work of prose of the greatest period of English prose-writing," while the celebrated surgeon William Osler declared it the greatest of medical treatises. And Dr. Johnson, Boswell reports, said it was the only book that he rose early in the morning to read with pleasure. In this surprisingly compact and elegant new edition, Burton's spectacular verbal labyrinth is sure to delight, instruct, and divert today's readers as much as it has those of the past four centuries." - from the publisher

"Sir Thomas Browne is one of the supreme stylists of the English language: a coiner of words and spinner of phrases to rival Shakespeare; the wielder of a weird and wonderful erudition; an inquiring spirit in the mold of Montaigne. Browne was an inspiration to the Romantics as well as to W.G. Sebald, and his work is quirky, sonorous, and enchanting. Here this baroque master’s two most enduring and admired works, Religio Medici and Urne-Buriall, appear in a new edition that has been annotated and introduced by the distinguished scholars Ramie Targoff and Stephen Greenblatt (author of the best-selling Will in the World and the National Book Award–winning The Swerve). In Religio Medici Browne mulls over the relation between his medical profession and his profession of the Christian faith, pondering the respective claims of science and religion, questions that are still very much alive today. The discovery of an ancient burial site in an English field prompted Browne to write Urne-Buriall, which is both an early anthropological examination of different practices of interment and a profound meditation on mortality. Its grave and exquisite music has resounded for generations." - from the publisher

"Endlessly digressive, boundlessly imaginative and unmatched in its absurd and timeless wit

Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations. The text and notes of this volume are based on the acclaimed Florida Edition, with a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition." - description of Penguin Classics edition

"Titan, which Jean Paul regarded as his 'principal work' and most complete creation,' had been in his mind since 1792. It was begun in 1797 and finished, soon after his betrothal, in 1800. In this novel the thought of God and immortality is offered as a solution of all problems of nature and society. Titan is human will in contest with the divine harmony. The maturing Richter has come to see that idealism in thought and feeling must be balanced by realism in action if the thinker is to bear his part in the work of the world. The novel naturally falls far short of realizing its vast design. Once more the parts are more than the whole. Some descriptive passages are very remarkable and the minor characters, notably Roquairol, the Mephistophelean Lovelace, are more interesting than the hero or the heroine." - Kuno Francke, biographical essay on Jean Paul in The German Classics, Volume Four

"Alphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1815) used a range of literary styles--Gothic, picaresque, adventure, pastoral, erotic--in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale." - from the publisher

"A groundbreaking translation of the epic work of one of the great minds of the nineteenth century. Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi's translation of Leopardi's Canti was published by FSG in 2010.)
He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodge-podge," as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication." - from the publisher

"Sartor Resartus is Thomas Carlyle's most enduring and influential work. First published in serial form in Fraser's Magazine in 1833-1834, it was discovered by the American Transcendentalists. Sponsored by Ralph Waldo Emerson, it was first printed as a book in Boston in 1836 and immediately became the inspiration for the Transcendental movement. The first London trade edition was published in 1838. By the 1840s, largely on the strength of Sartor Resartus, Carlyle became one of the leading literary figures in Britain. Sartor Resartus became one of the important texts of nineteenth-century English literature, central to the Romantic movement and Victorian culture. At the time of Carlyle's death in 1881, more than 69,000 copies had been sold. The post-Victorian influence continued and extends to writers as diverse as Virginia Woolf and James Joyce, Willa Cather and Ernest Hemingway." - from the description of the University of California Press Edition

"This edition of Moby-Dick, released in honor of the book's sesquicentennial, is the authoritative text of one of the world's great adventure stories. A crew of whalers sets out in pursuit of a fierce white whale that cost their captain his leg on a previous expedition. Their names ring through the canon of American literature: Ishmael, the narrator; Queequeg, a South Seas harpooner; Starbuck, the sober and serious chief mate; and above all Captain Ahab, part Faust and part Job, leading his men to the ends of the earth - and the destiny he will share with his foe." "Melville was heavily influenced and inspired by his experiences as a young cabin boy on the whaler Acushnet and later in the U. S. Navy sailing the Atlantic and the South Seas. His novel Typee and its sequel, Omoo, are accounts of his capture and subsequent captivity at the hands of a tribe of cannibals in the South Pacific Marquesas Islands. Both works were highly successful, and thus the lukewarm reaction to Moby-Dick upon its release in 1851 was a blow to Melville, who had set out to write a "mighty book" on a "mighty theme." It was not until the 1920s that Moby-Dick began to receive the critical attention it deserved. Today Moby-Dick is recognized as one of the premier American epics and indeed the ultimate tale of obsession and revenge." - from the publisher

"James Joyce's Ulysses is considered one of the greatest novels of the twentieth century. This new edition--published to celebrate the book's first publication--helps readers to understand the pleasures of this monumental work and to grapple with its challenges. Copiously equipped with maps, photographs, and explanatory footnotes, it provides a vivid and illuminating context for the experiences of Leopold Bloom, Stephen Dedalus, and Molly Bloom, as well as Joyce's many other Dublin characters, on June 16, 1904. Featuring a facsimile of the historic 1922 Shakespeare and Company text, this version also includes Joyce's own errata as well as references to amendments made in later editions. Each of the eighteen chapters of Ulysses is introduced by a leading Joyce scholar. These richly informative pieces discuss the novel's plot and allusions, while also explaining crucial questions that have puzzled and tantalized readers over the last hundred years."

"Virginia Woolf's exuberant 'biography' tells the story of the cross-dressing, sex-changing Orlando who begins life as a young noble in the sixteenth century and moves through numerous historical and geographical worlds to finish as a modern woman writer in the 1920s. The book is in part a happy tribute to the 'life' that her love for Vita Sackville-West had breathed into Virginia Woolf's own day-to-day existence; it is also Woolf's light-hearted and light-handed teasing out of the assumptions that lie behind the normal conventions for writing about a fictional or historical life. In this novel, Virginia Woolf plays loose and fast: Orlando uncovers a literary and sexual revolution overnight." - from the publisher

"Considered an eerie attack on realism, when first published in 1934, Miklós Szentkuthy's debut novel Prae so astonished Hungarian critics that many deemed it monstrous, derogatorily referred to Szentkuthy as cosmopolitan, and classified him alien to Hungarian culture. Incomparable and unprecedented in Hungarian literature, Prae compels recognition as a serious contribution to modernist fiction, as ambitious in its aspirations as Ulysses or À la recherche du temps perdu. With no traditional narration and no psychologically motivated characters, in playing with voices, temporality, and events, while fiction, Prae is more what Northrop Frye calls an anatomy (à la Lucian, Rabelais, & Burton) or Menippean satire: the basic concern of the book is intellectual, its pervading mood is that of a comedy of ideas. As a virtual novel that preempts every possibility for its realization, it is a novel but only virtually so, a book which is actually a prae-paration for an unwritten (unwritable) novel. In this, it maintains the freedom and openness of its potentialities, indicative for instance in the Non-Prae diagonals, a series of passages that intercut the novel and continually fracture space and time to engage in what one of the figures of the book calls the culture of wordplay or dogmatic accidentalism. "The book's title," said Szentkuthy, "alludes to it being an overture. A multitude of thoughts, emotions, ideas, fantasies, and motifs that mill and churn as chimes, an overture to my subsequent oeuvre." By challenging the then prevailing dogmas and conventions of prose writing, Szentkuthy was said to have created a new canon for himself but later derided as insignificant for supposedly not acquiring followers. Largely unread at the time, Prae eventually gained cult status and would be reprinted in 1980 and 2004. To some critics, the book is not only one of the representative experimental works of the early 20th century, but in its attempt to bring 'impossible literature' into being, it also presages the nouveau roman by almost 30 years. And in its rejection of sequentiality and celebration of narrative shuffling, long before Burroughs & Gysin, Prae enacts what is conceptually akin to the cut-up. Few of Szentkuthy's contemporaries would reveal with equal bravura and audacity the new horizons that were opened up for narrative forms after the era of realism. In Frivolities & Confessions, Szentkuthy said that his goal with Prae was "to absorb the problems of modern philosophy and mathematics into modern fashion, love, and every manifestation of life." Translated for the first time since its original publication in 1934, upon its 80th anniversary, this legendary and controversial Hungarian modernist novel is now at last available in English." - from the publisher

"A number-one bestseller when it was first published in 1948, this powerful novel is a compelling vision of nineteenth-century America with timeless resonance. Throughout a single day in 1892, John Shawnessy recalls the great moments of his life--from the battles of the Civil War to the politics of the Gilded Age, from the love affairs of his youth in Indiana to his homecoming as schoolteacher, husband, and father. Shawnessy is the epitome of the place and period in which he lives, a rural land of springlike women, shady gamblers, wandering vagabonds, and soapbox orators. Yet here on the banks of the Shawmucky River, which weaves its primitive course through Raintree County, Indiana, he also feels and obeys ancient rhythms. This panoramic epic of the nineteenth century in Raintree County--particularly of the Civil War and its effects--was produced after six years of research, writing, and revision. It continues to command attention and respect as a stylistically unique work of considerable force." - from the publisher

"A modernist urban novel in the tradition of James Joyce, Adam Buenosayres is a tour-de-force that does for Buenos Aires what Carlos Fuentes did for Mexico City or Jose Lezama Lima did for Havana - chronicles a city teeming with life in all its forms. Employing a range of styles and a variety of voices, Leopoldo Marechal parodies and celebrates Argentina's most brilliant literary and artistic generation, the martinfierristas of the 1920s, among them Jorge Luis Borges. First published in 1948 during the polarizing reign of Juan Peron, the novel was hailed by Julio Cortazar as an extraordinary event in twentieth-century Argentine literature and praised by Spanish American boom novelists. Set over the course of three break-neck days, Adam Buenosayres follows the protagonist through an apparent metaphysical awakening. A battle for his soul fought by angels and demons, and a descent through a place resembling a comic version of Dante's hell." - from the publisher

"Cortazar's masterpiece ... The first great novel of Spanish America" (The Times Literary Supplement)

"Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures." - from the publisher

"A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad." - from the publisher

"The Brooke-Rose Omnibus brings together four unexpected novels: Out, a science-fiction vision of a world surviving catastrophe; Such, in which a three-minute heart massage is developed into a poetic and funny narrative; Between, a glittering experience of the multiplicity of language; and Thru, a novel in which text and typography assume a life of their own. Linking them all is wit, inventiveness and the sharply focused intellegence of Christine Brooke-Rose, a great European humanist writer." - from the publisher

"One of the most penetrating and sympathetic explorations ever undertaken by one writer into the mind of another, Prancing Novelist is far more than a simple tribute or work of research. In these pages–by turns instructive, mischievous, and even gossipy–Brigid Brophy seeks nothing less than a vindication of the eternal liveliness of fiction itself against the persistent rumors that it is dying or dead. Though serious in intent, Prancing Novelist is not only a monument to Firbank, but is also a delightful showcase for Brophy’s own uproarious prose, not to mention her genius for telling good stories." - from the publisher

“A screaming comes across the sky. . .” A few months after the Germans’ secret V-2 rocket bombs begin falling on London, British Intelligence discovers that a map of the city pinpointing the sexual conquests of one Lieutenant Tyrone Slothrop, U.S. Army, corresponds identically to a map showing the V-2 impact sites. The implications of this discovery will launch Slothrop on an amazing journey across war-torn Europe, fleeing an international cabal of military-industrial superpowers, in search of the mysterious Rocket 00000, through a wildly comic extravaganza that has been hailed in The New Republic as “the most profound and accomplished American novel since the end of World War II.” - from the publisher

"The Aesthetics of Resistance (German: Die Ästhetik des Widerstands, 1975–1981) is a three-volume novel by the German-born playwright, novelist, filmmaker, and painter Peter Weiss which was written over a ten-year period between 1971 and 1981. Spanning from the late 1930s into World War II, this historical novel dramatizes anti-fascist resistance and the rise and fall of proletarian political parties in Europe. It represents an attempt to bring to life and pass on the historical and social experiences and the aesthetic and political insights of the workers' movement in the years of resistance against fascism. Living in Berlin in 1937, the unnamed narrator and his peers, sixteen and seventeen-year-old working-class students, seek ways to express their hatred for the Nazi regime. They meet in art museums and galleries, and in their discussions they explore the affinity between political resistance and art, the connection at the heart of Weiss's novel. Weiss suggests that meaning lies in the refusal to renounce resistance, no matter how intense the oppression, and that it is in art that new models of political action and social understanding are to be found. The novel includes extended meditations on paintings, sculpture, and literature. Moving from the Berlin underground to the front lines of the Spanish Civil War and on to other parts of Europe, the story teems with characters, almost all of whom are based on historical figures." - from Wikipedia

"First published in Spain in 1983 and proclaimed 'an instant postmodern classic, without a doubt the most disturbingly original Spanish prose of the century' (Encyclopedia Britannica 1985 Book of the Year), Larva is a rollicking account of a masquerade party in an abandoned mansion in London. Milalias (disguised as Don Juan) searches for Babelle (as Sleeping Beauty) though a linguistic fun house of polylingual puns and wordplay recalling Joyce’s Finnegans Wake. A mock-scholarly commentary reveals the backgrounds of the masked revelers, while Ríos’s punning and allusive language shows that words, too, wear masks, hiding an astonishing range of further meanings and implications. Larva‘s tale, a reassessment of the Don Juan myth in our time, is told in single-minded pursuit of double meanings, but it is serious play. It revives a Hispanic tradition repressed for centuries by introducing the Madhatter English tradition of puns, palindromes, and acrostics, by creating Joycean echoes and pushing language to its maximum connotative capacity. Larva has been praised by such leading Spanish-language writers as Carlos Fuentes, Juan Goytisolo, and Severo Sarduy, and establishes Ríos as the most accomplished successor to Joyce." - from Amazon.com

"Winner of Mexico's Premio Novela Mexico, Spain's Romulo Gallegos Prize for best Spanish-language novel, and France's Priz de Meilleur Livre Etranger for best foreign book, Palinuro of Mexico is a masterpiece which ranks with the finest achievements of Gabriel Garcia Marquez, Carlos Fuentes, and Mario Vargas Llosa. Palinuro, a medical student, is born into a polygenetic family: Uncle Esteban, who fled from Hungary during the Great War and traveled across the world to Mexico, clinging to his dream of becoming a doctor; Grandpa Francisco, a Freemason and old-time companion of Pancho Villa; Uncle Austin, an ex-British marine; grandmothers, aunts, cousins—an eccentric menage. Since childhood, Palinuro has loved his first cousin, Estefania, with an overwhelming and consuming passion. They indulge their incestuous desires and bizarre fantasies in a room in the Plaza Santa Domingo. Drawing from a cultural cornucopia, del Paso propels Palinuro and his companions though the real and the imaginary realms of mythology, science, politics, social comment, the arts, advertising and pornography. This labyrinthine tour de force is a fusion of Rabelaisian wit, Swiftian satire, Shakespearean invention and pastiche ranging from Hawthorne to Galdos." - from the publisher

"A virtuosic epic applauded by Stanley Crouch as 'an adventurous masterwork that provides our literature with a signal moment,' back in print in a definitive new edition. 'I have an awful memory for faces, but an excellent one for voices,' muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, 'eternal wunderkind,' and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as 'Divine Days.' Joubert takes notes as he learns about both tricksters, trying to understand their significance. Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure. This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested from W. W. Norton, but were not made for their editions in 1993 and 1994. Much of the inventory from the original printing of the book by Another Chicago Press in 1992 had been destroyed in a disastrous warehouse fire." - from the publisher

"The narrator of The Tunnel is a distinguished man in his fifties, William Frederick Kohler, a professor at a Midwestern university. His principal subject, the Third Reich. He has just completed his massive magnum opus, Guilt and Innocence in Hitler's Germany. All that remains to write is an introduction. Kohler sits down to write a self-congratulatory text and finds himself unaccountably blocked. He begins instead to write an entirely other book, another history - that of the historian himself. What he writes is the complete opposite of his clearly argued, causally determined history of the Reich. It is as subjective and private as history is objective and public, as apparently shapeless and stagnant as history is ordered and directive. It is chaotic, obscure, full of lies and disguises, gaps and repetitions. Indeed, his Introduction is so personal that he fears his wife will find it, and he slides the manuscript between pages of his book, where he knows it will not be found. At the same time, Kohler begins digging a tunnel out from the basement of his house. The tunnel comes to mirror Kohler's digging into his life - his feelings, his past, his own few loves and many hatreds. The writing, the digging, the reader's reading, continue together, creating a hole driven into both language and the past, getting closer to and fleeing from the secrets of the novel's fundamental theme - the fascism of the heart."

"A gargantuan, mind-altering comedy about the Pursuit of Happiness in America Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human — and one of those rare books that renew the idea of what a novel can do." - from the publisher

"Percival Everett's blistering satire about race and writing, available again in paperback. Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel." - from the publisher

"Dazzling and ambitious, this hip, multi-voiced fusion of prose, playwriting, graphic art, and philosophy spins an epic tale of America’s struggle for civil rights as it played out in San Francisco’s Chinatown. Divided into ten novellas, one for each year, I Hotel begins in 1968, when Martin Luther King and Bobby Kennedy were assassinated, students took to the streets, the Vietnam War raged, and cities burned. As Karen Yamashita’s motley cast of students, laborers, artists, revolutionaries, and provocateurs make their way through the history of the day, they become caught in a riptide of politics and passion, clashing ideologies and personal turmoil. And by the time the survivors unite to save the International Hotel—epicenter of the Yellow Power Movement—their stories have come to define the very heart of the American experience." - from the publisher

"Gustavo 'Highway' Sanchez Sanchez is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the 'Notorious Infamous' like Plato, Petrarch, Chesterton, and Virginia Woolf. Written in collaboration with the workers at a juice factory, 'The story of my teeth' is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences and a meditation on, as Highway says, 'the variable value' of art." - from the publisher

"A big, ambitious, over-the-top masterpiece that was hailed an immediate classic upon first publication in German. Set in the East Friesia region of Germany in the mid-1970s, Against the World tells the story of Daniel Kuper, the nominal heir to a drugstore dynasty, and his struggle to free himself from the petty suspicions and violence of small-town life. A delicate, secretive boy with too much imagination and too few opportunities, he becomes the target of outrage and fear when strange phenomena convulse the town: snowfall in summer, inexplicable corn circles, a boy dead under the wheels of a train, swastikas crudely daubed on walls. Fingers point and they single out Kuper. The more he tries to prove his innocence, the more fierce the accusations are until his only option is open war against the village and its inhabitants. An unforgettable debut, Against the World is an epic account of growing up an outsider, and the pain, violence, and betrayal that accompany exclusion." - from the publisher

"Holed away in a cabin in the Pyrenees, the world-famous and enigmatic mathematician Alexander Grothendieck is working furiously on a final project. But what exactly is this monumental, mysterious undertaking? Why did this man, one of the greatest geniuses of the century, a politically militant man himself, suddenly decide to abandon politics and society altogether? As the reader pursues the answer to these questions, two layered narratives emerge. One is a series of unforgettable characters that have transfixed the mathematician's imagination: Chana Abramov, a woman obsessed with painting the same Mexican volcano a thousand times, Vladimir Vostokov, an anarchist in battle with technological modernity, and Maximiliano Cienfuegos, a simple man who will nonetheless become the symbol for the Colonel's as well as Europe's restless political conscience. The other is the protagonist's life story: a picaresque journey that traverses the 20th century: from the Russia of the October Revolution to the Mexico of the anarchic 1920s, from the Spanish Civil War to Vietnam, all the way back to France and from there to the Caribbean islands. Out of this Borgesian web emerges a tragicomic allegory for the political arch of the past century, one that began addicted to political action and ended up hooked on big data." - from the publisher

"Baking a multitude of tartes tatins for local restaurants, an Ohio housewife contemplates her four kids, husband, cats and chickens. Also, America's ignoble past, and her own regrets. She is surrounded by dead lakes, fake facts, Open Carry maniacs, and oodles of online advice about survivalism, veil toss duties, and how to be more like Jane Fonda. But what do you do when you keep stepping on your son's toy tractors, your life depends on stolen land and broken treaties, and nobody helps you when you get a flat tire on the interstate, not even the Abominable Snowman? When are you allowed to start swearing? With a torrent of consciousness and an intoxicating coziness, Ducks, Newburyport lays out a whole world for you to tramp around in, by turns frightening and funny. A heart-rending indictment of America's barbarity, and a lament for the way we are blundering into environmental disaster, this book is both heresy―and a revolution in the novel." - from the publisher

"This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry."—Parul Sehgal, New York Times

"A writer attempts to complete the novel for which he has been awarded a big fat Guggenheim grant, though for a long time he succeeds mainly in procrastinating - getting an electrician to rewire his living room so he can reposition his computer, buying an armchair, or rather, two: 'In one, you can't possibly read: it's uncomfortable and your back ends up crooked and sore. In the other, you can't possibly relax: the hard backrest means you have to sit up straight and pay attention, which makes it ideal if you want to read.' Insomniacs, romantics and anyone who's ever written (or failed to write) will fall in love with this compelling masterpiece told by a true original, with all his infuriating faults, charming wit, and intriguing musings." - from the publisher

"[...] the which being the greatest natural gift of any person. That the wise might have it for a record, that my compatriots reflect, laypersons gain some understanding, and melancholy souls obtain some slight enjoyment." - rest of the title

"In the mid-eighteenth century, as new ideas -- and a new unrest -- begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires with throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumors of his sect's secret rituals and the spread of his increasingly iconoclastic beliefs. The story of Frank -- a real historical figure around whom mystery and controversy swirl to this day -- is the perfect canvas for the genius and unparalleled reach of Olga Tokarczuk. Narrated through the perspectives of his contemporaries -- those who revere him, those who revile him, the friend who betrays him, the lone woman who sees him for what he is -- "The Books of Jacob" captures a world on the cusp of precipitous change, searching for certainty and longing for transcendence." - from the publisher

"From Mircea Cărtărescu, author of Blinding: an existence (and eventually a cosmos) created by forking paths. Based on Cărtărescu's own experience as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of existence, history, philosophy, and mathematics. On a broad scale, the novel's investigations of other universes, dimensions, and timelines reconcile the realms of life and art. The novel is grounded in the reality of Communist Romania in the late 1970s and early 1980s , including long lines for groceries, the absurdities of the education system, and the misery of family life. The text includes sequences in a tuberculosis sanatorium, an encounter with an anti-death protest movement, a society of dream investigators, and an extended visit to the minuscule world of dust mites living on a microscope slide. Combining history with fiction- the scientists Nicola Tesla and George Boole, for example, appear alongside the Voynich manuscript-Solenoid ruminates on the exchanges possible between the alternate dimensions of life and art, as various, monstrous dimensions erupt within the Communist present." - from the publisher

"This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of "the autofictional" as a theoretical lens and aesthetic strategy. In three sections on "Approaches," "Affordances," and "Forms," the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge."

"Born in 1877 in Geneva, Switzerland, Isabelle Eberhardt became a rebel at an early age. She dressed like a man so she could have access to areas forbidden to women, smoked in public, and scandalized Genevan society. Already multilingual (French, German, and Russian), she began studying Arabic language and Islamic culture and eventually converted to Islam and joined a Qadiriyya Sufi brotherhood. Eberhardt traveled throughout North Africa and wrote about her experiences in short stories, journals, and reflections. She married an Algerian and led a legendary and stormy life that included subversive political anarchism, the mysticism of Islam, numerous love affairs, and most importantly, writing unmatched by her contemporaries. Writings from the Sand, Volume 1, at once the document of a remarkable life and a literary treasure, appears here in English for the first time. Volume 1, including journals, diary entries, and observations of life in North Africa, offers a view of the culture and people of French Algeria rarely seen by outsiders—the peasants, prostitutes, mystics, criminals, and other marginalized members of a colonized society. This translation brings to life a brilliant woman ahead of her time while also raising questions—about North African history, colonialism, gender representation, and writing—that resonate in our day." - from the publisher

"Here are the first two volumes of Proust’s monumental achievement, Swann’s Way and Within a Budding Grove. The famous overture to Swann's Way sets down the grand themes that govern In Search of Lost Time: as the narrator recalls his childhood in Paris and Combray, exquisite memories, long since passed—his mother’s good-night kiss, the water lilies on the Vivonne, his love for Swann’s daughter Gilberte—spring vividly into being. In Within a Budding Grove—which won the Prix Goncourt in 1919, bringing the author instant fame—the narrator turns from his childhood recollections and begins to explore the memories of his adolescence. As his affections for Gilberte grow dim, the narrator discovers a new object of attention in the bright-eyed Albertine. Their encounters unfold by the shores of Balbec. One of the great works of Western literature, now in the new definitive French Pleiade edition translated by C.K. Scott Moncrieff and Terence Kilmartin." - from the publisher

"First published in France in 1949, The Thief’s Journal is Jean Genet’s iconic work of autobiographical fiction. [...] From a prison cell, the journal’s narrator recounts his travels across Europe in the 1930s―as a vagabond, pickpocket, and occasional prostitute―in pursuit of spiritual fulfilment through erotic trysts and evil deeds. Worshipping his own holy trinity of homosexuality, theft, and betrayal, he conducts every burglary, and each sexual encounter, with the elaborate, reverent ritual of a religious ceremony. Dressed in rags and stealing for his survival, he must evade the authorities for as long as possible. A sensuous and philosophical reverie on freedom within confinement, the heroism of the outlaw, and deception as the ultimate act of devotion, The Thief’s Journal exemplifies the exquisitely lyrical combination of fact and fiction that made Genet a major figure in world literature." - description of later edition

"Coetzee grew up in a new development north of Cape Town, tormented by guilt and fear. With a father he despised, and a mother he both adored and resented, he led a double life—the brilliant and well-behaved student at school, the princely despot at home, always terrified of losing his mother's love. His first encounters with literature, the awakenings of sexual desire, and a growing awareness of apartheid left him with baffling questions; and only in his love of the high veld ("farms are places of freedom, of life") could he find a sense of belonging. Bold and telling, this masterly evocation of a young boy's life is the book Coetzee's many admirers have been waiting for, but never could have expected." - from the publisher

"A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard. It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature." - from the publisher

"When Kjersti Skomsvold was seventeen years old and about to start engineering studies at college, she found herself almost unable to move. "Laid out like a relic" in a nursing home, she listens to an old woman dying, watches her boyfriend drift away, and makes compendious lists of her worries (that she will have to go speed-dating in a wheelchair, that she will be afraid and in pain for the rest of her life). She also begins to compose a novel on post-it notes that she sticks on the wall above her bed. This is an autofictional tour de force--a funny, sad, astoundingly energetic novel about suffering from chronic fatigue syndrome, the power of writing, and twenty-first century literary life." - from the publisher

"Tom Jones (1749) is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. At the center of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough Notes, Maps, and Bibliography." - description of the Oxford World's Classics edition

"Wilhelm Meister's Apprenticeship, a novel of self-realization greatly admired by the Romantics, has been called the first Bildungsroman and has had a tremendous influence on the history of the German novel. The story centers on Wilhelm, a young man living in the mid-1700s who strives to break free from the restrictive world of economics and seeks fulfillment as an actor and playwright. Along with Eric Blackall's fresh translation of the work, this edition contains notes and an afterword by the translator that aims to put this novel into historical and artistic perspective for twentieth-century readers while showing how it defies categorization." - from the publisher

Great Expectations is Charles Dickens's thirteenth novel. It is his second novel, after David Copperfield, to be fully narrated in the first person. Great Expectations is a bildungsroman, or a coming-of-age novel, and it is a classic work of Victorian literature. It depicts the growth and personal development of an orphan named Pip. The novel was first published in serial form in Dickens's weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes. Dickens originally intended Great Expectations to be twice as long, but constraints imposed by the management of All the Year Round limited the novel's length. The novel is collected and dense, with a conciseness unusual for Dickens. According to G. K. Chesterton, Dickens penned Great Expectations in "the afternoon of [his] life and fame." It was the penultimate novel Dickens completed, preceding Our Mutual Friend. It is set among the marshes of Kent and in London in the early to mid-1800s. The novel contains some of Dickens most memorable scenes, including its opening, in a graveyard, when the young orphan Pip is accosted by the escaped convict, Abel Magwitch. Great Expectations is a graphic book, full of extreme imagery, poverty, prison ships ("the hulks"), barriers and chains, and fights to the death. Upon its release, Thomas Carlyle spoke of "All that Pip's nonsense." Later, George Bernard Shaw praised the novel as "All of one piece and consistently truthful." Dickens felt Great Expectations was his best work, calling it "a very fine idea," and was very sensitive to compliments from his friends: "Bulwer, who has been, as I think you know, extraordinarily taken by the book. "Great Expectations has a colorful cast that has entered popular culture: the capricious Miss Havisham, the cold and beautiful Estella, Joe the kind and generous blacksmith, the dry and sycophantic Uncle Pumblechook, Mr. Jaggers, Wemmick with his dual personality, and the eloquent and wise friend, Herbert Pocket.

"At the height of his powers, the son of a poor religious minister, Per Sidenius, is a Fortunate Man. He has the whole of the approaching twentieth century in his grasp: a fabulously rich Jewish heiress as a soon to be wife; burgeoning fame as a forward and free thinking man of the New Age; success in having put his sorry childhood behind him. But just as he reaches the lofty heights of bourgeois success, Per begins to deeply question his life. A series of events then unfold which Nobel Prize winning author Henrik Pontoppidan describes with unflinching honesty and intensely human passion. Here is the hectic foment of social debate, the unrepentant greed of finance sharks, the hot coals of pure and illicit love. Then the biggest questions of all -- who am I and what have I to do?" - from the publisher

" In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man’s self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution. Published in 1916 when Joyce was already at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In an exuberantly inventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awakening. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age." - from the publisher

"From the National Book Critics Circle Award-winning author of Motherless Brooklyn, comes the vividly told story of Dylan Ebdus growing up white and motherless in downtown Brooklyn in the 1970s. In a neighborhood where the entertainments include muggings along with games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unraveling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheros, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory."

"As the boom years of the mid-eighties unfold, Nick, an innocent in matters of politics and money, becomes caught up in the Feddens' world -- its grand parties, its surprising alliances, its parade of monsters both comic and menacing. In an era of endless possibility, he finds himself able to pursue his own private obession with beauty -- a prize as compelling to him as power and riches are to his friends. An affair with a young black clerk gives him his first experience of romance, but it is a later affair with a beautiful millionaire that will change his life more drastically and bring into question the larger fantasies of a ruthless decade." - from the publisher

"Startling, unusual, and yet irresistibly readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment. Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes in industrial ruins. But her mind found freedom and promise in the science fiction novels that were her closest companions. Then her mother tried to bend the spirits to dark ends, and Mori was forced to confront her in a magical battle that left her crippled--and her twin sister dead. Fleeing to her father whom she barely knew, Mori was sent to boarding school in England-a place all but devoid of true magic. There, outcast and alone, she tempted fate by doing magic herself, in an attempt to find a circle of like-minded friends. But her magic also drew the attention of her mother, bringing about a reckoning that could no longer be put off... Combining elements of autobiography with flights of imagination in the manner of novels like Jonathan Lethem's The Fortress of Solitude, this is potentially a breakout book for an author whose genius has already been hailed by peers like Kelly Link, Sarah Weinman, and Ursula K. Le Guin." - from the publisher

"Now an HBO series: the first volume in the New York Times–bestselling 'enduring masterpiece' about a lifelong friendship between two women from Naples (The Atlantic). Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante’s four-volume story spans almost sixty years, as its main characters, the fiery and unforgettable Lila and the bookish narrator, Elena, become women, wives, mothers, and leaders, all the while maintaining a complex and at times conflicted friendship. This first novel in the series follows Lila and Elena from their fateful meeting as ten-year-olds through their school years and adolescence. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between two women." - from the publisher

"The Marriage of Minds examines the implications of the common Victorian claim that novel reading can achieve the psychic, ethical, and affective benefits also commonly associated with sympathy in married life. Through close readings of canonical texts in relation to the histories of sympathy, marriage, and reading, The Marriage of Minds begins to fill a long-standing gap between eighteenth-century philosophical notions of sympathy and twentieth-century psychoanalytic concepts of identification." - from the publisher

"The book argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we have assumed. In Victorian novels, women may marry for erotic desire—but they may, instead, insist on marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. It recovers “familiar marriage,” connecting it to the development of female subjectivity since the seventeenth century. A major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Brontës, Eliot, Trollope) but it also foregrounds women’s popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that attempts to view the marriage plot from the woman’s point of view, the book inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, we have valorized desire, individuality, and autonomy in the way we read novels. The book asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women’s marital choices in Victorian fiction." - from the publisher

"'Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Familes,and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.' (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world 'into two different Parties, Pamelists and Antipamelists', even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant's long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse." - from the publisher

" The reputation of Frances Burney (1752-1840) was largely established with her first novel, Evelina. Published anonymously in 1778, it is an epistolary account of a sheltered young woman’s entrance into society and her experience of family. Its comedy ranges from the violent practical joking reminiscent of Smollett’s fiction to witty repartee that influenced Austen. The Broadview edition is based on the second edition of the novel (1779), which incorporates Burney’s revisions and corrections. Its appendices include contemporary reviews of Evelina as well as eighteenth-century works on the family and on comedy." - from the publisher

"'It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.' With this famous declaration Jane Austen launches into the story of the five Bennet sisters. It is a story that on first reading is full of suspense, surprise and, ultimately, satisfaction, and which on re-reading commands, in addition, admiration for the author's supreme skill in managing a deceptively complex plot to its triumphant conclusion. First published in 1813, and Austen's most popular novel in her own lifetime, Pride and Prejudice has since been widely recognised as one of the finest novels in the English language. The volume provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life, and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen." - from the publisher

"In Sense and Sensibility, the warmth between two very different sisters contrasts with Austen's deliciously precise observation of vanity, selfishness and snobbery. With Mr. Dashwood's death, his wife and two daughters, Elinor and Marianne, must accustom themselves to genteel poverty. When Marianne meets the man of her dreams, everyone expects a marriage; unaccountably, he rejects her, with devastating effect. It falls to Elinor, the sensible elder sister, to pick up the pieces, while harboring a secret longing of her own." - from the publisher

"Jane is the governess to the young ward of the mysterious Mr. Rochester."Jane Eyre has enjoyed huge popularity since first publication, and its success owes much to its exceptional emotional power. Jane Eyre, a penniless orphan, is engaged as governess at Thornfield Hall by the mysterious Mr Rochester. Her integrity and independence are tested to the limit as their love for each other grows, and the secrets of Mr Rochester's past are revealed. A brilliant new edition of this flagship of Victorian fiction, this book includes a new introduction and revised notes from one of the foremost Brontë scholars. This text is based on the definitive Clarendon edition, based on the original editions of Brontë's great work." - from the publisher

"Son of a bankrupt landowner, Frank Gresham is intent on marrying his beloved Mary Thorne, despite her illegitimacy and apparent poverty. Frank's ambitious mother and haughty aunt are set against the match, however, and push him to save the family's mortgaged estate by making a good marriage to a wealthy heiress. Only Mary's loving uncle, Dr Thorne, knows the secret of her birth and the fortune she is to inherit that will make her socially acceptable in the eyes of Frank's family - but the high-principled doctor believes she should be accepted on her own terms. A telling examination of the relationship between society, money and morality, "Dr Thorne" (1858) is enduringly popular for Trollope's affectionate depiction of rural English life and his deceptively simple portrayal of human nature." - from the publisher

"In Thomas Hardy’s first major literary success, independent and spirited Bathsheba Everdene has come to Weatherbury to take up her position as a farmer on the largest estate in the area. Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, the soldier-seducer Sergeant Troy, and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. One of his first works set in the semi-fictional region of Wessex, Hardy’s novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships." - from the publisher

"Lyric and sensual, D.H. Lawrence’s last novel is one of the major works of fiction of the twentieth century. Filled with scenes of intimate beauty, it explores the emotions of a lonely woman trapped in a sterile marriage and her growing love for the robust gamekeeper of her husband’s estate. The most controversial of Lawrence’s books, Lady Chatterly’s Lover joyously affirms the author’s vision of individual regeneration through sexual love. The book’s power, complexity, and psychological intricacy make this a completely original work—a triumph of passion, and a celebration of life." - from the publisher

"The mid-twentieth century British novelist Elizabeth Taylor numbered among her admirers Elizabeth Bowen, Ivy Compton-Burnett, and Kingsley Amis. She also regularly published stories in The New Yorker for close to two decades. For all that, her work, as steely as it is delicate, remains the secret of a small number of intensely devoted readers. The publication of her finest novel, A Game of Hide and Seek, long unavailable in the United States, should help to change that. This is an unabashed love story, capturing all the uncertainty and inevitability and deceptiveness of true love, tracking the shifting currents of emotional life, and never yielding to melodrama. Set in Britain between the wars—a time of transition between old convention and new ways—the book’s heroine is Harriet, the only child of a suffragette, whom we meet as a shy and domestic and not especially smart or pretty girl. At eighteen she falls in love with Vesey, but after Vesey must go away, she marries another man, Charles, and bears a child. Then Vesey returns. Love is at the center of the book, but so too is Taylor’s extraordinary knack for depicting characters. The minor figures in the book—from Harriet’s mother’s friend Caroline, with her progressive politics, to Charles, his coworkers, and his mother, to Betsy with her schoolgirl crush on her Greek teacher—are as memorable as the passion and heartache of Harriet and Vesey." - from the publisher

"Shanghai, 1930s. Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family's efforts to match him with his wealthy cousin so that he can marry the woman he truly loves. But dark circumstances--a lustful brother-in-law, a treacherous sister, a family secret--force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope--however slim--that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China." - from the publisher

"Set in the elegant Edwardian world of Cambridge undergraduate life, this story by a master novelist introduces us to Maurice Hall when he is fourteen. We follow him through public school and Cambridge, and into his father's firm. In a highly structured society, Maurice is a conventional young man in almost every way―except that he is homosexual. Written during 1913 and 1914, immediately after Howards End, and not published until 1971, Maurice was ahead of its time in its theme and in its affirmation that love between men can be happy. 'Happiness,' Forster wrote, 'is its keynote.…In Maurice I tried to create a character who was completely unlike myself or what I supposed myself to be: someone handsome, healthy, bodily attractive, mentally torpid, not a bad businessman and rather a snob. Into this mixture I dropped an ingredient that puzzles him, wakes him up, torments him and finally saves him.'"

"Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? It's the early 1980s. In American colleges, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine studies the age-old motivations of the human heart, real life, in the form of two very different guys, intervenes---the charismatic and intense Leonard Bankhead, and her old friend the mystically inclined Mitchell Grammaticus. As all three of them face life in the real world they will have to reevaluate everything they have learned. Jeffrey Eugenides creates a new kind of contemporary love story in 'his most powerful novel yet' (Newsweek)." - from the publisher

"In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth. The first novel originally written in Arabic to ever win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, Celestial Bodies marks the arrival in the United States of a major international writer." - from the publisher

"Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn't want an arranged marriage. Then she meets Khalid who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and dresses like he belongs in the seventh century. When his engagement to Hafsa is announced, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself." - from the publisher